HOW TO MANAGE MAJOR CAREER SHIFTS AND COME OUT ON TOP: FEATURE INTERVIEW WITH FORMER BIOLOGY PROFESSOR, NOW HOMESCHOOL MOM AND KIDLIT AUTHOR DANNA ZEIGER, CONDUCTED BY KIDLIT AUTHOR AND LITERARY BLOGGER, CHELSEA DICICCO

In today’s Feature Interview, I’m chatting with former Biology Professor, now Homeschool Mom and Children’s Book Author, Danna Zeiger. We’ll be discussing accessibility and disability awareness in kidlit, as well as how to manage major career shifts and the many hurdles they come with, and why the benefits outweigh the struggles.

Danna, it’s wonderful to have you with us! Can you tell us where you’re joining us from today?

Thank you so much for having me, Chelsea! I’m so excited to be here. I’m joining you from the Boston area.

How did you hear about Chelsea’s World of Books Literary Blog, and what made you want to apply for a guest Feature Interview?

I’ve read several of your fantastic, thorough interviews, so when I saw the application window open last year, I knew I had to try!

I was intrigued by your application, and I’m excited to learn more about your “unconventional route to publishing.” My hope in sharing your interview is to inspire others to chase their dreams- nothing is impossible if you don’t give up! So, let’s jump right in. Could you tell us about your day job before children’s publishing was in the mix?

Thanks! I was a biology professor and the program director for the biology bachelor’s degree at a local college. I had been in the unique position to create the program before running it for seven years. I come from an immigrant family myself, so it was especially fulfilling to serve disadvantaged and first-in-the-family students from diverse backgrounds. I taught lectures and labs from first-year biology (or non-major!) students all the way through the senior thesis course for my seniors. I helped them secure solid internships and got them ready for the world. I partnered with neighboring institutions and universities to create interesting lecture series or research opportunities. I advised dozens of students through their college experience, ensuring they made some good choices and shepherding those who were graduate school bound. My students often had one–or three!–full-time jobs on the side to get themselves through college, so there was also lots of time spent counseling students, helping them manage all of their responsibilities, and working creatively to make it happen, as well as drawing out challenging biology pathways on my whiteboard in my office during office hours. I served on college committees, worked on new course and degree development, and overall had a full and busy life as a professor.

Now enter the *spark* that started it all. What was that beginning spark for you that made you take the leap in shifting careers from Biology Professor to Homeschool Mom and Children’s Book Author?

When COVID hit, I resigned from my position, much to the shock of many people in my professional, friend, and family circles. But with a newborn baby who needed a lot of caretaking (and no nannies to be found at the time), a preschooler for whom Zoom school did not work, and a sobbing elementary school child frustrated with online learning, plus immunocompromised people at home and not enough remote work support, it simply was not possible for me to stay in my position. 

I started homeschooling all three kiddos and was devouring hundreds of books, reading each month with them.

One day, while running a writing exercise for the kiddos after reading Chris Van Dusen’s If I Built a House, I had an idea for a picture book.

I should mention that, in addition to being a perpetual bookworm, I have always been a creative writer, naturally gravitating towards poetry and literature since I was a young kid, writing poems in multiple languages, and finding creative outlets my whole life. So it was well within my bucket list to one day become an author, especially a children’s book author. I just always thought that day was long in the future.

When I told my husband my picture book idea that “someone” should write, he responded with, “yes, you should.” I was shocked at first, but dove into what it took to become a traditionally published children’s book author, thanks to my dear friend who happened to be personally connected to Chana Stiefel (what an author giant to get to know!!!), and Chana kindly, generously offered both feedback and guidance on what it takes. While our mutual friend, who was initially mildly interested in what Chana might say, pretty much ran away screaming, Chana’s long list of hard work felt exciting and fascinating to me. And that is how I knew it was worth pursuing!

I give my husband a lot of credit, both for initially encouraging me to try it and then continuing to remind me that I must invest in myself and take myself seriously as an author if I want to become one. I took classes, joined critique groups, and carved out time from our busy homeschooling schedule.

-Amazing! We love hearing about supportive husbands. I am thankful enough to have one of those myself! They can really help boost your courage and belief in yourself.

Tell us about that beginning time. What were your thoughts? I’m guessing it was a mixture of scary and exciting- all the best things in life are. 🙂

It was a really exciting time! For me, the scariest part had already happened–leaving my job. I did worry about striking a balance between homeschool and writing, but my kids were my cheerleaders from day one, and I was able to take it for myself without them feeling it. 


This was an exciting new prospect, but I definitely had imposter syndrome. Did I have what it took? I was a biology professor–what made me think I could write creatively, professionally? I hadn’t been an English major (although I loved my English classes and had taken AP Creative Writing!), so I had real concerns!

It was a steep learning curve: learning how the industry worked, learning to critique and receive feedback, finding groups and critique partners, the writing and publishing organizations. What was an imprint vs. a publisher vs. an editor? I truly have a whole bookshelf with publishing books I’ve read (in addition to the library ones I borrowed) in order to figure all of this out.

I quickly realized I should not submit to publishers alone and that I needed an agent. I did the thing you’re not supposed to do and queried with my very first manuscript! It did land me an agent, thankfully, but it did not land me a book deal… yet. Hooks, saleability, and the business side of publishing matters… I still had a lot to learn!

