HOW TO MANAGE MAJOR CAREER SHIFTS AND COME OUT ON TOP: FEATURE INTERVIEW WITH FORMER BIOLOGY PROFESSOR, NOW HOMESCHOOL MOM AND KIDLIT AUTHOR DANNA ZEIGER, CONDUCTED BY KIDLIT AUTHOR AND LITERARY BLOGGER, CHELSEA DICICCO

In today’s Feature Interview, I’m chatting with former Biology Professor, now Homeschool Mom and Children’s Book Author, Danna Zeiger. We’ll be discussing accessibility and disability awareness in kidlit, as well as how to manage major career shifts and the many hurdles they come with, and why the benefits outweigh the struggles.

Danna, it’s wonderful to have you with us! Can you tell us where you’re joining us from today?

Thank you so much for having me, Chelsea! I’m so excited to be here. I’m joining you from the Boston area.

How did you hear about Chelsea’s World of Books Literary Blog, and what made you want to apply for a guest Feature Interview?

I’ve read several of your fantastic, thorough interviews, so when I saw the application window open last year, I knew I had to try!

I was intrigued by your application, and I’m excited to learn more about your “unconventional route to publishing.” My hope in sharing your interview is to inspire others to chase their dreams- nothing is impossible if you don’t give up! So, let’s jump right in. Could you tell us about your day job before children’s publishing was in the mix?

Thanks! I was a biology professor and the program director for the biology bachelor’s degree at a local college. I had been in the unique position to create the program before running it for seven years. I come from an immigrant family myself, so it was especially fulfilling to serve disadvantaged and first-in-the-family students from diverse backgrounds. I taught lectures and labs from first-year biology (or non-major!) students all the way through the senior thesis course for my seniors. I helped them secure solid internships and got them ready for the world. I partnered with neighboring institutions and universities to create interesting lecture series or research opportunities. I advised dozens of students through their college experience, ensuring they made some good choices and shepherding those who were graduate school bound. My students often had one–or three!–full-time jobs on the side to get themselves through college, so there was also lots of time spent counseling students, helping them manage all of their responsibilities, and working creatively to make it happen, as well as drawing out challenging biology pathways on my whiteboard in my office during office hours. I served on college committees, worked on new course and degree development, and overall had a full and busy life as a professor.

Now enter the *spark* that started it all. What was that beginning spark for you that made you take the leap in shifting careers from Biology Professor to Homeschool Mom and Children’s Book Author?

When COVID hit, I resigned from my position, much to the shock of many people in my professional, friend, and family circles. But with a newborn baby who needed a lot of caretaking (and no nannies to be found at the time), a preschooler for whom Zoom school did not work, and a sobbing elementary school child frustrated with online learning, plus immunocompromised people at home and not enough remote work support, it simply was not possible for me to stay in my position. 

I started homeschooling all three kiddos and was devouring hundreds of books, reading each month with them.

One day, while running a writing exercise for the kiddos after reading Chris Van Dusen’s If I Built a House, I had an idea for a picture book.

I should mention that, in addition to being a perpetual bookworm, I have always been a creative writer, naturally gravitating towards poetry and literature since I was a young kid, writing poems in multiple languages, and finding creative outlets my whole life. So it was well within my bucket list to one day become an author, especially a children’s book author. I just always thought that day was long in the future.

When I told my husband my picture book idea that “someone” should write, he responded with, “yes, you should.” I was shocked at first, but dove into what it took to become a traditionally published children’s book author, thanks to my dear friend who happened to be personally connected to Chana Stiefel (what an author giant to get to know!!!), and Chana kindly, generously offered both feedback and guidance on what it takes. While our mutual friend, who was initially mildly interested in what Chana might say, pretty much ran away screaming, Chana’s long list of hard work felt exciting and fascinating to me. And that is how I knew it was worth pursuing!

I give my husband a lot of credit, both for initially encouraging me to try it and then continuing to remind me that I must invest in myself and take myself seriously as an author if I want to become one. I took classes, joined critique groups, and carved out time from our busy homeschooling schedule.

-Amazing! We love hearing about supportive husbands. I am thankful enough to have one of those myself! They can really help boost your courage and belief in yourself.

Tell us about that beginning time. What were your thoughts? I’m guessing it was a mixture of scary and exciting- all the best things in life are. 🙂

It was a really exciting time! For me, the scariest part had already happened–leaving my job. I did worry about striking a balance between homeschool and writing, but my kids were my cheerleaders from day one, and I was able to take it for myself without them feeling it. 


This was an exciting new prospect, but I definitely had imposter syndrome. Did I have what it took? I was a biology professor–what made me think I could write creatively, professionally? I hadn’t been an English major (although I loved my English classes and had taken AP Creative Writing!), so I had real concerns!

It was a steep learning curve: learning how the industry worked, learning to critique and receive feedback, finding groups and critique partners, the writing and publishing organizations. What was an imprint vs. a publisher vs. an editor? I truly have a whole bookshelf with publishing books I’ve read (in addition to the library ones I borrowed) in order to figure all of this out.

I quickly realized I should not submit to publishers alone and that I needed an agent. I did the thing you’re not supposed to do and queried with my very first manuscript! It did land me an agent, thankfully, but it did not land me a book deal… yet. Hooks, saleability, and the business side of publishing matters… I still had a lot to learn!

What were/are some of the hurdles that you’ve had to overcome, and how have you been able to do so?

I think publishing is mostly full of hurdles, a lot of luck, with a few spotlights of wins, LOL! I probably carry some intensity from my academic career with me, and I’m not afraid of hard work. So I try to throw everything I’ve got into this basket and push past the challenges!

Personally, it was challenging to carve out enough time for myself, so I had to get creative. Nap time? Quick, read through a new manuscript. Sitting with the kids at their activity, like gymnastics or dance? I had a critique partner’s manuscript queued up to read and comment on. Bedtime for kiddos? Yes, I loved writing so much that instead of watching TV, I would plow away at my manuscripts.

In terms of publishing, I wished for an agent so badly. I was fortunate to find one pretty quickly, and she is a great agent who makes awesome deals. However, I quickly learned that as an author, I needed more communication from my agent, so I voluntarily thrust myself back into the trenches. Luckily, I got another agent quickly again–and this time, this was a career match! Jonathan got me my first book deal and was a great support. Sadly, he decided to leave agenting (another hurdle), but my agency stepped in and had my back. A new agent absorbed some of his old clients, and my current and hopefully forever agent, Gaby Cabezut, read my work and decided to take me on! Exceptional luck, I know.

There are so many hurdles still to overcome. I have loads of ideas and work on many projects. Trying to assess which are the most marketable with the most hooks is tough. Bringing a manuscript to the true polished state–giving it time (another hurdle!) and reading it with new eyes is also tough. I’m also always trying to diversify my portfolio and write in new genres and categories. 

Have there been any organizations/contests/resources/people who have helped you stay positive and motivated to continue pursuing this path?

Oh, yes! Apologies in advance for this long answer, and even bigger apologies for anyone I might inadvertently leave out–but the kidlit community is so supportive, and I have had so much help along the way.

I mentioned Chana Stiefel–she will forever be my very first critique and serious foray into children’s book publishing.

I joined Storyteller Academy, and the very first editor I listened to was this animated, articulate, smart STEM editor! I learned a lot from her one session. Ironically, she–Carol Hinz–became my first editor years later! I wisely did not submit any manuscript at the time, despite the submission opportunity, because I intuited that my work was just not good enough yet for such a sharp reader. And I can say now that I was right!

I joined SCBWI and attended virtual conferences. I joined Facebook groups, and critique groups kindly welcomed me. Thanks to Covid, everything was online, so local groups were open to someone who geographically lived even an hour away. Thanks forever to so many critique partners who welcomed me into already established groups comprising phenomenal members. 

I’ve tried various things. I’m grateful to Inked Voices for many opportunities and workshops, from which I’ve also learned so much!

But way back when I started, and had only just become agented, I still felt pretty unsure of myself. I entered my very first writing contest in my entire life: Vivian Kirkfield’s famous 50 Precious Words Contest. I’m not sure if she and the judges will ever fully understand what they did for me, but placing 5th out of 750 strong writers, judged by real authors, with incredible, real prizes to boot, was my very first sign that I might not be insane for trying this writing endeavor! I won an invaluable critique by editor Thalia Leaf, who offered me essential insight I continue to carry. I continued on with other contests, including Kaitlyn Sanchez and Ciara O’Neal’s Spring Fling Contest, where I placed first and won a critique with the amazing Alyssa Henkin. Alyssa’s feedback helped me bring my debut book’s manuscript closer to the finish line, and I’m forever grateful. I’m also grateful to Lynne Marie and her Rate Your Story Contest, where I won first place, and she continues to support my work. Other contests and wins have been great, too–like Susanna Leonard Hill’s Holiday Contest. There are so many amazing opportunities! And so, so many kidlit people stepped up as my debut launched to host me for interviews, celebrate my cover reveals or launch, or promote me in any way possible!

