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APRIL 3RD, 2024, FEATURE INTERVIEW WITH CHILDREN’S BOOK AUTHOR JENNIFER RAUDENBUSH, CONDUCTED BY KIDLIT WRITER, BLOGGER & LIBRARIAN CHELSEA DICICCO

Posted on April 3, 2024January 25, 2025 by Chelsea’s World of Books in Feature Interview Series, View all blog posts

It’s officially April! Summer is just around the corner. Which means the library is buzzing with activity… and so is the kidlit world. Today, it’s my pleasure to introduce you to our first Feature Interview guest of the month, Jennifer Raudenbush. Jennifer’s debut picture book, IN THE PALM OF MY HAND, was launched in March of 2023. If you don’t already have a copy, be sure to enter the giveaway at the bottom of the interview!

Before I jump into our interview, though- if this is your first time visiting my blog or the feature interview segments, welcome! I’m glad you’re here, and I hope you’ll visit again. To give you an idea of what’s in store, here’s a brief overview of what feature interviews are all about and why they’re so valuable.

WHAT ARE FEATURE INTERVIEWS AND WHY ARE THEY SO GREAT?

In a nutshell, here’s what a “feature interview” is. Every month, I sit down with literary professionals –authors, illustrators, editors, and agents– at all stages of their careers- from newly debuting to well-established, seasoned best sellers- and we discuss all things kidlit publishing. (Many of my guests are also former or current educators and librarians!)

These interviews are a great resource for kidlit writers and illustrators no matter where they are in their journey. Not only do they offer current information on market trends, but they also give readers an up close & personal look at the world of publishing from a diverse collection of creators and perspectives.

Here’s a list of just a few of the helpful things we discuss:

Where to find both FREE and PAID for writing memberships, craft workshops, contests, and other resources
How to query agents and editors and what they’re looking for
Where to find kidlit community and support from other writers or illustrators
Diversity, empathy, and kindness in kidlit and why it matters
How to improve your skills and set goals
Writing across genres
How to deal with setbacks/disappointments and WAITING
Helpful tips and suggestions for aspiring authors and illustrators
Pros and cons of small publishers, hybrid (or indie) publishing, and being agented vs. unagented
What to do after you sign with your first agent – and/or make your first book deal
How to promote your books as a debuting author or illustrator
Behind the scenes of hosting author events- library/school visits
How to get your books into bookstores & schools
And of course- during each feature interview segment- we share new publishing deals & host giveaway prizes for our readers!!! ** Giveaway PRIZES and instructions on HOW to enter are listed at the bottom of each interview**

Not that we’ve shared a little about what’s in store… it’s time to jump into our interview!

WHERE YOU’RE AT AND WHERE YOU’VE BEEN…

Jennifer, it’s such a treat to have on Chelsea’s World of Books today. Thank you for joining us. One of the coolest parts of looking over my applicants last year in preparation for the 2024 lineup was seeing geographically where all of my entries were coming from. So, let’s start with that. Where are you currently living- and if it’s different from where you’re originally from, where was that?

Hi, Chelsea. Thanks so much for having me today! I was born, raised, and still live in beautiful eastern Pennsylvania. I love nature, and this area offers amazing views and hikes.

How long have you been writing? Have you been writing since you were a kid, or did your love for writing spark later in life?

I was always a big reader and learned to read before kindergarten. When I was a kid, I created a lot of cards and some stories, but mainly I became interested in writing in middle school and high school. I was a co-editor of both my high school newspaper and yearbook. I later majored in English Literature at Sweet Briar College in Virginia. While in college, I made my first picture book dummy, even though I truly had no idea how to write a picture book. It was the seed of my writing dream.

When did you first know you wanted to pursue publishing as a career? How old were you?

A well-meaning family member talked me out of becoming a writer (due to the income), so I became a speech-language pathologist specializing in pediatrics at a local hospital. But, like I said, I was always interested in reading and writing.

Was there anyone/anything influential that impacted your choice to pursue publication… or maybe spurred your love of literacy/writing?

I had two wonderful English teachers in high school, Mrs. Karpulk and Miss Beatty, who cemented that love of literacy deep in my bones. Both encouraged my writing, and I owe a debt of gratitude to them for pointing out that writing was a great strength of mine.

Are you the only writer in your family/friend group- or are there more writers in your midst?

I had been the only writer in my family. However, two years ago, my talented artist sister, Amy Kristen Moore, began working toward becoming an author-illustrator. Due to critique groups, I now have many writer friends! And honestly, I spend so much time with them, they begin to feel like family.

When – and how- did your path to publication truly begin?

In a 2014 seminary class, we did an exercise in which we had to write our own obituaries. It wasn’t as morbid as it sounds! I had to fill in the blank, “The thing I most regret never having accomplished is ___.” Right away, I knew the answer was not having published a children’s book.

I researched writing children’s books and found SCBWI. I joined an online eastern PA SCBWI critique group in the fall of 2015 and began writing (not great) picture book manuscripts. The group fizzled out, but one of the members, Becky Scharnhorst (who has now published several books!) and I continued on. We decided to meet in person at the Highlights Foundation workshop Picture Books & All That Jazz, led by Leslie Helakoskie and Darcy Pattison, in June 2016. While there, we formed a new critique group with three other writers: Rose Cappelli, Jen Fier Jasinski, and Karen LaSalvia. We call ourselves The Highlighters, and we’re still going strong!

I noticed in your bio that you’ve also done publishing in children’s magazines as well as some poetry anthologies. That’s so cool! Can you tell our readers a little more about that writing journey and how you were able to get your footing there?

I read poetry almost every morning, and I consider myself a poet. I’ve always enjoyed reading poetry, and I started writing it just for myself in graduate school. Eventually, I took Renee LaTulippe’s Lyrical Language Lab class. After that, I researched children’s magazines and submitted some poems. It’s similar to the process of querying. You see what topic and/or type of poetry a magazine, journal, or anthology wants and submit something you think might fit.

I’m not 100% about this, but I’ve heard it rumored that agents generally shy away from things like magazines and anthologies because they’re typically smaller deals, which equals less money on their end. So, for your published magazine stories and anthologies, was that something you did on your own before getting literary representation, or is that something your agent was able to help you with?

Yes, I think you are correct. At least, it was correct for my previous agent. She added a line in my contract that I was in charge of any poetry submissions/publications.

Do you have any suggestions for writers or illustrators who may be interested in publishing for magazines, writing poetry for kids, or participating in anthologies? Any good places to go or other tips on learning the writing craft that you recommend?

First, I would encourage people interested in poetry to read a lot of it. Then, practice writing it. In addition to the Lyrical Language Lab, the Highlights Foundation, and other places that offer classes or workshops on poetry. I haven’t taken it yet, but Sylvia Vardell and Janet Wong offer some workshops on poetry and anthologies. Occasionally, I’ll do an online search on “poetry calls for submission” to see if I have anything in which one of these publications might be interested.

“I had two wonderful English teachers in high school, Mrs. Karpulk and Miss Beatty, who cemented that love of literacy deep in my bones. Both encouraged my writing, and I owe a debt of gratitude to them for pointing out that writing was a great strength of mine.“

“I would encourage people interested in poetry to read a lot of it. Then, practice writing it. In addition to the Lyrical Language Lab, the Highlights Foundation and other places offer classes or workshops on poetry.“

EARLY STAGES: HIGHS AND LOWS AND CONQUERING MOUNTAINS

Everyone says it- and there’s a reason for it: PUBLISHING IS A JOURNEY. And it’s not for the faint of heart. It requires grit. Tenacity. Perseverance. Passion. And true determination.