What were/are some of the hurdles that you’ve had to overcome, and how have you been able to do so?

I think publishing is mostly full of hurdles, a lot of luck, with a few spotlights of wins, LOL! I probably carry some intensity from my academic career with me, and I’m not afraid of hard work. So I try to throw everything I’ve got into this basket and push past the challenges!

Personally, it was challenging to carve out enough time for myself, so I had to get creative. Nap time? Quick, read through a new manuscript. Sitting with the kids at their activity, like gymnastics or dance? I had a critique partner’s manuscript queued up to read and comment on. Bedtime for kiddos? Yes, I loved writing so much that instead of watching TV, I would plow away at my manuscripts.

In terms of publishing, I wished for an agent so badly. I was fortunate to find one pretty quickly, and she is a great agent who makes awesome deals. However, I quickly learned that as an author, I needed more communication from my agent, so I voluntarily thrust myself back into the trenches. Luckily, I got another agent quickly again–and this time, this was a career match! Jonathan got me my first book deal and was a great support. Sadly, he decided to leave agenting (another hurdle), but my agency stepped in and had my back. A new agent absorbed some of his old clients, and my current and hopefully forever agent, Gaby Cabezut, read my work and decided to take me on! Exceptional luck, I know.

There are so many hurdles still to overcome. I have loads of ideas and work on many projects. Trying to assess which are the most marketable with the most hooks is tough. Bringing a manuscript to the true polished state–giving it time (another hurdle!) and reading it with new eyes is also tough. I’m also always trying to diversify my portfolio and write in new genres and categories. 

Have there been any organizations/contests/resources/people who have helped you stay positive and motivated to continue pursuing this path?

Oh, yes! Apologies in advance for this long answer, and even bigger apologies for anyone I might inadvertently leave out–but the kidlit community is so supportive, and I have had so much help along the way.

I mentioned Chana Stiefel–she will forever be my very first critique and serious foray into children’s book publishing.

I joined Storyteller Academy, and the very first editor I listened to was this animated, articulate, smart STEM editor! I learned a lot from her one session. Ironically, she–Carol Hinz–became my first editor years later! I wisely did not submit any manuscript at the time, despite the submission opportunity, because I intuited that my work was just not good enough yet for such a sharp reader. And I can say now that I was right!

I joined SCBWI and attended virtual conferences. I joined Facebook groups, and critique groups kindly welcomed me. Thanks to Covid, everything was online, so local groups were open to someone who geographically lived even an hour away. Thanks forever to so many critique partners who welcomed me into already established groups comprising phenomenal members. 

I’ve tried various things. I’m grateful to Inked Voices for many opportunities and workshops, from which I’ve also learned so much!

But way back when I started, and had only just become agented, I still felt pretty unsure of myself. I entered my very first writing contest in my entire life: Vivian Kirkfield’s famous 50 Precious Words Contest. I’m not sure if she and the judges will ever fully understand what they did for me, but placing 5th out of 750 strong writers, judged by real authors, with incredible, real prizes to boot, was my very first sign that I might not be insane for trying this writing endeavor! I won an invaluable critique by editor Thalia Leaf, who offered me essential insight I continue to carry. I continued on with other contests, including Kaitlyn Sanchez and Ciara O’Neal’s Spring Fling Contest, where I placed first and won a critique with the amazing Alyssa Henkin. Alyssa’s feedback helped me bring my debut book’s manuscript closer to the finish line, and I’m forever grateful. I’m also grateful to Lynne Marie and her Rate Your Story Contest, where I won first place, and she continues to support my work. Other contests and wins have been great, too–like Susanna Leonard Hill’s Holiday Contest. There are so many amazing opportunities! And so, so many kidlit people stepped up as my debut launched to host me for interviews, celebrate my cover reveals or launch, or promote me in any way possible!

And I would be extremely remiss not to mention PJ Library. If Vivian Kirkfield’s contest was the first to make me feel like I might be able to hack writing, PJ Library was the first organization to award me a monetary prize and sponsor me, in-person, into a tight community I continue to love today. PJ Library sent me to the Highlights Foundation Retreat Center for the most transformative experience with twenty other Jewish authors I’m still in touch with. This incredible group has been critical through the last two years and soaring antisemitism, as well as personally, as my dad passed away, or when my kids have had emergency surgery, etc. 

PJ Library also awarded me a Highlights scholarship, where I learned so much from Harold Underdown and Eileen Robinson, as well as what used to be called the Partial Author’s Incentive award for my pre-published middle grade. Finally, PJ Library also awarded me a Sephardic Stories Initiative fellowship, where I have been immersed with a new community and have been able to dive deep into stories I had tried to write a while ago, and have given more energy and oxygen to lately. As far as organizations go, I am indebted to PJ Library and will need to write them into every single acknowledgement of hopefully many books to come. They have been incredibly supportive of my writing career, and I have learned so much, networked, met many people, found communities, and grown as a writer, all thanks to them.

-So many fantastic community resources and groups you mentioned here, Danna! Thank you for all the shoutouts. I am familiar with all of the above-mentioned groups/contests and could not speak more highly of their positive impact!

Looking back, would you say that the benefits outweigh the struggles? Why or why not?

Absolutely! Publishing is a long hill to climb, but the views sure are breathtaking. I truly feel like I am living my dream.