And I would be extremely remiss not to mention PJ Library. If Vivian Kirkfield’s contest was the first to make me feel like I might be able to hack writing, PJ Library was the first organization to award me a monetary prize and sponsor me, in-person, into a tight community I continue to love today. PJ Library sent me to the Highlights Foundation Retreat Center for the most transformative experience with twenty other Jewish authors I’m still in touch with. This incredible group has been critical through the last two years and soaring antisemitism, as well as personally, as my dad passed away, or when my kids have had emergency surgery, etc. 

PJ Library also awarded me a Highlights scholarship, where I learned so much from Harold Underdown and Eileen Robinson, as well as what used to be called the Partial Author’s Incentive award for my pre-published middle grade. Finally, PJ Library also awarded me a Sephardic Stories Initiative fellowship, where I have been immersed with a new community and have been able to dive deep into stories I had tried to write a while ago, and have given more energy and oxygen to lately. As far as organizations go, I am indebted to PJ Library and will need to write them into every single acknowledgement of hopefully many books to come. They have been incredibly supportive of my writing career, and I have learned so much, networked, met many people, found communities, and grown as a writer, all thanks to them.

-So many fantastic community resources and groups you mentioned here, Danna! Thank you for all the shoutouts. I am familiar with all of the above-mentioned groups/contests and could not speak more highly of their positive impact!

Looking back, would you say that the benefits outweigh the struggles? Why or why not?

Absolutely! Publishing is a long hill to climb, but the views sure are breathtaking. I truly feel like I am living my dream.

For readers who may be early on in their publishing career stages (pre-pubbed/pre-agented), could you share a bit about your process… querying, rejections, timeframe, etc?

The best advice I can give people early on is to do more of three things than they think they need:

  1. Read! However much you read, read more. Whatever you want to write, read more! Study the books, analyze them, find the patterns, study what is successful and what is not, form opinions about what works best, think about the openings/closings, etc.
  2. Give it time! Whenever you think a manuscript is ready, put it down and pick it up again in a few weeks or more. I’m the most eager to birth every story, and I need to slow myself down.
  3. Make connections! Find support networks, critique groups, attend webinars, and find every opportunity to connect with other authors, agents, editors, and publishers.

None of publishing is in any of our control. I think you have to really want it, and if you do, pour yourself into it. I’m a big fan of hard work, and it still often takes a while to pay off. But the most important piece is really the manuscript. Writing your best work, thinking about hooks and saleability, etc. The query letter itself doesn’t matter as much as the manuscript itself. And an agent doesn’t guarantee you a book sale. If you keep giving your best effort, eventually, at some point, you will reach your milestone–be it agent, book deal, or whatever.

“None of publishing is in any of our control. I think you have to really want it…” – Danna Zeiger

So, you finally land your publishing partner- AKA your literary agent! Could you tell us about how that happened? Cold query? Event? Special opportunity? Etc.

Yes! Gaby Cabezut! I mentioned above that my agent #2, Jonathan Rosen, decided to leave agenting. Gaby was newer and she looked through Jonathan’s clients’ work–and decided to offer me representation! I’m so grateful. Jonathan told me Gaby was sweet and smart, and he was so right! Every time I chat with Gaby, I come off of our Zoom with a huge smile and feeling incredibly supported. She is smart and savvy, a fantastic advocate, and gives excellent guidance. It has been an awesome ride together and I’m pretty sure now that Gaby is not only officially my longest standing agent, I hope that she will be my forever agent!

What was your agent call like, and how did you know that your agent was the right fit for you? (This is such an important piece of information for readers to know, because not EVERY agent is the RIGHT agent. So much of a positive agent/author relationship depends on the right “fit.”) What things do you find to be “green flags” in a good author/agent relationship? And what words of advice would you give to a person who’s looking for representation for their writing?

I have been lucky to have had four agent calls. The first time in the trenches, I got two offers! My second time in the trenches, I had a call with Jonathan. And luckily, Gaby didn’t make me go back into the trenches–so as part of the transfer when Jonathan left, I Zoomed with both Gaby and the president of our agency.

So from these four calls, I think the essential pieces are getting a feel for each other, feeling comfortable together, and feeling like this is a nice person, and someone who not only loves your work but will champion it. A lot of publishing, as it turns out, is relationship-building. Making sure you are kind and that the other person is kind. I think sometimes either might need grace, and allowing space and that grace as life necessitates, is key. And also, that communication styles match. I learned with my first agent that communication is really important to me.

“I think the essential pieces are getting a feel for each other, feeling comfortable together, and feeling like this is a nice person, and someone who not only loves your work but will champion it.” – Danna Zeiger

For others who may be setting out on the same (or a similar) journey as yours, what are some words of encouragement that you’d like to share about identity shifts and major career shifts?

Major career shifts are hard, especially when you like your previous career. I think allowing a grieving period is natural and okay–I certainly took one. For me, I felt like I didn’t have a choice. Zoom wasn’t going to change my infant’s diaper or feed him, or develop my preschooler, and my oldest child needed guidance. I think, just like in children’s books, having agency makes a big difference. Since I didn’t feel like I had a choice, it took me some time to accept the situation. Luckily, I was able to dive into homeschooling, and I really loved it.

What has saved me, though, is that at the end of the day, my overarching net emotion is that I feel grateful for these immense privileges. It is a privilege to be able to homeschool–I certainly recognize that. And, it is equally a privilege to have the opportunity to pursue this dream of becoming a children’s book author. Giving space for the grief and all of the messy feelings has also allowed me to process and find both perspective and gratitude.

So, for those setting out on major career shifts: be patient with yourself! Feel the feelings! And, follow your passions. No matter where the road ends, the journey will be fulfilling.

-Love this advice! So true!

“So, for those setting out on major career shifts: be patient with yourself! Feel the feelings! And, follow your passions. No matter where the road ends, the journey will be fulfilling.” – Danna Zeiger

You mentioned in your application how important disability awareness is for kids and gatekeepers. Could you speak more to this?

I hope kids take away from my book how to approach people with disabilities in their future—as people. Our world is rife with ableism, stereotyping, and hurtful assumptions. They can cause physical pain, even as Dr. Kathleen Friel experiences when well-meaning strangers try to grab her when they think she needs help. She has needed to go to the ER from these well-meaning strangers!

Speaking of disability awareness, I know that you have a lot of great information on this in your book. Could you tell us more about that?

Yes! The book itself shows how Dr. Friel has had to educate so many classmates, labmates, and even doctors about cerebral palsy–and how exhausting that advocacy work is. The book also makes clear how Dr. Friel is able to find her own way to do certain tasks, but also that it is often much harder for her. The back matter offers more information about all of these subjects, as well as how Dr. Friel herself is an amazing and award-winning advocate. I actually have a teacher’s guide that anyone can download.

What is your big “why” or motivation for writing for kids? What does it bring you, and what do you hope it will bring your readers?


Kids are the keys to our future world. Kids are the future. I believe that the best way to fix our world is by reaching kids and building our stronger future, today.

My lifelong mission has always been to make STEM accessible and to bring underrepresented stories to the forefront. I’ve simply shifted from doing this as a college professor to a children’s book author, and hopefully I can reach a wider audience.

We’ve touched on your writing and its inspiration, but I’d love to hear more about your homeschooling journey and the resources that you offer. Could you shed some light on this for our readers?

When COVID hit, parents everywhere were bewildered, overwhelmed, and exhausted. Truly, my youngest baby was not held, changed, or comforted by any hands other than mine and my husband’s for a year and a half!! It was rough. I quickly started trying to channel some of my college teaching into my kids and trying to think of exciting activities, experiments,and STEM projects. I posted about them on my personal social media (while I don’t always love social media today, the connection it offered during Covid was so helpful!) and started getting questions from fellow bewildered parents. 

After plenty of answers, I decided to catalog our journey and share the resources with other parents, too, which ultimately became @DrZatHome.  

I wanted the @DrZatHome platform specifically to be free, and even as it grew, I continued to decline any paid sponsorships. I’m glad I did! Every recommendation I made, I truly made with a whole heart. I also felt a lot of freedom to post when I wanted, and about content that I felt passionate about. And, when my writing started to pick up, I felt no qualms about pausing for a bit.

What have been some of the responses you’ve received to your books and/or homeschool resources from parents/educators/kids?