Don’t get me wrong… kidlit is a FANTASTIC place. In fact, it’s my favorite place! It’s filled with so much beauty. But, with the highs come the lows, and taking the waves with grace and patience is an acquired skill. A skill that has to be learned and continually put into practice. So, let’s talk about that.

Why would you say patience is a required skill in publishing? And was this something easy for you to put into practice?

Patience. Right. When my teenage son was a toddler, I prayed for patience. I soon learned to stop doing that because it seemed God was giving me lots of opportunities in which to practice it! Unfortunately, publishing abounds with opportunities for which patience is required. I found I needed an abundance of patience at every stage: writing, revising, receiving critiques, querying, submitting to editors, publishing. I wouldn’t say it was or is ever easy for me, but I have no control over making anything move faster, so I have learned to accept it, even though I don’t like it.

Speaking of patience… can you share a little bit about the early stages of your publishing journey – beginning with the query trenches? (Trust me- they’re called “trenches” for a reason). And for some readers who may be unfamiliar with what the query “trenches” are, can you explain briefly what that expression means- and any words or wisdom you have on how to successfully navigate this tough terrain?

I’m certainly quite familiar with the query trenches—that painful place of spending the amount of time you’d put into a part-time job to research and send your book babies to agents, then wait (often months, even over a year, in some cases) to be told mostly no or to hear nothing back at all. It’s difficult. It’s arduous. It hurts. I’m back in the query trenches right now. More on that later.

Do you recall the first rejection you received? And what was your thought process?

I don’t remember the first rejection specifically, but I do remember feeling a bit like a real writer because I knew writers received a lot of rejections.

What made you continue going and want to try again?

Well, if you want something bad enough, you’re going to get back up on that horse and try again, right? As much as it hurts, if you’re a writer and you want to get published, you have to try, try again. If it’s too tough on your mental health, you may take a break for a while. But eventually, if that’s your dream, you’re going to have to try again.

Rome wasn’t built in a day… and books aren’t published in one either. It’s a long process. People who don’t work in publishing often have little clue as to just how much goes into ONE book deal and how much TIME goes into it as well- especially in the kidlit arena, where you’re also dealing with illustrations and art directors and all that fun stuff. The time can be challenging- even for authors who have been published and at this for years. Can you share any tips on what helps you pass the time?

My biggest tips are to continue reading, creating, and writing new/other works. Like many people, I fall into the constant email-checking trap. But that’s not going to help. It’s a much better strategy to do your best to forget about the thing you’re waiting on and get lost in another project.

Speaking of time… it takes time to climb a mountain. And publishing is, without question, a big mountain to climb. As much as we love hearing the successes- and we really do- and celebrating those positives with our fellow writing community, sometimes only hearing the good stuff can be disheartening to those who might wonder- “is it only me who’s struggling?” Is it easy for everyone else?” So, often in my interviews, I like to share both sides of the story. Because hearing the happy stuff can be just as important as hearing the hard stuff. What challenges have you faced in your writing career, and how were you able to overcome them?

I’ll talk more about a major challenge below. Suffice it to say, I felt I was moving backwards rather than forwards in my author journey. The way I’m overcoming it is to continue to write and create stories: poems, picture books, and middle-grade novels.

Now that we’ve conquered the mountain… I’d love to hear about the view from the top. It’s time for celebration!

“Publishing abounds with opportunities for which patience is required. I found I needed an abundance of patience at every stage: writing, revising, receiving critiques, querying, submitting to editors, publishing. I wouldn’t say it was or is ever easy for me, but I have no control over making anything move faster, so I have learned to accept it, even though I don’t like it.“

“As much as it hurts, if you’re a writer and you want to get published, you have to try, try again. If it’s too tough on your mental health, you may take a break for a while. But eventually, if that’s your dream, you’re going to have to try again.“

“My biggest tips are to continue reading, creating, and writing new/other works. Like many people, I fall into the constant email-checking trap. But that’s not going to help. It’s a much better strategy to do your best to forget about the thing you’re waiting on and get lost in another project.“

CELEBRATING THE VIEW: POSITIVES IN PUBLISHING

When did you sign with your first agent, and who did you sign with? (Agent/agency?)

I signed with my first agent in November of 2020. Unfortunately, I left her last May, so I’d rather not share those details.

Can you tell us how it all happened? Was it through regular querying? A contest? A special conference or query opportunity link? Etc.

I had done an Inked Voices picture book workshop with this agent. She really liked my story and messaged me to query her with it. I wasn’t sold on the changes she wanted, so I took a year before making them and querying her.

What was your agent call like, and when did you know that they were the right agent for you? Explain.
She said many flattering things about my writing. We discussed how she communicates and the ins and outs of the contract.

Finding an agent can be difficult. And having any offer can be tempting. But – is it the right offer? Can you tell us, in your own words, why having the “right” agent is so important? And in your opinion, what makes the “right agent” “right for you?”

Oh, my, Chelsea, you are so right! In my opinion, it’s quite difficult to tell if you are the right match for an agent based on your research of that person or from the call. You often truly won’t know until you begin working together. And sometimes, unfortunately, the relationship doesn’t work out. In my case, it didn’t work out.

Knowing how difficult it is to get an agent, I was afraid to leave. It was an extremely difficult decision, but it was the one I needed to make.

Okay- now you have your agent. It’s time to enter the submission period. What was that process like?

I signed with my agent in early November 2020. We went out on submission with IN THE PALM OF MY HAND mid-January of 2020, and heard that one of the six editors she sent it to was taking it to her team. Mid-April, Running Press Kids made an offer, and I was through-the-moon excited!

About how many manuscripts did your agent send out on sub once you signed, and to roughly how many publishing houses/editors? And what was the timeframe like?

I had an options clause, so we waited a year to send a second book to my publisher. My editor loved it, but she said they had to wait until they saw the sales numbers on pre-orders for IN THE PALM OF MY HAND. At that point, we sent a different, rhyming manuscript on submission. We received some great feedback but no takers. I was also learning to write middle-grade novels. My agent had her new assistant read my (third) middle-grade manuscript. I revised per her notes, and we sent that on submission to approximately nine editors. One of those was interested but had something too similar. So, in the 2 ½ years I was with my agent, she sent my options clause picture book to my editor and one picture and one middle grade out on submission. It’s a tough business.

By the way, I’m currently revising my fifth middle-grade novel. It’s contemporary with a twist of magic.

Who was the first publishing house/editor who you made your first book deal with?
As I mentioned, it was Running Press Kids (local to me in Philadelphia). My editor was Allison Cohen. She was truly magnificent to work with and extremely kind.

Okay… now, you have a bite! It’s your FIRST book deal. Walk us through the details… Tell us all the feels!

The team at Running Press Kids were all wonderful, including my publicist Becca Matheson. They treated me with respect and care. If I ever had a question, they were quick to respond.

Your debut, IN THE PALM OF MY HAND, came out in March 2023. We’d love to hear all about it! Can you give us a brief description of the story for readers who haven’t yet read it?