For readers who may be early on in their publishing career stages (pre-pubbed/pre-agented), could you share a bit about your process… querying, rejections, timeframe, etc?

The best advice I can give people early on is to do more of three things than they think they need:

  1. Read! However much you read, read more. Whatever you want to write, read more! Study the books, analyze them, find the patterns, study what is successful and what is not, form opinions about what works best, think about the openings/closings, etc.
  2. Give it time! Whenever you think a manuscript is ready, put it down and pick it up again in a few weeks or more. I’m the most eager to birth every story, and I need to slow myself down.
  3. Make connections! Find support networks, critique groups, attend webinars, and find every opportunity to connect with other authors, agents, editors, and publishers.

None of publishing is in any of our control. I think you have to really want it, and if you do, pour yourself into it. I’m a big fan of hard work, and it still often takes a while to pay off. But the most important piece is really the manuscript. Writing your best work, thinking about hooks and saleability, etc. The query letter itself doesn’t matter as much as the manuscript itself. And an agent doesn’t guarantee you a book sale. If you keep giving your best effort, eventually, at some point, you will reach your milestone–be it agent, book deal, or whatever.

“None of publishing is in any of our control. I think you have to really want it…” – Danna Zeiger

So, you finally land your publishing partner- AKA your literary agent! Could you tell us about how that happened? Cold query? Event? Special opportunity? Etc.

Yes! Gaby Cabezut! I mentioned above that my agent #2, Jonathan Rosen, decided to leave agenting. Gaby was newer and she looked through Jonathan’s clients’ work–and decided to offer me representation! I’m so grateful. Jonathan told me Gaby was sweet and smart, and he was so right! Every time I chat with Gaby, I come off of our Zoom with a huge smile and feeling incredibly supported. She is smart and savvy, a fantastic advocate, and gives excellent guidance. It has been an awesome ride together and I’m pretty sure now that Gaby is not only officially my longest standing agent, I hope that she will be my forever agent!

What was your agent call like, and how did you know that your agent was the right fit for you? (This is such an important piece of information for readers to know, because not EVERY agent is the RIGHT agent. So much of a positive agent/author relationship depends on the right “fit.”) What things do you find to be “green flags” in a good author/agent relationship? And what words of advice would you give to a person who’s looking for representation for their writing?

I have been lucky to have had four agent calls. The first time in the trenches, I got two offers! My second time in the trenches, I had a call with Jonathan. And luckily, Gaby didn’t make me go back into the trenches–so as part of the transfer when Jonathan left, I Zoomed with both Gaby and the president of our agency.

So from these four calls, I think the essential pieces are getting a feel for each other, feeling comfortable together, and feeling like this is a nice person, and someone who not only loves your work but will champion it. A lot of publishing, as it turns out, is relationship-building. Making sure you are kind and that the other person is kind. I think sometimes either might need grace, and allowing space and that grace as life necessitates, is key. And also, that communication styles match. I learned with my first agent that communication is really important to me.

“I think the essential pieces are getting a feel for each other, feeling comfortable together, and feeling like this is a nice person, and someone who not only loves your work but will champion it.” – Danna Zeiger

For others who may be setting out on the same (or a similar) journey as yours, what are some words of encouragement that you’d like to share about identity shifts and major career shifts?

Major career shifts are hard, especially when you like your previous career. I think allowing a grieving period is natural and okay–I certainly took one. For me, I felt like I didn’t have a choice. Zoom wasn’t going to change my infant’s diaper or feed him, or develop my preschooler, and my oldest child needed guidance. I think, just like in children’s books, having agency makes a big difference. Since I didn’t feel like I had a choice, it took me some time to accept the situation. Luckily, I was able to dive into homeschooling, and I really loved it.

What has saved me, though, is that at the end of the day, my overarching net emotion is that I feel grateful for these immense privileges. It is a privilege to be able to homeschool–I certainly recognize that. And, it is equally a privilege to have the opportunity to pursue this dream of becoming a children’s book author. Giving space for the grief and all of the messy feelings has also allowed me to process and find both perspective and gratitude.

So, for those setting out on major career shifts: be patient with yourself! Feel the feelings! And, follow your passions. No matter where the road ends, the journey will be fulfilling.

-Love this advice! So true!

“So, for those setting out on major career shifts: be patient with yourself! Feel the feelings! And, follow your passions. No matter where the road ends, the journey will be fulfilling.” – Danna Zeiger

You mentioned in your application how important disability awareness is for kids and gatekeepers. Could you speak more to this?

I hope kids take away from my book how to approach people with disabilities in their future—as people. Our world is rife with ableism, stereotyping, and hurtful assumptions. They can cause physical pain, even as Dr. Kathleen Friel experiences when well-meaning strangers try to grab her when they think she needs help. She has needed to go to the ER from these well-meaning strangers!

Speaking of disability awareness, I know that you have a lot of great information on this in your book. Could you tell us more about that?

Yes! The book itself shows how Dr. Friel has had to educate so many classmates, labmates, and even doctors about cerebral palsy–and how exhausting that advocacy work is. The book also makes clear how Dr. Friel is able to find her own way to do certain tasks, but also that it is often much harder for her. The back matter offers more information about all of these subjects, as well as how Dr. Friel herself is an amazing and award-winning advocate. I actually have a teacher’s guide that anyone can download.