In terms of homeschool resources I’ve shared, the pandemic was a critical point where many parents felt alone and ill-equipped to suddenly entertain, educate, and occupy all of their kids’ time. I felt overwhelmed, too! Coming online and sharing my resources felt like giving and receiving virtual hugs from all parents everywhere, and the messages of appreciation (and camaraderie, and mutual overwhelm) made me emotional. Whenever anyone shared that my content helped entertain a kiddo, or better yet, that their kids learned and got excited, it really made my day.

And my book experience!! Well, this has been a heart-warming experience, to say the least, and I have witnessed how books can be both windows–as kids tell me they want to be brain researchers too, and their horror at what Kathleen has had to endure–as well as mirrors. Various kids with disabilities, including cerebral palsy, or simply identified as disability advocates, have chatted with me and bought my book at book festivals or author events.

Have you been able to attend/participate in any local in-person/virtual author events? (Schools, libraries, book stores, etc?) If so, we’d love to hear about them and see some pictures if you have them!

Yes! I’ve done quite a few! In-person, I have had:
-A bookstore launch
-Several library and school events
-A book festival
-Signings in various bookstores
-An author talk hosted by No Place for Hate, the Waquoit Congregational Church, the Jewish Congregation of Falmouth, and Eight Cousins Bookstore, and
-A panel presentation and author signing at NCTE

Book Launch – held at Hummingbird Books
IG @hummingbirdbookstore
Bookstore signing
Library Event- held at Newton Library
IG @newtonfreelibrary
NCTE Danna and Editor Carol Hinz at Lerner Booth
No Place for Hate Event
No Place For Hate Author Talk

My book was also featured in the Closing General Session at the 2025 American Academy for Cerebral Palsy and Developmental Medicine meeting!

I also had a blog tour, thanks to the incredible kidlit community–yourself included! You can find all of my interviews on my website. What a massively supportive group of people and friends who come out in droves to cheer side-by-side! Thank you for all that you and others do!

I’ve had two podcast interviews: one was with my amazing former agent and friend, Jonathan Rosen, who now hosts two successful podcasts.

And the second was with my dear friend, Mel Rosenberg, host of New Book Network.
Both were remarkably different yet equally fun and exciting–it felt like such a virtual hug and celebration of my book!

My book has been shared by some incredible influencers, whom I admire so much: in the homeschooling, disability, science, and mom communities. I’m so grateful for their support!

My book was also shared in the Cape Cod Times and The Enterprise.

Finally, not my own promotion work, but I’m so grateful that my book has won Best of 2025 by the Chicago Public Library, Best of 2025 by School Library Journal, and Outstanding Science Trade Books for Students K–12 2025 by the National Science Teachers’ Association. So proud of and grateful for the whole team involved in creating this book!

It has been exceptionally busy!

What is something you wish you had known about publishing earlier on?

That there are no guarantees! Even having an agent does not guarantee a book deal. So the only way forward is hard work, an open mind to feedback, and excitement over the work!

“[In publishing] there are no guarantees! …The only way forward is hard work, an open mind to feedback, and excitement over the work!” – Danna Zeiger

What’s one piece of advice that you’d like to share with other writers?

Be resourceful–read lots of books, take classes, speak to people, seek feedback. It takes all the things and a lot of work!

Any final words of wisdom or something you’d like others to know?

Make sure your story is unique and adds something new. Not all well-written stories will be made into books (this goes for myself, too!) because there are soooo many manuscripts being queried, and still a lot of competition on the shelves. In order for a book to do well at each step, it simply must stand out!

Thank you so much for spending some time with us today. We truly appreciate you and all the hard work you do to make a safe and inclusive place for kids with disabilities, and the awareness you spread with your stories. And now, it’s time for a giveaway!

GIVEAWAY

For the month of December 2025, Danna is offering one prize to one winner: a picture book critique. Non-rhyme. Fiction: up to 600 words. Non-fiction: up to 800 words.

HOW TO ENTER THE GIVEAWAY

Like this post and share it on X/Instagram or retweet/repost mine (during the corresponding month/year) and tag me X @chellysbooks / Instagram @chelseasworldofbooks. If you don’t have X or Instagram, you can enter by liking this post and dropping a comment at the bottom of the Feature Interview article.

DEADLINE TO ENTER: LAST DAY OF THE MONTH AT 11:59 PM CST.

Did you enjoy this interview?

Thank the author & host by purchasing or reviewing a copy of one of their books or by requesting it be purchased by your local school or library! Using the sponsored links below to purchase also helps support this blog.

Purchase ADHD and Me HERE.

Purchase Rewriting the Rules HERE.

Before pursuing her aspirations as a children’s literature author, Danna Zeiger was a Biology Professor and Program Director for Fisher College’s Biology Program, teaching and mentoring disadvantaged and first-in-the-family students from diverse backgrounds. While homeschooling her three spirited kids, Danna established a STEM accessibility and educational resource entitled DrZatHome. Danna’s debut STEM nonfiction picture book, REWRITING THE RULES: How Dr. Kathleen Friel Created New Possibilities for Brain Research and Disability, was released this past September and has recently won Best of 2025 by the Chicago Public Library, Best of 2025 by School Library Journal, and Outstanding Science Trade Books for Students K–12 2025 by the National Science Teachers’ Association. Her unpublished novel-in-verse was recently awarded the PJ Our Way Partial Author’s Incentive Award. Danna is represented by Gaby Cabezut at The Seymour Agency. CONNECT: @home_zat (x/Twitter) @DrZatHome (IG and Bluesky) website: http://www.dannazeiger.com.

JULY 16TH, 2025 FEATURE INTERVIEW WITH INDIE CHILDREN’S BOOK AUTHOR, RENEE BOLLA, CONDUCTED BY KIDLIT WRITER, BLOGGER & FORMER LIBRARIAN, CHELSEA DICICCO: WHY SELF-PUBLISHING WORKS AND WHERE TO START

In today’s Feature Interview, indie children’s book author Renee Bolla opens up about her transition from a 20-year career in the corporate fashion world into kidlit publishing. She offers insight and tips on self-publishing, important first steps, what she wishes she had known earlier, and explains why indie publishing was the right route for her.

Renee, it’s so wonderful to have you here with us! Could you tell us where you’re joining us from today?

Birmingham, MI.

How did you hear about Chelsea’s World of Books Literary Blog and the Feature Interview segment?

I first connected with Chelsea’s World of Books on Instagram. It was one of those organic, mutual-follow moments where I immediately felt a sense of kinship as a fellow author, writer, and someone who cares deeply about community. I’m drawn to people who are building something authentic and inclusive, and that’s exactly what I felt when I landed in your literary world.

– Aw, I love this! I’m so glad you felt that connection. That’s definitely the feeling I want to impart to people visiting my page.

You mentioned in your bio that you transitioned from fashion retail to writing for kids. I’d love to hear how that came about! What led you to publishing? And when did your publishing journey begin?

Twenty years in corporate fashion retail taught me a lot, but it also came with its share of constraints. I grew up in a world of red tape and polished decks, where creativity was only applauded if it checked all the boxes. I spent years being the “do-it-all” working mom, managing a $2B business by day and raising three young kids at home. On the surface, it looked like I had it all together. Inside, I was exhausted. Disconnected.

“I grew up in a world of red tape and polished decks, where creativity was only applauded if it checked all the boxes… On the surface, it looked like I had it all together. Inside, I was exhausted. Disconnected.” -Renee Bolla

Then came the fall of 2020. Another busy morning on autopilot, lemon water in hand, makeup on, getting the girls ready, logging into Zoom, and yet something felt different. My gut had been whispering for years that something had to change, but I kept pushing it down. Until one day, I finally listened. I resigned after two decades in corporate. And while the decision was empowering, it also felt like a loss. I grieved that version of me. But in the stillness that followed, I found space to imagine a new version of myself.

– What an honest way of putting it. I can only imagine the emotions and thought process involved in this decision. It takes great courage to make big changes, especially if it’s been your way of life for a number of years, and you’re embarking on unfamiliar territory.

I didn’t leap into publishing with a full manuscript or a business plan. I started with stillness, with letting myself feel (thanks, Dad, for this advice). And from that quiet space, ideas started pouring in. My daughters became my muses. I found myself dreaming up stories rooted in our everyday lives. And before I knew it, the next chapter of my life began. I just had to be brave enough to embrace it.

I self-published my first picture book, Finding Bunny, in early 2022, with Imagine That following late 2022, and my latest book, The Truth About Stepmoms, in early 2024. One for each of my daughters.

“I didn’t leap into publishing with a full manuscript or a business plan. I started with stillness, with letting myself feel (thanks, Dad, for this advice). And from that quiet space, ideas started pouring in.” – Renee Bolla

What kind of genres do you write in and for what age groups? 