I’d love to! The blurb is: "On an ambling walk, a child discovers they hold the promise of larger worlds—forests and meadows—in the palm of their hand. An acorn becomes a tree within a woodland wonderland. A grain of sand becomes a sandcastle in a kingdom of imagination. By exploring nature’s tiniest details, they learn even small things, including them, contain infinite potential."

It received wonderful reviews from Kirkus Reviews and School Library Journal! Isabella Conti from Milan, Italy, is the illustrator. Her paintings are simply magical .

What was the inspiration behind writing this, and what do you hope to impart to your readers?

Besides being a nature lover, I also love poetry. The book was inspired by the opening lines of William Blake’s poem “Auguries of Innocence”:
To see a World in a Grain of Sand
And a Heaven in a Wild Flower
Hold Infinity in the palm of your hand
And Eternity in an hour.

I imagined how I might interpret this concept for a child. The story starts simply with an acorn in the palm of a child’s hand and builds into a forest and wider concepts of connectivity. Over time, a vast forest may spring from a single acorn. By extension, the child realizes the universe of possibilities growing inside him. This self-esteem boost provides a natural entryway into discussions about children’s passions and dreams. It gives them a chance to reflect on how they can reach for the stars and accomplish their hearts’ desires. I also hope readers notice the connectivity of the natural world.

Speaking of which… how has your story been received since your launch last year?

Everyone who reads it seems to really like it. I’m grateful that Running Press Kids published such a beautiful book.

Have there been any particularly exciting/memorable moments?

I had my launch party at my local library. It was a blast and a much-needed celebration after so many long years of struggle. People have privately sent me pictures of their kids holding the book, and these photos have meant a lot to me. I’ve done book festivals, a librarian conference, a teacher and reading specialist conference, library events, school visits (virtual and in-person), book store events and signings, and recently my first Family Literacy Night. My favorite part of these is seeing children enjoy the book I’ve had a hand in creating.

What has your favorite part of the publishing process been? Explain.

My favorite part of the publishing process has been finally getting to hold my published book. It was a surreal moment. But I don’t take it for granted. Every time I talk about IN THE PALM OF MY HAND, I feel a little thrill.

LAST WORDS

If you had to sum up publishing wisdom in just a few last words… what would you tell others who are pursuing publication?

Don’t give up!

Can you tell us three random things about you that not everyone knows? If you want, they can be two truths and a lie… but you’ll have to give us the answer to which one is the lie. 

I attended Space Camp before my senior year of high school. I was a United Methodist pastor. I’m completely in love with my Westie pup, Mazy. These are all true . 

Thank you so much for having me on your blog, Chelsea. I truly appreciate it!

It was my pleasure! Thank you so much for taking the time out of your schedule to be here with us today and share so much of your heart with us. Sharing this stuff can be vulnerable and we certainly appreciate your honest and kind words. And we are so happy for you and your story, IN THE PALM OF MY HAND. Speaking of which… it's now time for the GIVEAWAY!

Jennifer is offering the following giveaway prize: a signed copy of her debut picture book, IN THE PALM OF MY HAND.

HOW TO ENTER THE GIVEAWAY

Subscribe to the blog
Like this blog post
Comment below, letting me know you’ve done BOTH. (Please note: If the guest is offering more than one prize, please specify which prize you’d like in your comment.)

Deadline to enter: April 30th, 2024, 11:59 PM CST

And that’s it!

FAQ:

What if I was already subscribed to the blog? Does that mean I won’t qualify for the Prize Giveaway? Not at all! If you subscribed before this month, all you’ll need to do is LIKE this Feature Interview and leave your COMMENT below this post within the deadline (the current month/year entry was posted).

Did you enjoy this interview? Thank the author & host by purchasing a copy of one of their books or by requesting it be purchased at your local library! Using the sponsored links below supports this blog.

Already own a copy? Consider leaving a brief review on Amazon, Goodreads, or Barnes & Noble.

Purchase IN THE PALM OF MY HAND

Purchase ADHD AND ME

Jennifer Raudenbush feels most alive when she’s creating stories, especially picture books, poetry, and middle-grade novels. Jen lives with her husband and teenage son in eastern Pennsylvania, where its natural beauty provides endless inspiration. She leads weekly write-ins as a volunteer with Inked Voices and biweekly write-ins with the eastern PA SCBWI. She has been published in Cricket and Little Thoughts Press children’s magazines, the 10.10 Poetry Anthology and Two Truths and a Fib Poetry Anthology. IN THE PALM OF MY HAND, illustrated by Isabella Conti, Running Press Kids (Hachette), is Jen’s first picture book. It was released on March 14, 2023.

Website: www.jenraudenbush.com Twitter: @jenraudenbush Instagram: @jenraudenbush1

FEBRUARY 7TH, 2024, FEATURE INTERVIEW WITH BILINGUAL, NEURODIVERSE CHILDREN’S BOOK AUTHOR AND ASSISTANT LITERARY AGENT RACHEL S. HOBBS, CONDUCTED BY KIDLIT WRITER, BLOGGER, & LIBRARIAN CHELSEA DICICCO

Posted on February 7, 2024January 25, 2025 by Chelsea’s World of Books in Feature Interview Series, View all blog posts

Oh my goodness, guys. I don’t know about you, but my January was a roller coaster. It somehow felt like it lasted forever because SO MANY THINGS happened, yet it flew by at the same time. Do you ever have crazy months like that? One second, you’re slugging along, and then BAM. BAM. BAM. Things happen out of nowhere, and FAST! Well, that’s how it was for me. And I’m so happy to be here with you again as we begin a new month together in February. This month, I have a pretty spectacular lineup of guests for you. Today’s guest is particularly special, as she and I have many common shared experiences, which you’ll learn more about here shortly.

But, before I get into the interview portion, I first want to address anyone who may be visiting today for the first time. Welcome! I’m so glad you’re here. Why? Because it means that you are interested in learning. And as we publishing warriors all know- the only way to be successful in this industry is to continue learning. And when I said warriors before, don’t mistake this for a battlefield- it’s not really so much that it’s a fight, although sometimes it can feel that way, but really, what I mean by “warriors” is that publishing requires a tenacity. A determination. A hunger. And as warriors must do, you too must “soldier on.” It’s the only way. And for me personally, I’ve found the greatest way to be able to do this is to share the journey with others who are just as tenacious, determined, and hungry for it. Okay- that’s all nice, but what does this little speech have to do with you being here on my blog today? Well, here is a brief overview of what feature interviews are all about and why they’re so important.

WHAT’S SO GREAT ABOUT FEATURE INTERVIEWS?

Feature Interviews are an INVALUABLE resource for kidlit writers and illustrators at every stage of their publishing journey. Not only are they a great way to stay current on market trends and learn more about the industry’s ins and outs, but they also give readers an up close & personal look at the world of publication from the perspectives of a diverse collection of creators.

Every month, I sit down with members of the writing community (authors, illustrators, editors, and agents), and we discuss all things kidlit publishing.

Here are a few examples of topics:

Writing workshops and resources
Diversity in literature and why it matters
Where to find support and community
How to improve writing craft and set goals
How to deal with setbacks/disappointments and WAITING
Helpful tips and suggestions for aspiring authors and illustrators
Querying agents, contract negotiations, book deals, and time frames
And, of course- NEW BOOKS!