What is your big “why” or motivation for writing for kids? What does it bring you, and what do you hope it will bring your readers?


Kids are the keys to our future world. Kids are the future. I believe that the best way to fix our world is by reaching kids and building our stronger future, today.

My lifelong mission has always been to make STEM accessible and to bring underrepresented stories to the forefront. I’ve simply shifted from doing this as a college professor to a children’s book author, and hopefully I can reach a wider audience.

We’ve touched on your writing and its inspiration, but I’d love to hear more about your homeschooling journey and the resources that you offer. Could you shed some light on this for our readers?

When COVID hit, parents everywhere were bewildered, overwhelmed, and exhausted. Truly, my youngest baby was not held, changed, or comforted by any hands other than mine and my husband’s for a year and a half!! It was rough. I quickly started trying to channel some of my college teaching into my kids and trying to think of exciting activities, experiments,and STEM projects. I posted about them on my personal social media (while I don’t always love social media today, the connection it offered during Covid was so helpful!) and started getting questions from fellow bewildered parents. 

After plenty of answers, I decided to catalog our journey and share the resources with other parents, too, which ultimately became @DrZatHome.  

I wanted the @DrZatHome platform specifically to be free, and even as it grew, I continued to decline any paid sponsorships. I’m glad I did! Every recommendation I made, I truly made with a whole heart. I also felt a lot of freedom to post when I wanted, and about content that I felt passionate about. And, when my writing started to pick up, I felt no qualms about pausing for a bit.

What have been some of the responses you’ve received to your books and/or homeschool resources from parents/educators/kids?

In terms of homeschool resources I’ve shared, the pandemic was a critical point where many parents felt alone and ill-equipped to suddenly entertain, educate, and occupy all of their kids’ time. I felt overwhelmed, too! Coming online and sharing my resources felt like giving and receiving virtual hugs from all parents everywhere, and the messages of appreciation (and camaraderie, and mutual overwhelm) made me emotional. Whenever anyone shared that my content helped entertain a kiddo, or better yet, that their kids learned and got excited, it really made my day.

And my book experience!! Well, this has been a heart-warming experience, to say the least, and I have witnessed how books can be both windows–as kids tell me they want to be brain researchers too, and their horror at what Kathleen has had to endure–as well as mirrors. Various kids with disabilities, including cerebral palsy, or simply identified as disability advocates, have chatted with me and bought my book at book festivals or author events.

Have you been able to attend/participate in any local in-person/virtual author events? (Schools, libraries, book stores, etc?) If so, we’d love to hear about them and see some pictures if you have them!

Yes! I’ve done quite a few! In-person, I have had:
-A bookstore launch
-Several library and school events
-A book festival
-Signings in various bookstores
-An author talk hosted by No Place for Hate, the Waquoit Congregational Church, the Jewish Congregation of Falmouth, and Eight Cousins Bookstore, and
-A panel presentation and author signing at NCTE

Book Launch – held at Hummingbird Books
IG @hummingbirdbookstore
Bookstore signing
Library Event- held at Newton Library
IG @newtonfreelibrary
NCTE Danna and Editor Carol Hinz at Lerner Booth
No Place for Hate Event
No Place For Hate Author Talk

My book was also featured in the Closing General Session at the 2025 American Academy for Cerebral Palsy and Developmental Medicine meeting!

I also had a blog tour, thanks to the incredible kidlit community–yourself included! You can find all of my interviews on my website. What a massively supportive group of people and friends who come out in droves to cheer side-by-side! Thank you for all that you and others do!

I’ve had two podcast interviews: one was with my amazing former agent and friend, Jonathan Rosen, who now hosts two successful podcasts.

And the second was with my dear friend, Mel Rosenberg, host of New Book Network.
Both were remarkably different yet equally fun and exciting–it felt like such a virtual hug and celebration of my book!

My book has been shared by some incredible influencers, whom I admire so much: in the homeschooling, disability, science, and mom communities. I’m so grateful for their support!

My book was also shared in the Cape Cod Times and The Enterprise.

Finally, not my own promotion work, but I’m so grateful that my book has won Best of 2025 by the Chicago Public Library, Best of 2025 by School Library Journal, and Outstanding Science Trade Books for Students K–12 2025 by the National Science Teachers’ Association. So proud of and grateful for the whole team involved in creating this book!

It has been exceptionally busy!

What is something you wish you had known about publishing earlier on?

That there are no guarantees! Even having an agent does not guarantee a book deal. So the only way forward is hard work, an open mind to feedback, and excitement over the work!

“[In publishing] there are no guarantees! …The only way forward is hard work, an open mind to feedback, and excitement over the work!” – Danna Zeiger

What’s one piece of advice that you’d like to share with other writers?

Be resourceful–read lots of books, take classes, speak to people, seek feedback. It takes all the things and a lot of work!

Any final words of wisdom or something you’d like others to know?

Make sure your story is unique and adds something new. Not all well-written stories will be made into books (this goes for myself, too!) because there are soooo many manuscripts being queried, and still a lot of competition on the shelves. In order for a book to do well at each step, it simply must stand out!

Thank you so much for spending some time with us today. We truly appreciate you and all the hard work you do to make a safe and inclusive place for kids with disabilities, and the awareness you spread with your stories. And now, it’s time for a giveaway!