I write children’s picture books, primarily for readers between the ages of 4 and 9. Picture books were a natural entry point for me. When I started this journey, my daughters were 2, 7, and 10, and our home was overflowing with stories (still are). Some books had been passed down for over a decade, and a few were even from my childhood, specifically The Monster at the End of This Book. This was the story my dad read to me at bedtime during his weekends, and it still holds a place in my heart. Sharing those pages with my girls, seeing the same characters come to life for them that once lit up my imagination, felt full circle. 

There’s something magical about picture books. I love how they create space for shared reading moments between kids and adults. They spark questions, curiosity, and conversations that linger. That’s the kind of storytelling I want to offer, heartfelt and rooted in connection.

-YES!!! This sums it up perfectly, and I couldn’t agree more!

There’s something magical about picture books. I love how they create space for shared reading moments between kids and adults. They spark questions, curiosity, and conversations that linger. That’s the kind of storytelling I want to offer, heartfelt and rooted in connection.” – Renee Bolla

What made you decide to go the independent route, and do you think you’ll continue indie publishing route or eventually pursue traditional? Explain.

I came into publishing at a time when self-publishing was being embraced rather than dismissed, and that changed everything for me. I knew right away that I wanted to self-publish. I wanted full creative control over every detail of the story and the illustrations. I wanted my daughters to see themselves in my stories, and not just metaphorically. I also didn’t want to wait years for someone else to decide those stories were worthy of being told.

“I knew right away that I wanted to self-publish. I wanted full creative control over every detail of the story and the illustrations. I also didn’t want to wait years for someone else to decide those stories were worthy of being told.” -Renee Bolla

Self-publishing gave me the freedom to move on my own timeline. I could publish while my girls were still young enough to curl up next to me and see their reflections on the page. That window of time felt too sacred to miss.

“Self-publishing gave me the freedom to move on my own timeline.” -Renee Bolla

That said, I’m not opposed to traditional publishing in the future. I believe there’s room for both in a writer’s journey. But for now, indie publishing fits me. It’s nimble, empowering, and has allowed me to build a business that reflects my values and vision from the inside out.

-Beautifully put!

Tell us more about your indie journey! What were some of the steps involved in getting your foot in the door for this new, exciting venture?!

This is a big question. Where do I begin? Publishing was a whole new world for me. I had so many questions in the beginning, more than I can count. But what surprised and uplifted me most was how welcoming the writing community was. I started reaching out to anyone willing to share their experience. I asked a lot of questions. And people responded with openness, encouragement, and generosity. That support became the foundation for everything I would build next.

-Questions are a great place to start! And yes, the kidlit community really is such a warm and inviting place.

I joined the 12×12 Picture Book Challenge and became a member of SCBWI. I participated in critique groups and learned to embrace feedback, even when it stung. I followed writers and illustrators on social media, watched webinars, and read books like Writing Picture Books by Ann Whitford Paul, anything to move my writing journey forward. I even took workshops through the Highlights Foundation, which helped me grow both as a writer and a storyteller.

-These are all great first steps. Asking questions. Joining writing groups. Participating. Embracing feedback (this one is hard at first, but CRUCIAL for growth as a writer). Expanding your writing circles. Webinars, books, and workshops- all fantastic.

Every connection I made along the way mattered. Each conversation, critique, or workshop taught me something I didn’t know the day before. And I can’t forget the unwavering support of my family, they were right beside me, cheering me on, reading early drafts, and reminding me to keep going when imposter syndrome crept in.

The biggest step? Hitting publish for the first time. It was terrifying, thrilling, and deeply rewarding. That moment marked not just the release of a book but the beginning of a new chapter I never knew I was meant to write.

What’s something you wish you had known earlier about that you’d like to share with readers who may be considering self-publishing?

That you don’t have to do it all, and you don’t have to do it all at once.

When I first started, I thought I had to have every detail mapped out, from an airtight marketing plan, polished website, and a full social presence, before even whispering that I was writing a book. I spent too much time trying to get it all “just right” and not enough time simply sharing the journey.

If I could go back and tell myself one thing, it would be: Start talking about your book early. Let people in. Share the process, the why, the messy middle. Build community around your story before it’s released. You don’t need a finished product to start creating connection.

I also wish I hadn’t listened to imposter syndrome quite so much. That voice in your head that says, Who am I to do this?, is loud at the beginning. But the truth is, no one else can tell your story the way you can. Your voice matters, even when it shakes.

You will make mistakes. You will learn things the hard way. But you will also grow, build confidence, and create something real. And that’s more important than perfect.

If I could go back and tell myself one thing, it would be: Start talking about your book early. Let people in. Share the process, the why, the messy middle. Build community around your story before it’s released. You don’t need a finished product to start creating connection.” -Renee Bolla

What are some challenges you’ve faced, and how have you been able to overcome them?

One of my biggest challenges has been unlearning perfectionism. After two decades in the corporate world, I was conditioned to believe that success meant flawless execution. That every decision needed to be backed by data, every step reviewed, and every mistake avoided at all costs. But the creative process doesn’t work that way. It’s messy. Vulnerable. And deeply human.

Letting go of the pressure to do it “right” the first time was, and still is, an ongoing journey for me. I had to learn to take imperfect action. To publish, promote, and pivot without having all the answers. That’s terrifying when you’re used to operating in a world of forecasts and performance reviews.

Another challenge has been visibility. As an indie author, you wear every hat: writer, marketer, publicist, distributor. Getting my books into readers’ hands takes consistent effort and creative thinking. But I’ve found success by leaning into what I value most, connection. Whether it’s school visits, community events, or author meet-ups, the more I connect with real people, the more meaningful my journey becomes.

What have been some of your greatest moments and highlights in Kidlit Publishing?

Hands down, one of the most unforgettable moments was watching my daughters hold my book for the first time. Seeing their faces light up as they flipped through the pages, pointing out characters who looked like them and moments pulled from our real lives, it was surreal. That moment alone reminded me why I started this journey in the first place.

I’ve also been honored to receive recognition for my latest picture book, The Truth About Stepmoms. It was named an Editor’s Pick by BookLife by Publishers Weekly, received a 2024 Honorable Mention from Writer’s Digest for self-published books, and was selected as a 2024 Females of Fiction Winner. It also earned Best in Genre – Children’s Humor from Indies Today and was recognized by the Independent Author Network. Each of these honors has been incredibly affirming, especially knowing how much heart went into telling a story that challenges stereotypes and celebrates blended families.

But honestly, the real highlight is hearing from readers. When a parent messages me to say, “My child asked to read your book again tonight,” or sends me a picture of their child reading my book, it truly touches my heart every single time. That’s the kind of legacy I want to leave.

What is your “why” for writing? 

Writing has always been how I process the world, how I hold onto fleeting moments, and make sense of life’s curveballs. But at its heart, my why is deeply rooted in motherhood. My daughters are my muses, my motivation, and the spark behind every story I write. I want my girls to grow up knowing that their voices matter and that who they are is something to be celebrated.

So, for me, writing is a way of leaving breadcrumbs of love behind, tiny pieces of myself woven into words. These are the stories I hope they’ll return to as they grow, stories that make them laugh, wonder, feel brave, and remember exactly who they are and where they come from.

What does writing bring you, and what do you hope your stories offer others?

Writing is my creative sanctuary. It’s the one space where I can be fully myself, honest, imperfect, intuitive, and curious. It gives me permission to slow down, reflect, and turn the everyday into something meaningful.

My hope is that my stories offer children and families a safe space to feel. Growing up, emotions weren’t always discussed or validated. As a parent now, I see how critical it is to name feelings, to talk about hard things, and to normalize the ups and downs of life. That’s what I try to bring into every story: heart, honesty, and a whole lot of love.

If even one child feels comforted or finds joy in something I’ve written, then I’ve done what I came here to do.

What are some positive experiences you’ve had from readers?

I’ve had kids and parents come up to me at events and say they read my book at bedtime every single night. I’ve had parents send me videos of their child giving a five-star review with the biggest smile on their face. I’ve received photos of little ones being gifted my book or snuggled up reading it at night. Every time I start to question why I do this or when I feel exhausted by the never-ending to-do list that comes with writing, publishing, and promoting, one of these moments lands in my inbox and reminds me exactly why I started.

Sometimes, it’s my daughters who bring me back to center. When they tell me how cool it is that their mom is an author, or when they want to join me at a book event and share their stories too, those moments stop me in my tracks. Just writing about it makes me tear up. It’s truly something special.

Outside of publishing your books, you’re also very active in the Kidlit/literacy community. I’d love to hear more about your groups and projects. Let’s start with your A Pop of Indie: A Traveling Book Fair. What’s it all about? When was it founded? And what inspired it?