And now that you have an idea of what I’ve promised- it’s time to deliver. So, let’s get into our feature interview!

Rachel S. Hobbs

Rachel S. Hobbs was born in the US to a Californian father and an Argentine immigrant mother. She grew up with a love of languages and music and received her Bachelor of Arts in Spanish with a minor in music. She works part-time as a literary agent’s assistant and has worked as a children’s educator. She enjoys volunteering and working with children, and in her spare time, you can find her braiding hair at festivals, playing the flute in a band, crocheting, reading, and playing games. She lives in Monterey, CA, with her husband and three kids. Tango Red Riding Hood is her first book, published by Gnome Road Publishing on September 12, 2023.

HOW IT ALL BEGAN

Rachel, it’s so nice to have you visiting on Chelsea’s World of Books blog today. I’m really looking forward to our chat today and getting to share more about our mutually diverse backgrounds. But before we dig into that area, I’d love to hear all about how you got your start in publishing. Can you tell us how it all began? Which came first, the chicken or the egg (the chicken and the egg being “kidlit author” and “literary agent assistant”)?

Great question! I started writing seriously in 2005. I realized during my research and critique group experiences that working in children’s publishing was exactly what I wanted, but I thought it was too late. Let’s cut to 2020 when my first article was published; 2021, when I got my first book deal and my internship at a literary agency; then 2022, when I got my agent’s assistant job; then 2023, when my first book was published! So, the two roles have danced around each other for quite some time.

BEHIND THE AGENT DESK: QUERIES, TRENDS & PET PEEVES

Since you work as both a children’s book author and a literary agent’s assistant, I thought we could take those questions in two sections. Let’s start with “behind the agent’s desk.” Can you walk us through what being a literary agent’s assistant is like?

There is no quick answer! Basically, it’s amazing, and I love it. It’s very busy and fast-paced, even though if you look at any one particular deal, publishing seems so slow. There are many different types of tasks to accomplish, and you have to juggle them all and reprioritize all the time.

What agent/agency do you work for, and what kind of books do they represent?

I do contract work for Writers House since I’m only part-time and work remotely (the agent I work for has a full-time assistant). I’m lucky to be at such an amazing place with wide resources, surrounded by incredibly talented people. Every type of book that I can think of is represented there.

Are you currently taking clients of your own? If not, do you plan to in the near or distant future? If so, what kind of books (genres) will you look to acquire for your list?

I do contract work, so I’m not in a position to take on clients myself. Even down the line, though, I still will only be interested in children’s books.

Let’s talk trends. Have you noticed any trends that editors and publishing houses are looking for and are not looking for right now?

That is such a hard question, and this might not be a favorable answer, but different editors look for different things! I still see tender, thought-provoking stories, but also very fun, non-serious books. What is hard for an author, I think, is that you wouldn’t know that a publishing house is currently working on a story just like yours, and even though they like your story, it can’t work for that house. So, you really can’t assume the reason why your story was rejected. Also, an editor may have done a bunch of poetry and is ready for something different. If you want to see what publishing houses are acquiring right now, then Publisher’s Marketplace can be helpful. It is uncanny, though, to see waves of submissions for similar sounding manuscripts without people meaning to write on similar topics. I personally don’t think any trend is predictable.

What kinds of stories do you enjoy reading most? Any quirky favorites/guilty pleasures?

I love being shocked by a picture book that, in retrospect, makes me wonder how that was never done before. A recent example of something unexpected was Jon Klassen’s The Skull. I also love picture books that make me want to rip out the pages to frame every single one because of how much I love the art, like Lane Smith’s A Gift for Nana. I treasure humorous picture books whose endings land so well, like Mac Barnett and Marla Frazee’s The Great Zapfino. I love listening to YA audiobooks, usually of the fantasy/sci-fi sort. I absolutely loved Divine Rivals by Rebecca Ross. I can’t recommend it enough. I like graphic novels…I could go on and on!

What are some big querying pet peeves?

All opinions are my own and are not representative of anyone I work for or with. I personally don’t make decisions on query letters. However, here are things that stand out to me unfavorably: when query letters state that their book is the next NYT best seller, or that their family or students love the manuscript; huge or really tiny font size; no name listed (nor is it guessable by the email address); reading a query letter written “by” the animal protagonist of the manuscript; saying no one has ever written about [insert topic] before (note: look for ways your story might fit alongside other stories and use those as comps, then point out how yours is different); saying this is your first book (that doesn’t need to be said) or that you just wrote it.

In your opinion, what hooks an agent?

To be honest, it’s different from agent to agent. I recommend reading manuscript wishlists and seeing what deals were made by that particular agent. (See Publishers Marketplace.) I have found good information by attending conferences, hearing agents speak, and reading their faculty bios. And even if I can’t personally attend a conference, I appreciate learning about agents from friends.

When I’m writing a query letter, I absolutely have critique partners read my pitches. Some people are really great with witty wordings that make your pitch sound snappy and exciting. I think book comps also show you know the industry well and you’ve done your homework.

Once an agent makes an offer of representation, what are the next steps? Walk us through the process. (Typical timeframe- how many manuscripts do you send out on submission- can you send more than one at a time at once- to how many houses? Etc.)

I don’t send anything out myself. I think it’s common, though, to submit to several editors, although if two are at the same house but at different imprints, they might not be able to both extend offers. It seems that usually, one manuscript is sent out per query, but a deal can be made for more than one manuscript. I don’t have a lot of experience in this area.

What is the process for a current client sending new work to their agent? Are they able to reach out directly and let you know they have new work they’d like you to consider, or is the agent responsible for checking in within a certain amount of time to see what new projects their client is working on? Explain.

I don’t work directly with any client, but I know the first one to be true, and I’m not sure about the second one.

CONTRACTS, MONEY & EVERYTHING IN BETWEEN

I know a lot of writers are curious to know about how they and their agent’s both get paid. Can you tell us a little bit about how that works?

The agent takes a 15% commission. The publishing house typically sends the payment to the literary agency, and the literary agency pays the author.

Does the agency you work for offer a standard contract for each client, or do you customize each contract to fit the needs of your individual client?

I know there are boilerplates, but I don’t know the specific answer to your question.

Can you tell us a little bit about some of the things an agent does to aid an author or illustrator in the process of negotiating contracts on their behalf with publishing houses?

An agent will not only look for a good advance but how many slivers the payout is in (fewer slivers mean larger fractions of the advance paid out at a time and preferably not spread to multiple payments after publication). Also, the competitive works clause is crafted so as to not prevent an author from publishing other books. An agent will try to get bonus payments (in case of awards and such) and escalators (higher percentages earned after a certain amount of books are sold). There are more details for sure, but this info is broken down for the author to compare so they can speak to their preference.

What are some of the things you specifically look for in negotiating a fair contract where both your client and the publishing house are happy?

I don’t participate in this aspect, but it’s always great to hear that an author gets to work with someone they really click with who is just as passionate about their work as they are. I think when both parties feel like winners, it’s something to celebrate!

About how many clients, on average, does your agency take on every year?

I don’t know—there are 28 agents at Writers House, and some are more established than others who have recently begun taking on their own clients.

Does your agency represent authors and illustrators? Or just authors?

Authors, illustrators, and author/illustrators.