GIVEAWAY

For the month of December 2025, Danna is offering one prize to one winner: a picture book critique. Non-rhyme. Fiction: up to 600 words. Non-fiction: up to 800 words.

HOW TO ENTER THE GIVEAWAY

Like this post and share it on X/Instagram or retweet/repost mine (during the corresponding month/year) and tag me X @chellysbooks / Instagram @chelseasworldofbooks. If you don’t have X or Instagram, you can enter by liking this post and dropping a comment at the bottom of the Feature Interview article.

DEADLINE TO ENTER: LAST DAY OF THE MONTH AT 11:59 PM CST.

Did you enjoy this interview?

Thank the author & host by purchasing or reviewing a copy of one of their books or by requesting it be purchased by your local school or library! Using the sponsored links below to purchase also helps support this blog.

Purchase ADHD and Me HERE.

Purchase Rewriting the Rules HERE.

Before pursuing her aspirations as a children’s literature author, Danna Zeiger was a Biology Professor and Program Director for Fisher College’s Biology Program, teaching and mentoring disadvantaged and first-in-the-family students from diverse backgrounds. While homeschooling her three spirited kids, Danna established a STEM accessibility and educational resource entitled DrZatHome. Danna’s debut STEM nonfiction picture book, REWRITING THE RULES: How Dr. Kathleen Friel Created New Possibilities for Brain Research and Disability, was released this past September and has recently won Best of 2025 by the Chicago Public Library, Best of 2025 by School Library Journal, and Outstanding Science Trade Books for Students K–12 2025 by the National Science Teachers’ Association. Her unpublished novel-in-verse was recently awarded the PJ Our Way Partial Author’s Incentive Award. Danna is represented by Gaby Cabezut at The Seymour Agency. CONNECT: @home_zat (x/Twitter) @DrZatHome (IG and Bluesky) website: http://www.dannazeiger.com.

APRIL 17TH, 2024, FEATURE INTERVIEW WITH FORMER K-1 TEACHER AND LITERARY SPECIALIST, NOW CHILDREN’S BOOK AUTHOR AND EDITOR, MAYA MYERS

It’s time for our second Feature Interview of April, and today’s guest is a literary superstar. Not only does Maya have a background in literacy and education, but she’s also a current project manager in the world of publishing, an editor, a children’s book writer publishing across genres in kidlit, and married to a picture book author and illustrator, Matt Myers! But, before we get started, in case this is your first time visiting the blog (welcome), here’s a brief introduction to what feature interviews are all about and how they can benefit you!

WHAT ARE FEATURE INTERVIEWS AND WHY ARE THEY SO GREAT?

In a nutshell, here’s what a “feature interview” is. Every month, I sit down with literary professionals –authors, illustrators, editors, and agents– at all stages of their careers- from newly debuting to well-established, seasoned best sellers- and we discuss all things kidlit publishing. (Many of my guests are also former or current educators and librarians!)

These interviews are a great resource for kidlit writers and illustrators no matter where they are in their journey. Not only do they offer current information on market trends, but they also give readers an up close & personal look at the world of publishing from a diverse collection of creators and perspectives.

Here’s a list of just a few of the helpful things we discuss:

  • Where to find both FREE and PAID for writing memberships, craft workshops, contests, and other resources
  • How to query agents and editors and what they’re looking for
  • Where to find kidlit community and support from other writers or illustrators
  • Diversity, empathy, and kindness in kidlit and why it matters
  • How to improve your skills and set goals
  • Writing across genres
  • How to deal with setbacks/disappointments and WAITING
  • Helpful tips and suggestions for aspiring authors and illustrators
  • Pros and cons of small publishers, hybrid (or indie) publishing, and being agented vs. unagented
  • What to do after you sign with your first agent – and/or make your first book deal
  • How to promote your books as a debuting author or illustrator
  • Behind the scenes of hosting author events- library/school visits
  • How to get your books into bookstores & schools
  • And of course- during each feature interview segment- we share new publishing deals & host giveaway prizes for our readers!!! ** Giveaway PRIZES and instructions on HOW to enter are listed at the bottom of each interview**

Not that we’ve shared a little about what’s in store… it’s time to jump into our interview!

BEGINNINGS

Maya, I’m so excited to have you with us today! I loved your book NOT LITTLE and was happy to see all the various ways you work in the world of kidlit. But before I get too deep into the details… I like starting my interviews at the very beginning.

I know you were “once upon a time” a kindergarten teacher. And now you’re a children’s book author – writing across genres! – (among other things).

So, for the author side of things, when and how did you get your start in publishing? Was it something you always knew you wanted to do, or was it something you discovered later in life? And did your previous work as an educator have anything to do with your desire to write kids’ books?

In my first career as an elementary school teacher, I designed my teaching units around books. Books were always a big part of my own life and my kids’ lives, too. When I started freelance editing, I reached out to children’s publishers because I had a lot of experience reading children’s books. But I didn’t really think I’d ever write one—until I did! I started writing picture books around the time my youngest daughter (now 16) started school. She said the funniest things and one day, I was sitting in the next room listening to her talk to my husband, and I decided to take a shot at preserving some of her childhood by writing about it.

What were the beginning stages of your publishing journey like? Can you tell us about the early stages- querying- rejections and how you wound up with your agent?