I co-founded A Pop of Indie in fall 2023 with fellow indie kidlit author Lindsay Gizicki. It’s Michigan’s first traveling book fair made up entirely of independently published Michigan-based children’s book authors. Our mission is to reinvent the traditional book fair mode. (You know the one. It usually brings in the same mass-produced books and sells a lot of toys.) Our goal is to create a space that highlights local authors, promotes diverse stories, and inspires the next generation of readers.

Each book fair pairs with a free 90-minute Family Literacy Night for local elementary schools, which includes a writing workshop, author Q&A panel, arts & crafts, and story time. We bring real authors into school communities, allowing kids to connect face-to-face with the creators of the stories they’re reading. We now have over 30 authors and more than 100 books in our catalog, spanning picture books through middle grade.

This initiative is all about accessibility, creativity, and representation. We want reading to be more than a classroom activity. We want it to be a part of everyday life, something the whole family can rally behind and celebrate. A Pop of Indie is about inspiring, empowering, and nurturing young minds one indie book at a time.

Could you tell us more about your work with the marketing group Kidlit at Heart. What is it, exactly? And what role do you play?

Kidlit at Heart came together through the 12×12 Picture Book Challenge. We’re a group of authors navigating different paths (traditional, hybrid, and indie publishing) but all with a shared mission: to support one another and reach more readers.

We collaborate on marketing efforts, share resources, and brainstorm creative ways to amplify our books. Many of us launched books around the same time, so we hosted virtual launch parties, author Q&As, and promoted one another across our communities. It’s been such a gift to be part of a group that values collaboration over competition.

Coming from a corporate background in branding and marketing, I’ve been able to contribute those skills to the group. But it’s a two-way street; we each bring something unique to the table. At the heart of it, we’re just a group of writers helping each other succeed, one book at a time.

What other writing groups are you a part of, and what kind of benefits would you say they’ve offered you?

Early in my journey, I joined SCBWI and the 12×12 Picture Book Challenge, both of which were game changers. They gave me structure, accountability, and access to a wealth of information and industry insight. Through these groups, I found critique partners, built confidence, and embraced feedback as a vital part of the process.

I’ve also participated in writing workshops through the Highlights Foundation, which helped me deepen my craft and connect with other writers in a truly immersive setting. One of the most pivotal moments came when I took virtual writing classes with Valerie Bolling, an author, educator, and mentor who had an incredible impact on my latest book, The Truth About Stepmoms. Valerie’s insight, encouragement, and thoughtful feedback helped me shape the story with more clarity, intention, and heart. She challenged me to dig deeper, to elevate my storytelling, and to trust my voice, and for that, I’ll always be grateful.

In addition to those, I’m a writing contributor for Detroit Moms, where I share the raw, beautiful, and messy realities of motherhood with a community of women who just get it. Writing for them has stretched my voice in new ways and allowed me to connect beyond children’s literature.

Each group has poured into me in a different way—professionally, creatively, and emotionally. They’ve helped me grow not just as a writer, but as a human.

What suggestions would you offer to other aspiring indie authors?

  • Start before you’re ready. You will never feel “ready,” and that’s okay. Start where you are and learn along the way.
  • Talk about your book early. Don’t wait until it’s perfect. Let your community in on the journey; they’ll root for you harder when they feel a part of it.
  • Ask for help. This path wasn’t meant to be walked alone. Reach out to fellow authors, editors, and illustrators. Most people are more generous than you’d expect.
  • Get comfortable with feedback. Critique is where your story grows. It’s not personal; it’s part of the process.
  • Think like a business, but lead with your heart. Self-publishing is creative and entrepreneurial. You’re not just selling a book, you’re building a brand rooted in purpose.
  • Celebrate small wins. Your first school visit, your first review, your first reader message, it all counts.
  • Protect your joy. It’s easy to get caught up in comparison or metrics. Come back to why you started. Keep the joy in your work.

Writing takes a lot of time and dedication. And, like many creative pursuits, it can sometimes consume our lives-  if we let it. As a mom to three, could you share what your experience of writing and publishing while parenting has been like? How do you manage your time and set boundaries to ensure balance for family and work?

I wish I had a perfect answer for this, it’s the million-dollar question so many working moms ask. But the truth is, I simply take it one day or one week at a time.

As a mom of three kids in very different life stages (elementary, middle, and high school) there’s no one-size-fits-all system that works for me. I also have ADHD, so structure isn’t always my best friend. I’m emotionally driven and creatively led. I’ve learned to tune into my energy, to work when I’m inspired, and to rest when I need to.

-YES! As a fellow ADHD girl myself, I can attest to how important this is. Tuning into our energy- working when we feel inspired and resting when we need to rest.

Outside of writing, I run my own business, RNB Retail Consulting, where I support women-owned businesses across Michigan using my 20 years of corporate retail experience. I’ve had to become more intentional with my time and more comfortable saying no. That’s taken practice, but it’s been incredibly freeing.

I don’t compartmentalize writing from motherhood because, honestly, it’s all intertwined. My kids are a part of this journey; they read early drafts, give feedback, and often tag along to bookstores and festivals. When they tell me they’re proud or that they want to write a story of their own, I know I’m doing something right.

Here are a few things that help me:

  • I carve out short writing sprints (30–45 minutes) when the house is quiet.
  • I keep a notebook or phone notes handy to jot down ideas anytime they come.
  • I protect family time fiercely, and I protect creative time too.
  • I involve my kids in my writing world. Their perspective often sparks the best ideas.
  • And I give myself permission to pause. Productivity doesn’t always look like writing. Sometimes it looks like living.

Speaking of parenthood, are there any resources related to your books that you offer to parents? (If so, would you be interested in linking/sharing them here so they could be available on the blog as well?)

Yes! Creating family-friendly, book-inspired activities is one of my favorite parts of the author journey. I want my books to do more than entertain; I want them to help families connect, process, and grow together.

For The Truth About Stepmoms, I offer resources that support children and families navigating blended family dynamics. These include:

  • A DIY family photo album craft that encourages kids to reflect on their favorite memories and celebrate their unique family makeup.
  • Conversation prompts that help kids express their feelings about family changes, stepparents, and shifting routines.
  • A “What Makes a Family” worksheet that emphasizes love, support, and connection over titles or roles.
  • Links to valuable outside resources like the Radical Stepmoms Podcast, which features real stories and tools for navigating stepmotherhood, and @stepmomcoach on Instagram, whose website is full of helpful strategies, affirmations, and printables for blended families.

I want families to feel seen and supported because there’s no one-size-fits-all model for love.

For Imagine That, which centers around bedtime fears and the power of imagination, I provide tools that help kids work through fear and build emotional resilience:

  • Discussion prompts about nighttime worries and calming routines.
  • A printable bravery cape activity, where kids decorate their own cape and write down the things that make them feel strong.
  • Bedtime affirmations and breathing exercises to ease anxiety.
  • A list of creative problem-solving prompts that help kids reframe fear through play and storytelling.

For Finding Bunny, a story about friendship and emotional resilience, I’ve created resources that focus on helping kids identify and process their feelings:

  • Emotion cards and a feelings game to help children name what they’re experiencing.
  • Creative writing and drawing prompts based on the story.
  • Mindful drawing activities that offer a gentle way to express emotion nonverbally

Some of these resources are available on my website, and others I provide during school author visits. They are easy for parents, teachers, and caregivers to implement at home or in the classroom. My goal is to extend the reading experience beyond the book because stories aren’t just for reading. They’re for living, feeling, and growing together.

Anything else you’d like to share with readers today?

If I could leave you with one thing, it’s this: Reading is one of the simplest, most powerful ways we connect with each other. Whether it’s a bedtime story, a few minutes between errands, or a book tucked into a travel bag, those small moments matter. They shape how our kids see the world and how they see themselves.

Make time for reading. For yourself and for your family. Stories are fuel. Stories are mirrors. Stories are bridges.

And if you ever need a little reminder of that, here’s the phrase I come back to often:

“Reading is my love language.”

It’s how I show up, how I connect, and how I leave something meaningful behind.

To every aspiring writer, dreamer, or mama out there juggling more than one hat, keep going. Tell your stories. They matter more than you know.

Renee, thank you so much for joining us on Chelsea’s World of Books Literary Blog. It has been a pleasure having you here today. So much courage and kindness have been shared in today’s chat. I’m sure our readers who have made it to the end of this interview would agree. But we’re not quite to the very end. Now it’s time for our GIVEAWAY!

For the month of July, Renee is offering THREE winners a prize of one of her books + EXTRA GOODIES. Each book will come with EXTRA GOODIES: stickers, a bookmark, and a book bag tag.

Prize winner 1: Signed copy of Finding Bunny + EXTRA GOODIES

Prize winner 2: Signed copy of Imagine That! + EXTRA GOODIES

Prize winner 3: Signed copy of The Truth about Stepmoms + EXTRA GOODIES

Did you enjoy this interview?