BEHIND THE AUTHOR DESK

Okay, we’ve gotten through the agent questions. Now for our author questions. Can you tell us about a day in the life as a kidlit writer?

I can’t tell you about ANY kidlit writer’s day, but I can tell you about mine! I work in the morning and then work a little bit on my writing, then go to the gym and try to work more on my writing if I can do it on a stationary bike. This might include reading craft books as well. I have family obligations that need urgent attention, and my own health works against me at times, so sometimes I get more done than at other times. I am frequently behind on my goals, emails, and other obligations. It’s hard not to feel like a failure every single day, especially when I compare myself to what I see on “the outside” from other authors. I try to extend grace to myself and give it a shot the next day., At the end of each day, I listen to audiobooks, usually YA.

What kind of children’s literature do you write?

Picture book manuscripts and I’m currently adapting one to middle grade and one to a chapter book. Wish me luck!

And favorite topics to write about?

I love fantastical things and I also love writing from my life, and I usually put the two together. I enjoy sharing aspects of my Argentine culture and also insecurities/challenges that I have experienced (and still do!).

Where do find your inspiration to write children’s literature?

My childhood, my culture, the kids I have worked with, and the things I read.

How do you keep that spark going while balancing your other obligations?

I have ADHD and can’t focus almost at all. My mind has always wandered and still does, but it leads me to many interesting creative avenues, so I’m always building something new in my head. I can also be productive while letting my mind wander—while I’m shelving books at the library where I volunteer, or while I’m braiding hair at the festivals I work at, or while doing chores.

What is your favorite part about being a children’s book author? And is it something you’ve always known you wanted? Or did you discover your passion for writing later in life?

I’ve always told stories and wanted to tell stories. I only admitted out loud that I wanted to be a children’s book author in 1999 because I was so embarrassed to say it, feeling the imposter syndrome so badly. The best thing about being published is knowing a kid that I may not have met or ever will meet can have a story that I wrote and cherish in their hands and that they can see themselves in what I shared.

Speaking of stories… we’d love to hear all about TANGO RED RIDING HOOD and how it came about. Can you share the story behind the story?

Sure! I was listening to a YA audiobook in 2020, and when the main character walks into a ball and gets swept into a dance by “the guy,” I found myself wishing it would be tango, and it wasn’t. I reflected on my love for tango, how much I appreciated growing up listening to tango and wishing other kids could listen to it to. The verses that I wrote, following the rhythm to El Choclo, came first, and then the retelling formed around that.

What was your publication/submission journey like for that book?

I submitted it to several agents, but only a couple were interested. They asked for more work but turned me down. I participated in a Twitter (at the time) pitch, and Sandra at Gnome Road Publishing invited me to submit. I got an R&R and worked on the manuscript some more, then sent it back and got an offer on April 1, 2021.

Do you have any favorite illustrations from the story? If so, which ones and why? Feel free to share some pictures of your favorite spreads!

This is impossible to answer because I am madly, deeply, over-the-top in love with Carolina Vásquez’s illustrations. That is no exaggeration! The least expected page would probably be the one where Moni’s feet are zoomed in, and the text says, “I must hurry to la casa de mi Abuela."

The muted background of the mountains and forest with the vibrant foreground focusing on her feet gives a sense of urgency while feeling that the distance might be too great. But this young, innocent heart will try anyway to make it safely to her grandmother’s house. There is so much feeling in that page spread, and I think it’s beautiful.

Of course, I also love the page where Lobo’s tongue is dripping in such an alarming way (!), also where you see the bandoneón for the first time, the page spread with Lobo playing music, Moni dancing, and the music notes on top, the scene (SPOILER) of Abuela’s arms extended, the scene of them looking at a dictionary together, and the old tango records. I know this is too many!

I can’t blame you. If I were on the receiving end of this question, I would have difficulty choosing just one, too. They’re all fantastic!

DIVERSITY IN LITERATURE AND WHY IT’S SO IMPORTANT

I was *SO* excited reading over your application. Not just because your work is terrific- which it IS- but also because I have a lot of mutually shared experiences with you. Being neurodiverse myself (ADHD), dealing with multiple mental health struggles such as anxiety and depression, and also coming from a Latin background, your experiences resonated with me on a lot of levels. So, I was thrilled to get the opportunity to share a conversation with, in a way, a kindred spirit. And, of course, I was happy dancing at the thought of chatting with you about your book, TANGO RED RIDING HOOD. For those of you who haven’t read it, imagine DORA THE EXPLORER meets LITTLE RED RIDING HOOD (but with more music and movement).

A Latin twist on a beloved fairytale classic? Fun bilingual language? Yummy foods? Music and dance? YES PLEASE! Can you share how you first got the idea for writing this story?

I mentioned above how the idea began. But what it boiled down to was: I grew up with a culture my peers did not. There were some things we did at home (like listening to tango music) that no one else around me did. But I was passionate about these things that I didn’t know how to share. So, by 2020, I was ready to share that experience with kids and help them feel what I felt through means that would already be familiar to them. And for kids who read it who share some of my background, this would be a way to be seen.

Let’s talk more about Tango Red Riding Hood. First off, it’s such a joyful book and so much fun to read. I love how you wove so much culture into every detail of this story… and how you skillfully used family, music, food, and dance as a universal common ground to engage readers. And, to top it off, you added an educational angle to your story by creating bilingual text. You can really feel the personal touch and heart in this book. Coming from the cultural side, can you tell us what this story means to you?

This story is the most personal one I’ve written because it encompassed so much about me personally, even though it seems like just a retelling! I had to learn Spanish through high school and college because my mom didn’t teach me directly. She was learning English as I was growing up. I understood her Spanish but could not speak it back. When I started learning, I made many mistakes, and even as an adult, I made an embarrassing mistake that made another adult laugh! I wanted to embrace the fact that even if you come from a culture, that doesn’t mean you know everything about it, including the language! In TANGO RED RIDING HOOD, Moni clearly is Argentine but has to learn Spanish. That’s more common about Latin Americans in the US than you might think. I loved that the illustrator is Argentine herself, and she added so many Argentine touches that I didn’t even have references to, like the tea “mate” and the other pastry, “media lunas.” She made the bottom half of the hoodie into a poncho and much more! I cried when I saw those elements and when I saw Abuela. She reminds me of my mom. I wonder what it would have been like to have a book I could have shared with my friends. Maybe I wouldn’t have had to feel like parts of myself were left at home.

Have you been able to host any author events with this story?

I had one school visit and three author events at bookstores (and then took a respite). I was most nervous about singing the verses out loud! I love singing, but I feel more comfortable in an ensemble, not as a soloist. I had to practice a lot, make sure I started on the right pitch so I didn’t have to sing too high, and just pump myself up for it! I had a great time, though, and hope to get back to it.

How fun! And I just love the pictures.

What kind of response have you received from this book from your readers?

An older lady I didn’t know at my first event pulled my husband aside before leaving to tell him to pass along a message to me about how special this book was for her. She is originally from Argentina and had never seen a book like this. My husband was in tears relaying this message to me, and I could feel love from both of them.

My family has happily shared my book with others, and it makes me feel proud that they can share a piece of themselves through this book, too. One parent on Instagram said how happy they were to share this book with their young daughter, who will get to have a piece of her culture to look at as well (she is also half-Argentine).

My niece was so excited at one of my readings, and my brother says she asks him to read it again and again.