I was lucky enough to know Neal Porter (my first editor) through my husband, who has worked with him for years. Neal read my very first story and encouraged me to keep writing, and graciously read a number of manuscripts for me over several years. The first time I showed him Not Little (my first published picture book), he liked it but said it wasn’t quite right for him. I felt good about it anyway, so I submitted it to a couple of agents, but with no luck. About six months later, I shared a completely different type of book with Neal, and while he liked it, he said he just wanted a good, solid story from me. I asked if he remembered the story about the little girl who stands up against bullying, which I had recently revisited and tweaked the ending of. I still really loved it and told Neal I didn’t think I could do much better than that. He asked to see it again, and this time, he said it was perfect and he wanted to publish it! I was shocked and thrilled. My husband’s agent’s assistant was just moving into representing clients of her own, and she accepted me as one of them.

WORK-FOR-HIRE + WRITING ACROSS GENRES

Not only are you traditionally published and agented by the lovely Hannah Mann at Writers House, but you also do work-for-hire books and work as an editor and project manager. This is the dream! Or at least- I think it’s the dream.
As someone who would love to dip her toe into work-for-hire work herself, can you tell us more about what’s involved in this process? Is it similar to the querying process? And does your agent have anything to do with your work-for-hire projects, or is this done separately?


I initially shared my resume with National Geographic Kids as a freelance copyeditor and proofreader, and I didn’t hear from them for a year. When they did reach out, it was to ask if I was interested in writing a leveled reader. I had never done anything like that before (and this was before I’d sold my first picture book), but I was excited to try! That project led to a few others like it, as well as some bigger books, and also to some project management work for NGK and then with other companies. My agent connected me with another publisher that does some projects this way, but these projects are generally not agented. I’m contacted by the publisher or organization; they offer a job with a flat fee and a schedule, and I can accept it or not.

I’ve heard that the work-for-hire projects can be more selective, and oftentimes, they’re written in-house. Can you speak to this? Would you say it’s more difficult than getting your work published traditionally with an agent and publisher?

I guess this depends on the type of project. For the work-for-hire projects I’ve done so far, I’ve just been offered the jobs, so it’s been WAY easier than trying to sell a manuscript. To me, these WFH projects feel closer to editorial work than to creative work; I’m making a product to fit a prescribed mold rather than coming up with a concept and an original way to present it. It’s a collaborative process with a whole team. I’m proud of the end result, of course, but I feel a different sense of ownership for the books I’ve generated from my imagination.

Circling back to publishing across genres in kidlit… I wonder, do you have a favorite to write or read? PB? MG? Chapter books? Personally, I write mainly picture book manuscripts- and I love reading picture books- but I also really love reading middle-grade. What about you?

I started out writing picture books with no intention of expanding to other audiences. My first chapter book started as a picture book; it was my agent’s idea to make it longer and for older kids, and I wasn’t sure it would work, but it turned out I really enjoyed writing with more room for dialogue and description.

I love that my work as an editor lets me read as a full-time job! This gives me a chance to read a lot more MG and YA than I would otherwise have time for, and I really enjoy both. I always love picture books, too, and I miss having little people to read to on a regular basis!

What tips can you give other writers or illustrators who are trying to break into the industry?

I think no matter what age you’re writing for; a unique voice and perspective will always serve you well. And if your main character can surprise the reader in some way—give them something that’s a little different from what they were expecting because of the way the character has grown or changed in the course of the story—that helps create a more satisfying ending.

I think no matter what age you’re writing for; a unique voice and perspective will always serve you well. And if your main character can surprise the reader in some way—give them something that’s a little different from what they were expecting because of the way the character has grown or changed in the course of the story—that helps create a more satisfying ending.

OTHER ROLES IN PUBLISHING: SHARED PASSIONS & INSPIRATION

In addition to writing across kidlit genres, you’re also an editor and work as a project manager. Can you tell us more about those positions? What’s involved in each?  And do they have a positive crossover- if any- to your writing career- or vice-versa?

I do freelance developmental editing, copyediting, and proofreading for various publishers and authors. I enjoy working with text at all these different levels—big picture to tiniest detail. Project management tends to be more organizational—making sure all the moving pieces come together at the right time and in the right ways—and I’m often also the text editor for these projects (for example, a set of leveled readers) as well, so the job brings together lots of skills I’ve developed over the years as a freelancer.

As a writer, I definitely get inspired by editing other people’s books, and I hope I’m an easy author to work with because I have some experience with the process of the book actually getting made.

I think it’s beyond words cool that your husband also works in the kidlit arena with you. How fun to have that shared passion! And as I was writing these questions, I kept wondering how it all happened. So, here’s my question.
Which came first- the chicken or the egg? The chicken being your husband Matt, the egg being your beginning to publication. Were your two paths linked? Did you begin writing together? Did one of you start first? Were you already married when you started writing, or did the writing dream begin afterward?


Who says I’m not the chicken?? Just kidding—Matt has been at this much longer than I have, since years before we got married. He found my feedback on his own writing helpful and encouraged me to get into editing. Then, when I started writing, he encouraged me to share my work with Neal, who encouraged me further. My first story was inspired by watching Matt and my youngest bond over imaginary play.

What is it like being married to an author/illustrator? Do you ever brainstorm ideas together or get to work on projects together?