Thank the author & host by purchasing or reviewing a copy of one of their books or by requesting it be purchased by your local school or library! Using the sponsored links below to purchase also helps support this blog.

Purchase ADHD AND ME

Purchase Finding Bunny

Purchase Imagine That

Purchase The Truth About Stepmoms

Renee Bolla, a children’s picture book author, seamlessly transitioned from the corporate world of fashion retail to crafting stories for young minds. She self-published Finding Bunny and Imagine That in 2022, followed by The Truth About Stepmoms in 2024. Renee weaves the magic of her personal experiences, as a mother of three, into every narrative, creating stories that resonate with the shared joys and challenges of parenthood. Her passion for literature extends beyond her own creations. She is the founder of A Pop of Indie: A Traveling Book Fair, an initiative connecting Michigan indie authors with elementary students, fostering a love of reading. She is also a writing contributor for Detroit Mom, a member of SCBWI, an active participant in 12×12 Picture Book Challenge, and co-founder of the marketing group, Kidlit at Heart. Through her work, she aims to inspire and inspire young hearts, one story at a time. @reneebollaauthor (Instagram, FB, and Pinterest) / @reneebolla (Tik Tok) https://www.reneebollaauthor.com

Top Go-To List Of Writing Resources

**Description: This blog article includes MY personal curated list of all-time top favorite writing resources for writers at all stages of publishing, from just beginning to highly seasoned. This list includes things like free and paid for writing organizations, annual, bi-annual, and one-time writing contests and competitions, helpful YouTube channels and writing podcasts, and other linked articles from publishing professionals- including everything from “routes to publishing,” how to independently or traditionally publish your books, how to find an agent, how to find an editor, how to improve writing craft, how to polish your query letter, where to submit direct to publishers or find agents who represent what you’re writing, how to know if an agent or editor is a good fit for your work, where/how to find your writing community/support system, how to market your books pre/post publication and build an online presence to connect with your audience, including how to get started with social media, your very own website, and/or a blog or email list/newsletter.

If you’re looking for even more fantastic writing resources from other writers and illustrators, check out my monthly Feature Interview segment by selecting “Feature Interviews” from the category list, OR CLICK HERE. Every month, I host interviews with industry guests, and we share all the ins and outs of the writing journey, offer support for new (and seasoned) writers and illustrators, and share all kinds of information and resources.

To find out more about what writing community is and how it can help YOU, check out my guest blog article that I did for Maya on Writing With a Twist blog, HERE.

(Note: CHELSEA’S TOP SEVEN PICKS -listed below- can also be found in my guest blog article HERE!)

#1 Julie Hedlund’s 12 X 12 Picture Book Challenge

Type: kidlit writers (specifically picture book writers)/paid membership/purchase window annual at the beginning of each year- membership available to be used all year, duration 1 year.

If you write kidlit, (ideally picture books, but it can be any genre of kidlit), you’re in luck. Julie Hedlund has created a fantastic writing community through her 12×12 challenge website. This is a HUGE resource for writers. There you’ll find writers who WANT to support and help you. You can find and create critique groups in the forum. You can discover new beta readers. You can join affinity groups. You can find people who are willing to swap manuscripts and offer critiques. You can learn about new writing contests happening near you or virtually. Any information you can think of, Julie’s group has it! And… if that’s not already awesome enough, you can post questions to the forum page or onto the 12×12 Facebook group page. (Note: you must be a member to access the 12×12 forum or 12×12 Facebook group).

#2 SCBWI

Type: paid membership/for children’s book writers and illustrators

Here’s another fantastic resource for writers and illustrators. SCBWI (Society of Children’s Book Writers and Illustrators) shares all the newest events both virtually and in person for writers to join and visit. These events are pivotal for making writing connections within the world of publishing. There you can meet and listen to editors, agents, and fellow writers or illustrators. Yes- these connections can last you a lifetime and help build your career and standing in the literary world.

#3 WRITING BARN

Type: Various groups/retreats/events/memberships/classes/paid for/ designed for writers of all genres

This is a new one that I’ve just recently discovered, (Dec 2023/Jan 2024) thanks to a very kind literary agent who referred me in their direction. And I’m so grateful she did! Joining the Writing Barn this year has been truly amazing.

What they offer:

They offer retreats, workshops, classes, and an incredible Courage to Create writing group membership.

**UPDATE as of 10/20/2024: I attended a six-month writing class called Write Submit Support, focusing on writing chapter and picture books, hosted by Kidlit author and writing instructor, Lisa Katzenberger, from March-September, 2024. (Writing class hosted through The Writing Barn).

The class included a regularly scheduled live monthly Zoom class, with other students (on camera) and your instructor. Each class had keynote discussions on various topics (our instructor often asked us what we wanted to discuss and then build her keynote around those topics), audience participation *optional* and exercises, Q&A, and occasional *light homework assigments. Homework optional- for personal growth, and was not required/checked.

The class also included monthly turn-ins (with deadlines). The monthly turn-ins were, 2 manuscripts (chapter or picture book), a monthly goal sheet, and a letter to your instructor on where you were at on your writing journey AND/OR anything else you wanted to discuss.

Your instructor would then reply to all of the above with personalized feedback. For manuscripts, our instructor would give us in depth deep read feedback and offer a stuctural critique separeately as well.

During this time, students also had free access to the Courage to Create Community- this community is usually a paid for membership. Note: I loved the Courage to Create Community so much that after my 6-month class ended, before my free access could lapse, I purchased a membership to continue with the group. Learn more About the Courage to Create Community further down in this article (see #11).

#4 READY CHAPTER 1

Type: writing organization/paid membership/all genres

Ready Chapter 1 is a newer resource for writers. It’s not specific to any genre- anyone can join. It offers helpful critique forums, community, monthly webinars, and contests with editors and agents. Pretty cool, right?

What they offer

Feedback forums, master classes, contests, community, and accountability.

**UPDATE as of 10/20/2024: This writing resource is great for writers who are working on manuscripts that are longer than your typical picture book- MG/YA/ADULT, in particular. It’s great for getting feedback on chapters and first pages.

Full disclosure: as my main focus is currently on writing picture books I did not get as much use out of this organization as I would have hoped to, for being a paid membership. That being said, if you’re writing longer books with chapters that need beta readers and feedback/structural critique, this would be a great option for you!

Learn more about ReadyChapter1 HERE.

#5 FALL WRITING FRENZY

Type: writing contest/ FREE/ annual- EVERY October

Let’s see. The first time I joined Kaitlyn Leann Sanchez’s Fall Writing Frenzy Contest was back in 2022. And I can personally attest to the fact that this contest is a great way to meet and connect with fellow writers.

How does it work?

There are a series of pictures provided. You choose one and write a story inspired by it. You have a cap of 200 words (not including title). There’s a submission window. Once the window opens, you post the picture you chose to write about onto your blog and upload your story. Then, you go back to the official website and enter your information into the Google doc provided (with a link to your blog entry). Don’t have a blog? No worries! You can enter your info into the google doc and specify that you don’t have a blog.

If you DO have a blog… this is extra cool because everyone in the Google doc can see your title and blog address, and if your title sounds good, they might just visit your website.

You can also scroll through and find new writers this way. Leaving comments on other people’s blogs is a GREAT way to grow your reader audience, gain new followers, and make connections!

Fun fact: I found one of my critique partners through Fall Writing Frenzy. I visited her blog because she chose the same prompt as I did, and then I discovered her entry was a neurodivergent story, just like my entry! We struck up a wonderful conversation and quickly became writing friends. Fast-forward to a year later, she ended up joining my critique group. And it was all because of the connection we made during Fall Writing Frenzy! Putting yourself out there and participating in these community events is a GREAT way to find YOUR writing community.

P.S. Did I mention there are a ton of prize donors who offer FREE GIVE AWAY PRIZES to participants?

Learn more about Writing Frenzy HERE.

#6 50 PRECIOUS WORDS

Type: free international writing contest/annual

Here’s another incredible annual contest. 50 precious words! Very similar to Fall Writing Frenzy, this contest, hosted by Children’s book author Vivian Kirkfield.

What is it?

This contests challenges writers to write a story in only 50 words, using a visual prompt.

Why do it?

It’s fun! You build community. And you sharpen your writing skills. I can’t tell you how enjoyable it is to share/discover these stories and images. This exercise puts a spark into writing and you meet great people along the way.

Take a peek at my entries:

View my 2023 entry (about cupcakes) HERE.

View my 2024 entry (a sinister, punny comedy about a turkey) HERE.

FUN FACTS: My 2024 entry won me an honorable mention, and the artwork I used was illustrated by my mom, who is an artist.