One of the best experiences I had was at the elementary school, where I was reading it to each class. Due to a fluke, one boy heard it twice, and right before I sang the first verse for his second time hearing it, he said out loud to the kids around him, “This is my favorite part!”

Oh my gosh- I love these experiences. So beautiful. Thank you for sharing them with us. It made my day- and hopefully, someone else’s too!

What do you hope to bring readers with Tango Red Riding Hood?

I hope I bring music and dance into people’s lives, maybe in a way they hadn’t previously experienced. I hope I bring bravery—the idea that taking a chance (like learning a new language) is always better than staying inside a small, comfortable bubble. I hope I bring a viewpoint into a culture, and I hope I bring laughter.

I really love seeing stories (especially children’s books) that are inclusive of diverse cultures and characters. When we incorporate a variety of children and backgrounds into books, it not only gives children from those cultures confidence but it allows for more understanding, empathy, compassion, and awareness of each of our differences. And books that celebrate cultural differences are SO important! Can you share your thoughts on diversity in literature and why it’s so important?

You already said it so perfectly! Grace Lin was a keynote speaker at a conference I went to in 2017 (SCBWI California North/Central Spring Spirit Conference), and she said part of her presentation was included in her TED talk about mirrors and windows. I highly recommend watching it on YouTube! (Search for Grace Lin windows and mirrors.) Her speech was so impactful to me that it changed the way I wrote. I hadn’t ever really considered bringing my cultural background into my stories like that. I was still seeing my culture as an “other” in my life, not as something I could wholly embrace in this way.

I think my writing has improved because of that mindset shift, and clearly this was my first book that sold! It feels amazing seeing that my life experiences can be an asset to my storytelling, not as something to set aside. I think it’s important as an author to feel free to be themselves while writing and for a child to see themselves while reading.

I also think it’s hugely important for a child to not see themselves exactly but be able to connect with the story anyway because of universal truths. Some kids grow up in a very homogenous town. Unless they can peek into the lives of others around the world, they won’t understand global issues when they are older, nor know how to relate to anyone else. This was very obvious to me as soon as I left home for college, and I felt like I had to “educate” people around me who hadn’t been exposed to other cultures. Adults still need to be aware of each other: look to see what you’ve been reading. Are they written by people who are only just like you?

Yes. There’s so much truth in what you’re saying, and I completely agree. While we’re on the topic of inclusive books, let’s talk about some other forms of diversity.

OVERCOMING CHALLENGES AND EMBRACING UNIQUE ABILITIES

Mental diversity and disabilities can be a sensitive topic. And they can present their own set of challenges. Can you share a little bit about your personal experiences (related or unrelated to publishing) dealing with learning disabilities and mental health struggles?

I grew up thinking I was “stupid.” That’s what I would repeatedly call myself. I knew I couldn’t understand things as quickly as my peers, if at all. I didn’t test well, and I was behind. I remember in high school leaving a group in class as a senior and just crying because I didn’t understand any of the science terminology they were using or the numbers or how they got them. I was in such despair. I thought I might as well have been stranded alone on a deserted island, that’s how alone I felt.

By my sophomore year in college, I went to a center for students with disabilities to be tested. That led me to having an unspecified learning disability and ADHD diagnosis, which also led me to accommodations. Looking at the results was shocking—it turns out I wasn’t “stupid.” I was actually bright, but my disabilities would have always clouded that over for me if I hadn’t been tested.

I now know what I need. I need more time than other people, and I’m pretty comfortable asking for it. It also means that when I learn a new task, you’ll have to teach me over and over again until I understand it, but once I do, I really have it down. This means I have to tell supervisors that I need to learn it again or to please be patient with me. And the good ones are willing and patient. Sometimes, it’s embarrassing for me, and I still get that massive panic feeling if I’m at a meeting where a lot of new information is disseminated quickly and all at once, but when that happens, I have to remind myself that I’m bright, I just need more time. And sometimes, I just have to raise my hand to ask “obvious” clarifying questions. And I haven’t been scolded for asking those questions.

The benefit is that I understand kids who struggle. And I want to be cognizant of that when I read to kids or answer questions. In my job, my supervisor has been patient and understanding. I haven’t been made to feel bad about my shortcomings. The learning curve was huge in starting my job. Even after the internship! There is so much to still learn. I’m getting better and better at leaving myself effective notes as reminders. I’m getting better at combing through all the details. I’m getting better at creating just the right organizational spreadsheets and color-coding for my visual learning strength. I’m ok. I can do this. I might be slow at writing and researching, but once again, I’m ok, I can do this.

Despite the challenges that learning differences and other disabilities can present, one of the things I like to encourage my readers to do (and actually, I have information on this very topic at the end of my book, ADHD AND ME) is to find the ADVANTAGE in disADVANTAGE. And, of course, this is not to suggest being unrealistic… but instead, it involves training your perspective. Instead of focusing on what you can’t do, or struggle to do, instead, focusing on your unique set of abilities that only you have and figuring out how to use them as a tool.

Each of us has our own set of “gifts” and skills that make us stand apart, so basically, find those silver linings and use them to your best ability. Remember- every glass that is half empty is also half full. So, make sure you maintain a realistic and positive perspective of your personal talents while remembering to balance your needs and respect your limitations.

Do you have any strategies that you find to be helpful? Explain.

I already mentioned things that help me in my job, but as for my writing, I highlight or leave sticky notes on books on craft. I listen to soundscapes on the Calm app for a constant noise, which helps my ADHD. Sometimes, I have family members read to me when my ADHD and OCD dovetail and I’m stuck reading the same sentence over and over and over again. I write immediately after work if I’m in a good workflow to piggyback on the momentum. I research, read, or take notes while working out (safely!) so that each task benefits the other with my ADHD. I talk my stories and ideas out to my bestie on the phone, which clarifies my thoughts.

What kind of silver linings have you discovered within your own set of unique abilities?

I’m honestly really good at note-taking (for myself, anyway!) and can find exactly where I need to return to get the piece of information I want. I’m great at multitasking. And I love, love, love the amount of different tasks I have as an agent’s assistant and thrive off of switching tasks constantly. I’ve never had a job that I loved more or suited me better. And since I have to reread a lot due to my ADHD and OCD, I remember details very, very well and write good reports on the manuscripts I read. And as far as writing goes, I have a lot of ideas and stories juggling around my brain and I’m comfortable with that.

If you could share any words of encouragement or advice with readers who may deal with similar circumstances in one (or all) of these areas- what would you like to tell them?

Be patient with yourself, and don’t compare. Really! Don’t get bothered by the social media posts/tweets that say how relieved they are that their first book is coming out when they’re 29 because their goal was to be published in their 20s, and they barely made it. Who cares if you’re in your 30’s, 50s, 50’s or 80s when you are first published? Enjoy things as they are at the pace you need.

And if you have OCD—plan ahead for book signings. Everyone’s OCD manifests differently, but when I felt more comfortable with a mask (I also am immunocompromised), I had one on hand. Since I knew I’d be touching people (hugs or shaking hands), I made sure to have hand sanitizer with me or know where the nearest sink and soap were. Also, if someone touched my pen, I could use the hand sanitizer to clean it off.

For my learning disability—I brought sticky notes for people to write the name they wanted the book dedicated to because I can’t hear a name and register it in my mind that quickly. I also can’t hear something spelled out loud without taking more time than I have.