We are always each other’s first editor—an in-house (literally) critique group. We talk about story ideas, some of which come to fruition for one of us and some that fade away. If authors got to choose their own illustrators, I would choose him again and again; however, I’ve been so incredibly lucky with the illustrators for my books that I’m glad I didn’t have that option! We have not yet worked on a project together, but we hope to someday.

A double book launch for me and Matt at Park Road Books in Charlotte, North Carolina

I was also excited to see that you live in Charlotte, North Carolina (I have family there). I actually grew up in a small town outside of Asheville- and only moved to Tennessee a few years ago after getting married. (I lived there from ages 12-28). I’ve been penning tales since I was 4, so when my family moved me to NC at age 12, it definitely stirred my creative inspiration for writing. From regular weekly drives through the Blue Ridge Parkway, trips to the orchards, swimming in creeks on the side of the road, and finding hidden waterfalls along the trails, there was so much to spark the imagination!

Do you find your inspiration in similar ways, being out in nature? If not, what kinds of things inspire you to write? And what do you enjoy writing about most?


I grew up in rural Maine, and I’ve always been inspired by nature; my next picture book (Good Morning, Morning, coming in 2026 from Neal Porter Books, illustrated by Jennifer Mann) is about a child greeting the day by connecting with all the different things in their natural world. I have also always loved young kids and the funny things they say and think and do. I like watching them put the pieces of the world together, figuring out how things fit and where they fit in all of it. It feels really satisfying to represent a kid’s world view in a story.

Speaking of writing and inspiration… one thing I’ve found to be invaluable on this journey is being a part of the writing community. It helps keep you motivated to continue going even when things get tough. Do you have any recommendations or favorite places to go to find a writing community?

A lot of libraries host writing groups, and your local SCBWI chapter can also be a great resource. Attending book launches at your local bookstore is an excellent way to support both authors and bookstores, and to meet other authors and help build your own local writing community.

A lot of libraries host writing groups, and your local SCBWI chapter can also be a great resource. Attending book launches at your local bookstore is an excellent way to support both authors and bookstores, and to meet other authors and help build your own local writing community.

THE JOURNEY: CHALLENGES & WORDS OF WISDOM

We love cheerleading and hearing all the good things that happen for our fellow writers. But sometimes, hearing only the positives (aka half the story…) can be misleading and, at times- disheartening- because people might feel like they’re the only ones struggling. So, what are some challenges you’ve personally had to face on your publishing journey, and how have you been able to combat them?

I think the hardest things for me have been waiting and rejection. Both have certainly gotten easier over time as I’ve come to know what to expect. It was three years between when I sold my first picture book manuscript and when the book came out into the world. It’s usually many months between the time a manuscript goes out on submission and the time an editor makes an offer or (more often) a pass. It’s important to me to stay busy with other things, or I’d spend all my time obsessing over whatever book is out on submission—it’s better if I don’t think about it at all! Especially since more often than not, chances are that book will never sell. Even though I have an awesome agent and my published books have been very well received, it is still very hard to sell a new book. I know my books are not for everybody, and I do not take rejections personally. I keep a spreadsheet with notes about what worked and didn’t work for various editors, and I review those notes as I’m developing new ideas. And I know that if I never sell another book again, I’ll still be incredibly proud of the ones that have been published.

In your professional opinion, what makes publishing so hard? And what words of wisdom do you have for those just starting out?

Like any art, writing is inherently a subjective business, so some people will like your work, and some will not. Rejection is never easy, and there are very few rejection-free paths to publishing. It can be hard to believe in something you created when other people don’t seem to get it—but that doesn’t mean no one will ever get it.

One of the best things we can do to keep our work relevant to the current market is to keep reading new books that are being published. See what’s out there, what you like and don’t like. Then you can see both where you can fit in with the crowd and what holes you can fill with your unique voice.

While we’re talking about “words of wisdom,” do you have any “do’s and/or don’ts” to share with our readers?

Do make a storyboard for your picture book. You don’t have to be able to draw. Just thinking about where the words will go on the page will help you figure out page turns and will help you lower your word count.

Do leave room for the illustrator to do their job. In a well-balanced picture book, neither the text nor the illustrations will be as effective separately as they are together. The words don’t need to describe what things look like, and the more you can stay open to different ways your book might ultimately look in the end, the happier you are likely to be with the illustrations.

Do put every project away for long enough that you can forget how it goes. Then, try to come back to it and read it with fresh eyes. Pretend someone else wrote it. What parts work well? What could be done better?

Do share your work with others and listen to what they have to say. That’s not the same thing as doing everything they say, not at all. But hear it, decide whether it resonates with you, and either act on it or release it.

Like any art, writing is inherently a subjective business, so some people will like your work, and some will not. Rejection is never easy, and there are very few rejection-free paths to publishing. It can be hard to believe in something you created when other people don’t seem to get it—but that doesn’t mean no one will ever get it.

One of the best things we can do to keep our work relevant to the current market is to keep reading new books that are being published. See what’s out there, what you like and don’t like. Then you can see both where you can fit in with the crowd and what holes you can fill with your unique voice.

BOOKS, BOOKS, BOOKS!

Okay, we’ve made it through all the nitty-gritty publishing questions, and now it’s time to celebrate- with books! We’ve danced around the topic of your writing across genres. Now, let’s hear about your stories! Tell us about your books! 