NOTE TO PARENTS/LIBRARIANS/EDUCATORS:

If you’re looking for a contest like this but for kids, look no further! Vivian Kirkfield also hosts a “5o precious words for kids” event.

FRIENDLY LIBRARIAN REMINDER: As a former librarian, I’m a huge advocate for connecting with your local library! Contact your library to see if there are any writing contests/groups offered near you *or online! Libraries often host different contests and writing groups at different times throughout the year (sometimes all year-round!) And chances are, if your library isn’t already doing this, they’re open to starting/creating these contests or programs if they know it’s a need or interest in their community. You can almost always find *or create* new opportunities at your local library! **If you do know of any online/in-person contests like this, offered by your library, or somewhere else, feel free to drop it in the comments to share with other readers!**

#7 PBPARTY

Type: free writing contest/annual- every February

What is it?

PBParty is an annual contest, hosted every February, by author Mindy Alyse Weiss. This contest is is for unagented writers and author/illustrators with finished and polished picture book manuscripts.

How does it work?

You submit an entry (query and first 60 – 70 words) and the judges pick a wide variety of genres for the agents/editors to read and hopefully request. 

Other things they offer:

Critique trains! Facebook group.

Why do it?

Not only is it a huge opportunity to find an agent or even get yourself a book deal with an editor, but it’s also a great way to make lasting connections in the writing community.

Between the Facebook Group, the Critique Trains, and the PBRanking Party, this is a HUGE community connector. Not to mention, if your story is chosen as one of the 50 in the showcase, you’ll be entered into a private Facebook Group, and you’ll have unlimited access- no end date!

Note to readers: two of my critique partners landed their agents thanks to the help of PBParty! And they’ve made lasting friendships with many of the group members they met through this incredible event.

Okay, those are the first 7 top writing resources that I originally posted about back in my guest blog article that was written in January 2024 and published in February 2024. But those aren’t all the resources I have for you…

Here are some more great resources that you should DEFINITELY know about and reasons why.

#8 StoryStorm

Type: free writing contest/annual- every January

This free writing contest is hosted annually, every January, by the queen of comedy, kidlit author, and writing speaker, Tara Lazar. This is a fun, low-stakes high reward, community event where writers from everywhere band together in a month-long brainstorming of new creative story ideas.

The goal?

The Storystorm challenge is to create 30 story ideas in 31 days. You don’t have to write a manuscript (but you can if the mood strikes). You don’t need potential best-seller ideas.

Find out more about Tara Lazar’s Storystorm event HERE, on her website.

# 9 Manuscript Academy!!!

Type: multiple- free podcast/published weekly, available all year round, free first pages/random dates, paid for memberships/all-year round

Oh my goodness. If you’ve made it to this point in the article, and don’t know who or what the Manuscript Academy is… congratulations, you’ve just struck gold. The Manuscript Academy is an INCREDIBLE resource for writers. I can’t stress how invaluable this resource has been for me personally. I listen to the podcast while commuting to and from work and just for fun and the insight and encouragement found in these episodes is truly phenomenal.

What is it?

The Manuscript Academy is brought to you by a literary agent Jessica Sinsheimer of Context Literary Agency, (also co-creator of #MSWL and ManuscriptWishList.com) a writer, Julie Kingsley, (also a conference organizer and media professional) and Manuscript Wish List®. Read more about their incredible story HERE.

Things the Manuscript Academy offers:

Consultations, live meetings, written critiques, copyediting, classes, events, workshops- some free, some paid for. They also offer memberships. Currently, they offer two membership options: BASIC MEMBERSHIP and GOLD MEMBERSHIP.

**UPDATE: AS OF 10/20/2024:

BASIC MEMBERSHIP includes:

All the Classes + All The Events + Early Booking

  • Early booking in the meetings & critiques system
  • Members-only meeting and critique formats
  • Access to 100% of our filmed, edited classes (60+ hours) taught by top agents, editors and authors
  • Tickets to ALL of our weekly live events
  • A monthly Q&A help desk with rotating guest faculty
  • Personal recommendations for faculty pairings
  • Cancel at any time–if you cancel within 30 days, you’ll pay just $49

GOLD MEMBERSHIP includes:

Monthly Agent Consultation + All the Classes + All The Events + Early Booking

  • $49 Instant Member Credit (use toward consultations, critiques & small group workshops) with sign-up + every 30-day renewal
  • Early booking in the meetings & critiques system
  • Members-only meeting and critique formats
  • Access to 100% of our filmed, edited classes (60+ hours) taught by top agents, editors and authors
  • Tickets to ALL of our weekly live events
  • A monthly Q&A help desk with rotating guest faculty
  • Personal recommendations for faculty pairings
  • Cancel at any time–if you cancel within 30 days, you’ll pay just $69

Learn more about what each membership offers on their website HERE.

Now let’s circle back to the podcast. If you enjoy podcasts *and even if you don’t* this podcast is A-MA-ZING.

The Manuscript Academy Podcast is published weekly and free for everyone. It features interviews with top agents, editors and authors on the craft, business, and community of publishing.

You can find it in the iTunes Store,on Soundcloud, and on Spotify. Subscribe for free and never miss an episode!

Looking for transcripts?  Find individual show pages with this formula: ManuscriptAcademy.com/podcast-guest_first_name-guest_last_name.

Example: Podcast with Monica Rodriguez is: https://manuscriptacademy.com/podcast-monica-rodriguez

#10 The Shit No One Tells You About Writing

Type: free/podcast/all-year

What is it?

The Shit No One Tells You About Writing is a podcast for emerging writers, who are looking to improve their work with an aim to having it published, or for anyone who would like a behind-the-scenes look at the publishing industry.

Bianca Marais, bestselling author and award-winning creative writing instructor, interviews authors, agents, editors and just about anyone and everyone who’s involved in bringing a book to market.

She’s joined by her cohosts, literary agents Carly Watters and CeCe Lyra from P.S. Literary Agency, who read and critique listeners’ query letters ​and opening pages, and who also answer your burning questions in their Q&A segment.

Guest interviewers join the show occasionally and independent booksellers and Bookstagrammers also chime in to help you find the perfect comp titles. Expect good advice, honest insights, and a few laughs along the way.

Other things they offer:

Deep dive series, books with hooks, newsletter, beta reader match ups, contests and giveaways, courses, events, and more! Learn all about

#11 Courage to Create Community

Type: writing organization/paid membership/all-year

Here’s why I love the Courage to Create Community: I love the Courage to Create Community for it’s positive beliefs, encouraging atmosphere, constant writer-to-writer support, and access to incredible submission and query opportunities to editors and agents that otherwise wouldn’t be accessible. Not to mention the monthly zoom chats with industry professionals that offer so much insight- and can be joined LIVE or rewatched later, to best fit your preference and busy schedule!

What is it?

The Courage to Create Community, led by Writing Barn founder and creative director Bethany Hegedus, is made for writers seeking support in navigating the triumphs and challenges of living a literary life.

What does it offer?

  • Monthly Literary Life Group Coaching Sessions.  Each monthly webinar/session will be built around a literary life challenge or an aspect of craft/creation or publication/promotion. There will be time for reflection and connection as well as questions submitted in advance that relate directly to your circumstances. These sessions will be led by Bethany, a CTC Champion, or a special guest.
  • Bethany will coach the group and have spotlight conversations with two to three writers per webinar. The sessions will be 90 minutes and added to the password-protected Mighty Networks Courage to Create Hub for unlimited replays for the continuation of your paid membership. 
  • Access to the private password-protected Courage to Create Mighty Networks Hub, where we will goal set, share resources, ask for support, and celebrate our milestones.
  • 3 Ask an Agent sessions with top agents who will open to Courage to Create Community members for a brief submissions window.
  • 3 Editor Insight sessions with top editors who will open to Courage to Create Community members for a brief submissions window.
  • 2 Behind the Book conversations with authors celebrating new releases to discuss the journey from initial idea to final publication, with insights into the creative and business journey.
  • CTC Champion for Speaking and School Visits: 3 webinars on a variety of topics relating to school visits and speaking gigs, led by Carmen Oliver of the Booking Biz.
  • Resource Alert! For those in the query trenches: Resources/spreadsheets with OPEN agents in children’s: PB-YA, memoir, adult literary, and commercial fiction.
  • For those published: Resources/spreadsheets on when and where to pitch yourself for conferences, writing organizations, festivals, and more.
  • Monthly Craft & Community opportunities: Join member-led craft presentations, craft book discussions, or join a like-minded CTC critique group, being matched by a small group of CTC visionaries using our questionnaire to make the matches happen. OR search for writers in your local area and create CTC meetups with nearby writers. Your level of participation is up to you!
  • Select discounts on Writing Barn programming; including half-day and 6-week classes, and potentially in-person retreats when they are safe to resume.
  • Investment: Literary Life Community Coaching PLUS Intimate Industry Engagement + submissions opportunities

Learn more on the Writing Barn Website HERE.