For my anxiety—I brought pills that I could safely take and had family and friends who know my limitations around me as emotional anchors.

TIPS AND RESOURCES FOR KIDLIT WRITERS AND ILLUSTRATORS

Coming from the unique perspective of both sides of the publishing desk, what tips and resources would you like to share with aspiring writers and illustrators from A. The agenting side of the desk and B. The author’s side of the desk?

A. Research the agent you are sending your manuscript to. If the agent only represents children’s fiction, don’t send adult non-fiction. Be patient, publishing one book after acquisition takes a long time (including the contract process), and you’re not the only client your agent has or the only person your editor is working with. Do check in politely. If you need a deadline extended just ask. When you’ve submitted and are “waiting,” or if your book is in the process of being published, don’t wait around. Keep working on the next thing. If you don’t know how to find an agent, look at Publisher’s Marketplace, Query Tracker, conferences, and acknowledgements in the back of a novel. Workshop your query letter like you would your manuscript. If you get an R&R, take your time—don’t make hasty corrections then send it back right away. Don’t take rejections personally.

B. Take the time you need. If you are unwell (chronic illness or mental health issues), it’s ok to take a break—publishing will always be there, and so will your ideas. If you can and would like to, you can keep creating in your mind, or leave voice memos, or jot down notes, so you can develop your stories as you are able. You don’t actually HAVE to write every single day. Share a piece of you in your stories. If your heart is in it, it will show (even if it’s a silly book!). Find a critique group of people who are honest but incredibly kind who want to see you succeed. Read books on craft. Go to conferences (in person or online), even if you think you already know the information. Look for scholarships to attend those conferences, to pay for SCBWI, or take classes. You don’t need to spend a lot of money to succeed if you check out books and get those scholarships. Find support through social media if that is helpful. Once you follow one person, it’s easier to find another.

Are there any groups or places that helped you specifically on your writing journey that you’d like to share?

I had a mentorship through Las Musas during the writing of my manuscript, and it was monumental for me. Ana Siqueira was very knowledgeable, encouraging, and kind. I recommend looking for mentorships. I found out about Las Musas through LatinxPitch, so finding a community you connect with online can be incredibly helpful.

Any last tidbits or words of wisdom you’d like to share with our readers?

Write because you love it, not just for the goal of publishing.

Thank you so much for joining us today, Rachel. We appreciate you being with us and look forward to reading more of your stories on your continued publishing journey!

Interested in querying Writers House? Writers House is always open to queries. Look for more information at www.writershouse.com.

But hold on a second, we’re not quite finished. There’s still one last item on the agenda. And that is… the GIVEAWAY!

GIVEAWAY PRIZE:

Rachel S. Hobbs is offering the following giveaway prize: query letter critique.

How do I enter?

During the month of February 2024:

Subscribe to the blog
Like this blog post
Leave a comment below letting me know you’ve done 1-2. (If the guest is offering more than one prize, please specify which you’d like in the comments below.)

And that’s it!

Deadline: February 29th (that’s right- it’s a leap year!)

FAQ: What if I was already subscribed to the blog? Does that mean I won’t qualify for the Prize Giveaway? Not at all! If you subscribed PRIOR to this month, all you’ll need to do is LIKE this Feature Interview and leave your comment below this post.

Did you enjoy this interview? Thank the author & host by purchasing their book or by requesting it be purchased at your local library! Already have a copy? Consider leaving a brief review. Reviews are one of the best gifts you can give an author or illustrator. Don’t believe me? Ask one!

Using the sponsored links below also helps support this blog.

Purchase Rachel’s book: TANGO RED RIDING HOOD

Bilingual, (English//Spanish) Picture Book

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Neurodiverse, Picture Book

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June 2023 Feature Interview with Children’s Book Author, Nancy Churnin, Conducted by Chelsea DiCicco

Posted on June 1, 2023August 12, 2023 by Chelsea’s World of Books in Feature Interview Series

Hello again, friends, and welcome to another fantastic FEATURE INTERVIEW. This month I'm talking with visiting guest, Nancy Churnin.

Nancy’s Bio: 
Nancy Churnin is an award-winning children’s book author who writes about people that inspire children to be kind and make the world a better place. Her Dear Mr. Dickens won the 2021 National Jewish Book Award and 2022 Sydney Taylor Honor and is a Junior Library Guild Selection, a National Federation of Press Women 1st Place winner, and on the Bank Street College Best Children’s Books list. Nancy is the author of 10 picture book biographies and will welcome six more books -- a mix of chapter books, a board book, historical fiction, and contemporary fiction in 2023. Additional honors include: two Sydney Taylor Notables, four Social Studies Notable Trade Books for Young People; the South Asia Book Award, two Children and Teen's Choice Book Awards finalists; starred reviews from School Library Journal, Kirkus Reviews, and Publishers Weekly; and multiple state book lists. Nancy lives in North Texas. Her books come with free teacher guides, resources, and projects on her website, nancychurnin.com.

Beginnings & Inspiration

How did you end up here in the wonderful and magical world of publishing children’s books?

I had always dreamed of writing children’s books like the wonderful books my mother read to me – books that could enchant, teach, challenge, books that could make you think and aspire to do better and be better, books that could take you on magical and inspiring journeys. But it was not until I had become a journalist and struck an unexpected friendship with Steve Sandy that I felt the urgency to make that dream happen without any more delay. My friend Steve is a Deaf historian and it is his dream that more people know about the great Deaf baseball player and hero William Hoy. I felt compelled to write the book that my friend needed to have in the world.

When did you first begin your journey in publishing, and what was that process like?

I promised Steve in 2003 that I would write a children’s book about William Hoy. But The William Hoy Story, which became my picture book debut, didn’t come out until 2016! As a journalist, I thought the journey would be fast and easy. After a mountain of rejections, I began to realize I didn’t know what I didn’t know. I took many online classes, including classes by Susanna Hill and Mira Reisberg, I joined critique groups, Rate Your Story and as soon as I found out about the 12X12 Challenge, I joined that in 2013. It was through 12X12 that I found my agent, Karen Grencik, whom I submitted to when she was the agent of the month in July 2013. After another year of rejections for Hoy – but this time personalized and encouraging – I revised again and we sold the new revision at the first submission in 2014 to Wendy McClure at Albert Whitman & Company. Karen is still my agent and friend and I’m about to sign my 20th contract.

The Beast of Publishing: Steps & Timeframe

I know I have people reading my blog who are in different stages of the publishing/writing process.
Some are just starting out.
Others are seeking representation.
Some are already agented but don’t have any book deals (YET)!
And some already have book deals or previously published works.
But for our newer writers who are just beginning, they often face similar ones to that we all wonder…

“How long will this take?”

“What now? What NEXT?”

Could you give us a rough idea about what necessary steps you took or would recommend taking, and what the publishing timeframe was like for you; from querying to landing an agent- signing with an agent to landing a first publishing deal - and first publishing deal to first publication date?