Each story tells about a part of us. What do each of your books mean to you personally? Why’d you write them? And what do you hope they will do for your readers? What was each journey like for your story? Which one was published first- your debut book deal? What were the emotions of the process? And about how long did each book take- from the beginning (writing) to book deal and publication?

For some of our readers who are new to publishing, it might come as a surprise that not all authors in the kidlit arena are illustrators- in fact, most aren’t. Can you share a little bit about the illustration process for your books and how much or little you were involved in that?


My debut picture book was Not Little, illustrated by Hyewon Yum (Neal Porter Books / Holiday House, 2021). My inspiration for this book came from a number of tiny but fierce kids I’ve known over the years, who seemed to make up for their “little” stature with outsized spunk and determination. One of them is my youngest, who was very small as a young child and a precocious reader. She was perpetually indignant that the school librarian wouldn’t let her check out big chapter books and was often looked at skeptically when she would order (and polish off) a whole pizza in a restaurant.

I wrote this story in 2017 when there was a new level of vitriol and unkindness flying around in the world, and I wanted to remind my own kids and others that anyone can fight back against cruelty without being cruel. I sold the manuscript in 2018, and the book was published in 2021.

I made these Dot dolls as a pandemic project—one for Neal, one for Hyewon, one for me.

I was originally hoping that Neal, my editor, would select Matt as the illustrator for my first book; after all, they’d been working together for years, so why wouldn’t he pair us up? So when Neal told me that he’d decided to go with someone else, I was a little bit disappointed. But I loved Hyewon’s work, and when I first saw the dummy (sketches) for Not Little, I was so excited to “meet” the main character and her family that I burst into happy tears. 

An illustrator’s note in the manuscript had said she came from a big family, but the multigenerational blended family Hyewon imagined was greater than I could have hoped for!

I knew I wanted to get to know that family better, so that’s where I started the follow-up book Not Perfect, which I wrote and sold in 2021 and which is out now, in 2024 (again, a three-year turnaround). Not Perfect is for all of us who strive for perfection. It’s a reminder that it’s the striving itself—the trying, the making mistakes, and the bouncing back and trying again—that makes us strong.

Meeting Hyewon Yum at the Society of Illustrators Original Art Show, 2019

As I mentioned earlier, my first chapter book started out as a picture book called Little Red Writing Hood. My agent loved it and got it ready to go out on submission. Then, at the last minute, she said she thought the story was better suited to older readers and suggested that I rewrite it as a chapter book. It took me about a year to get on board with this idea, but once I started, I really loved writing for older kids. And when we sold that manuscript to Krissy Mohn at Capstone (summer of 2022), she said she wanted a series of four books—and all the manuscripts were due within six months! So I had to make room in my schedule for a lot more writing than I usually do, but it was a lot of fun, and I’m so thrilled to have all four books coming out this year (the first two are out now; the other two coming in August). 

Eleanor Howell did an incredible job with the illustrations! Each of the books has a curriculum-based focus (writing, scientific method, research, and graphing), nestled into some of the real social and emotional struggles that elementary-aged kids face. I liked getting back to teacher mode for these curriculum-based stories, and I really hope the books will be helpful to teachers—and fun for kids to read!
For all my books so far, and for almost all of the dozens of books I’ve seen my husband illustrate, the writing process and the illustration process are pretty separate. The author has the freedom to create the story as they envision it, and then the editor has the fun job of playing matchmaker: choosing an illustrator they think will bring this story to life in an effective, engaging way, then giving them the freedom to do just that. In return for your trust, you get the gift of having an artist enhance your story by turning your ideas into a visual experience.

What has/have been your favorite part/parts of being a published author? If you have more than one favorite – feel free to share! I know it’s hard for me to pick a single favorite, so I totally understand if you can’t choose just one.

I love connecting with kids and making them feel empowered to do things—whether it’s recovering from frustration or, standing up to a bully or writing a story of their own. It’s also super fun to work in the same field as my husband, and getting to make friends within the kid lit community together.
These pictures are awesome. Thanks so much for sharing them with us and for joining us today, Maya.

Thanks so much for having me!

But we’re not quite finished yet. Now it’s time for our GIVEAWAY.

GIVEAWAY PRIZE: Maya is offering a signed copy of Not Little or Not Perfect.

HOW TO ENTER THE GIVEAWAY

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Deadline to enter: April 30th, 2024, 11:59 PM CST

And that’s it!

FAQ:

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Maya Myers writes books for kids. Her debut picture book, NOT LITTLE, was named a 2022 ALSC Notable Children’s Book. She’s also a freelance book editor and publishing project manager, working with both authors and publishers on all sorts of books, from phonics readers to memoir and everything in between. She’s a former kindergarten teacher, K-5 literacy teacher, and piccolo player. These days, when she’s not wrangling words, she’s probably cooking, digging in the garden, playing a board game with lots of pieces, or (surprise!) reading.

Maya grew up playing in the woods on the coast of Maine in a little town that is still almost thirty miles from a stoplight. She attended Duke University and has called North Carolina home ever since. She lives in Charlotte with her husband, author/illustrator Matt Myers, three kids, six chickens, and a twenty-three-pound cat.

ohmayaword.com (author site) mayamyersbooks.com (editorial site)