#12 PB Rising Stars

Type: 3-month one-on-on Mentorship Program/FREE *must apply within application window & BE SELECTED*

This mentorship program is an especially great opportunity for anyone part of an underrepresented/marginalized group in publishing.

What is the PB Rising Stars Mentorship Program?

The #PBRisingStars Mentorship program started with a tweet, a huge response, and two authors with book deals looking for ways to give back to the KidLit community that gave so much to them.

They pair agented picture book creators that are knowledgeable about querying, author-agent relationships, being on submission, book deals, and contract language, with the next generation of children’s book creators for an immersive, three-month, one-on-one mentorship experience that is more than just a critique.

Their mission is to give experienced picture book creators the platform to pull up-and-coming picture book creators up the turbulent publishing ladder. They center Black creators, creators of color, and ALL underrepresented communities because they believe in equity. Above all, they believe that their mentors and mentees should reflect what publishing SHOULD look like.

Learn more about PB RISING STARS HERE.

#13 Daily Dozen SUMMER Writing Challenge

Type: Writing Contest/ FREE/ Annual- I hope?!

The Daily Dozen Summer Writing Challenge first launched in the summer of 2023 with former Feature Interview Guest and kidlit author and educator Andrew Hacket. This fun initiative is very simple.

What is it?

The Daily Dozen is a challenge to focus a tiny bit of time on our creative endeavors over the summer. The goal is to spend 12 minutes a day creating NEW MATERIAL. That’s it!

Who can participate?

Absolutely anyone! This is an all-ages, all-genres, all-creators event! Unagented, agented, published, pre published… if you want to commit to your craft this summer then this challenge is for you.

And while it’s called the “Writing Challenge,” all creators are invited to take on this daily challenge to see what they can create in just 12 minutes. We’re looking at you illustrators!

I had a blast participating in this event in 2024 and wound up as one of the PRIZE winners. I ended up winning a critique with Kate Narita.

Learn more about Andrew Hacket and his incredible publishing journey in his Feature Interview article LINKED HERE. To discover more about the Daily Dozen Summer Writing Contest, visit his website LINKED HERE.

#14 PBPitch

Type: community event/ pitch contest/ FREE/ annual- exclusively for picture books

What is it?

This 24-hour pitch event happens on Twitter/X annually and is exclusively for picture books. The purpose of this event is for editors and agents to see your pitches!

How does it work?

*Pitch your PBs on X/Twitter using #PBPitch.

*Pitch manuscripts only ONCE in the morning and ONCE in the Evening. (Once before 2pm and once after.)

*If you are an author/illustrator, you can attach an image to your PB manuscript pitch.

*Include Subgenre # if it applies.

#NF = Nonfiction

#C= Concept

#L= Lyrical

#I= Interactive

#SEL= Social Emotional Learning

Other optional and common hashtags:

#BVM (Black Voices Matter to be used by black creators)

#POC (Person of Color)

#OWN (Own Voices)

#DIS (Disability subject matter)

*You can pitch multiple picture books, but only pitch each one twice. -Meaning, you can’t submit 12 pitches for the same manuscript. You can only submit *at most* TWO pitches for EACH manuscript.

*Only agents and editors should HEART a pitch.

*If they do, check their submission guidelines (and do your research) before submitting to them. 

When does it happen?

**As of 10/20/2024

The last PBPitch event was held on in June, 20th 2024. For future dates, keep your eye out on their website HERE.

#15 Spring Fling Writing Contest

Type: writing contest/ FREE/ Annual

Your Challenge:

Find a gif and write a spring-inspired story. Blossoming flowers? Sure! Easter eggs? You bet! Mothers day? Of course! Anything related to Spring is yours for the telling.

This annual spring writing contest is for stories geared for kids 12 and under, and hosted by literary agent, Kaitlyn Leann Sanchez, and author, Ciara Oneal.

How it works

Choose a gif to inspire your story. (All gifs should be child appropriate and in no way be derogatory towards any faith, race, etc.) You have 150 words. That’s it! No more – but less is always welcome.

Important: Your title is not included in the word count. No illustration notes pretty please. Your gif should be the only visual with your story. The Spring Fling contest officially begins on April 1st. From April 1st to April 3rd, post your gif and story on your blog. (If you have one.) Then, add the link to your blog to the form on the Entries page of Ciara’s blog* Deadline for posting your story or the link to your story is April 3rd, at 11:59pm CST. Only one entry per contestant is permitted. 

***If you do not have a blog, post your entire story in the section provided on the form.***

Learn more about the Spring Fling Writing Contest on Kaitlyn Leann’s Website HERE or Ciara’s website HERE.

#16 BookEnds Literary YouTube Channel

Type: Literary Vlog/FREE/weekly posts- available all-year-round

What is it?

This YouTube Channel is a ONE-STOP-SHOP for all questions querying/writing/publishing as a whole. Hosted by Jessica Faust and James McGowan, both agents at BookEnds Literary, give you an up-close and personal look at the behind-the-scenes of publishing.

ABOUT THE HOSTS

Jessica Faust’s love for books is what first brought her to open BookEnds Literary Agency. It is her desire to be an advocate for all authors that pushed her to create her blog, the BookEnds YouTube channel and to maintain a vibrant presence on Twitter. Jessica is proud to have grown BookEnds into an agency that represents authors of all genres for children and adults, allowing her to reach more readers and help more authors and illustrators achieve their dreams.

James McGowan is a Literary Agent at BookEnds and writer for children. He began working with the agency as an intern in the summer of 2015, and basically never left. He represents a talented group of authors and illustrators working in everything from board books to middle grade graphic novels. He also works in adult nonfiction, and adult mystery and suspense projects. James is the author of GOOD NIGHT OPPY, which is available now.

Connect with BookEnds! Twitter: http://www.twitter.com/bookendslit Instagram: http://www.instagram.com/bookends_literary TikTok: http://www.tiktok.com/@bookends_literary Website: http://www.bookendsliterary.com Connect with Jessica: twitter.com/bookendsjessica Connect with James: twitter.com/jmcgowanbks

Learn more about their channel HERE.

#17 Kidlit Zombie Week

Type: Community Writing Event/Contest/FREE/Annual- every June

What is it?

Join the “6 Ladies and a MANuscript” Critique Group in bringing your “dead” manuscripts back to life. Enjoy a week filled with inspiration, discussions, and great prizes!

** As of 10/20/2024 Last event: June 17-21, 2024

To learn more about #KidlitZombieWeek, visit their Twitter page HERE.

#18 Kidlit411

Type: blog/ free/ resources for kidlit writers!

What is it?

KidLit 411 is a blog page dedicated to keeping you in the loop in all areas of children’s publishing. It includes topics like magazine and educational market, indie publishing, social media, school visits, international information, freelance editors and critiques, query letters, poetry and rhyme, non-fiction, revisions, conferences and workshops, legal resources for creatives, mentor programs, diversity in kidlit, contests and awards, submissions: agents and editors, marketing and creating a platform, graphic novels, critique groups, writing courses, blogs to follow, and SO. MUCH. MORE.

Interested in learning more? Visit their website HERE.

#19 Writer’s Rumpus

Type: Blog/FREE/Picture Book Support & Writing Resources

What is it?

This blog page is dedicated to offering writers and illustrators resources and support by sharing online kidlit communities, challenges, courses, contests, and events. Year-round resources are listed first, followed by opportunities available each month. Click the name of a month to go directly to that month’s listings. Watch for more-detailed posts each month.

January      February      March      April      May      June     July

August      September     October     November     December

Want to learn more about all the cool things Writer’s Rumpus offers? Visit their website HERE.

#20 Highlights Foundation

Type: writing organization/courses/camps/blogs/podcasts+/paid & free

The Highlights Foundation offers everything imaginable in different variations and formats- online courses and programs to custom/in-person writing retreats, helpful blog posts and more. They also offer scholarship opportunities for those interested in applying.

Working Retreats

In-Community Retreats & Programs

> Online Courses

On-Demand (Self-Paced Online)

The Whole Novel Workshop

Summer Camp

Free #HFGather Webinars

More Ways to Learn & Connect

Explore by Genre & Format

Just starting? Learn About Children’s Publishing

Visit On Your Own

Personal Retreats

Custom Retreats

Explore Our Kidlit Resources

Craft Resources

(by Genre & Topic)

Watch and Listen

News

Our Community

Learn More About Us

Learn more about Highlights Foundation on their website HERE.

Have a resource or recommendation you’d like to share? Drop it in the comments below and if it sounds like a good fit, I will add it to the next updated version of this list.