At first, I approached this as a journalist – seeing a story in terms of a word count and a beginning, middle, and end. It took me a while to realize that there was a complexity and craft to children’s books and that I had to reach deep inside to find and show – not tell – my emotional connection to the story. I had to read many picture books and study how they were put together and how they made me feel. I learned in my classes, the craft books, from my critique partners, and from my writing groups about leaving room for the illustrator, changing scenes, and creating page turns. I learned to have patience with the process. Even when I finally landed that first acceptance in 2014, it took two years before The William Hoy Story debuted in March 2016. But what I had also learned was not to sit around and wait for the next thing to happen. Once I was on this journey, I was on the journey for good, knowing that I can’t control the pace of publishing, but I can control the time and passion I devote to creating new stories. So even before The William Hoy Story came out, I had sold my second book, Manjhi Moves a Mountain, to Marissa Moss at Creston Books. That came out in 2017, followed by three more books in 2018.

Is there anything or anyone who significantly helped you to get to where you are today?

Too many to name! I will say that Susanna Hill’s and Mira Reisberg’s classes were game-changers in getting me to understand the craft journey I was starting. My early critique partners and still friends, Miranda Paul and Vivian Kirkfield provided amazing support and inspiration when I needed it most. I am grateful to my first editors, Wendy McClure and Albert Whitman, and Marissa Moss at Creston Books, for giving a debut author a chance. My husband and family never stopped believing in and encouraging me when I needed that extra reassurance that I wasn’t crazy for pursuing this path; my husband still embarrasses me in the most endearing way by handing out my book cards wherever we go. I’m thankful for the generosity of kidlit groups like Kidlit411 that offer a bounty of support and advice every day. I adore the wonderful educators and librarians and the children who sustain and propel me every day. I am grateful for the individuals and organizations that continue to encourage my writing and keep me learning, like PJ Library, which provides free books for children and just sent me on the most amazing author journey to Israel. But also – and this is key – I couldn’t do it without the people I write about and the people who turn to me to write about them. I would never have written The William Hoy Story without the support and help of Steve Sandy, who never lost faith in me on the 13-year journey between promise and publication, and the kind and generous Hoy family. Years after I wrote Charlie Takes His Shot, How Charlie Sifford Broke the Color Barrier in Golf, I am grateful for my continued friendship with and support of Dr. Sifford’s family and friends. I only write about people I love and admire. When I commit to writing their stories, they are on the journey with me, and it is their spirit that guides me and strengthens me on the path to bringing their life into the light.

Writing Tips, Shared Wisdom, and Writing Across Genres

Throughout the publishing process, has there been anything that really surprised you? Or have there been any obstacles you’ve had to overcome? If so, what were they, and how did you do so?

I was surprised by how long the journey to publication can be and how tricky it can be to determine if a story is not finding a home because it isn’t where it needs to be or because you haven’t found the editor who shares your vision. Often it is a combination of both! You need an editor who shares your vision, but you also need to keep working until the story is the best version of itself it can possibly be and then be open and willing to keep working on it with the editor and editorial team. It never bothers me to make changes. In fact, it uplifts and delights me every time I find a way to make the story better, stronger, and truer. We are all working together to create a book that lasts, and the work is about the story always – we are all on the same side, working for a story that is ship-worthy, that children can take out and sail in the sea of their imagination.

I love that mental attitude and metaphor of children setting sail in the sea of their imagination!

Sometimes in life, when we look back, we think, “I wish I had known this or that sooner… it would have helped so much!” Is there anything that you wish you had known earlier as a writer that you’d be able to share with other writers today?

I wish I had known earlier what I share with kids now on my school visits: that you don’t fail until you give up; that as long as you keep going, it’s just a question of how long it takes to succeed. I knew enough of that truth not to give up, but in the beginning, I also struggled with frustration and doubt when I couldn’t seem to deliver what I had promised in getting Hoy’s story published. There are still some stories that take longer than others to get right or to get a publishing home or both, but I now have patience and determination on the journey. I don’t give myself a hard time when something doesn’t click. I just keep working on that story and other stories. I put in the time and know that each journey takes as long as it takes.

It was mentioned earlier that you write across genres. You have picture book biographies, board books, historical fiction, etc. Can you tell us more about how you started out and managed to navigate different genres of writing in publishing?

I love reading all genres of books and wanted to expand my range of writing. At the same time, I realized that if I wanted to try writing a different format I had to have an idea that fit that format. When I thought about a board book, I thought about the toddlers I know. I thought about the great-grandchildren visiting my now elderly mother and how much joy that brings her. Soon, the idea of a board book emerged that involved an elderly person alone until there are knocks on a door and a family arrives bringing food and cheer. To anchor the book on 10 spreads, I made it a counting book from one to ten and soon I had Counting on Shabbat, a 58-word rhyming board book about counting, Shabbat, and kindness that I hope will inspire kids to reach out to the elders in their lives and communities.

On my school visits, many of the upper elementary students had asked if I write chapter books. So it was a longstanding goal of mine to someday be able to say yes! The chapter books that I have coming out in June were a natural evolution from picture book biographies to chapter book biographies. Thomas Edison, How a Boy Who Learned Differently Changed the World, and Elizabeth Freeman, Fighting for Freedom are my first work-for-hire books. They are published by Core Knowledge, a non-profit that shares my mission of writing stories about heroes that inspire kids to be heroes, too. I took on these assignments because I admire Edison and Freeman and also to push myself to write longer. I confess that after I agreed to do them, I panicked. But after being reassured by my editor that I could indeed pull this off, I got to work and enjoyed the opportunity to show more detail about the lives of my subjects. In fact, once I got going, I had to make an effort to cut back!

Do you have any tips that you can share for writers who may be interested in breaking into writing across genres themselves?

Just do it. I am a great believer in craft courses. I’ve taken them. I’ve given them at conferences, at SCBWI, and at The Writing Barn in Austin. At the same time, it’s important to remember that you can learn things through the actual act of writing that you can’t learn from studying writing. I took a chapter book class that I enjoyed, and I know it helped me, but nothing substitutes for making a plan, following it, sometimes breaking the plan, getting it down on paper, and then revising until I get the story where it needs to be. One more piece of advice: find yourself, someone you trust to be your reader. For my board book, my critique partners were invaluable. For my chapter books, I turned to my good friend Patricia Sarles, the coordinator of library services at the New York City School Library System, as my first reader. Her excellent notes helped me see and write more clearly.

New Books and Extra Resources!

Speaking of writing across genres… this year was a big year for you! In 2023 you had six new books come out. That must be so exciting. We’d love to share in that excitement with you and hear more about them!

Thank you for asking about my book babies!
Coming up first in June are my two chapter book biographies with Core Knowledge.
Thomas Edison, How A Boy Who Learned Differently Changed the World is the story of the great inventor with a focus on how Edison’s differences – his Deafness and how he learned differently – became his strengths. I hope his story helps children see how their differences can be their strengths, too.

Elizabeth Freeman, Fighting for Freedom, is the story of an enslaved woman in Massachusetts who used the newly approved state constitution’s words about freedom to sue for her own freedom in court. She won, which led to Massachusetts becoming one of the nation’s first free states. Freeman had a firm inner sense of right and wrong, of her own worth, and of everyone’s right to life, liberty, and the pursuit of happiness. I hope her story inspires kids to reach within for their moral compass, to know their self-worth, and support everyone’s rights.
Coming up in September are two picture books.

Lila and the Jack-o’-Lantern, Halloween Comes to America is my first historical fiction book. I’ve always loved Halloween, and I wanted to share how this favorite holiday was a gift from immigrants. Lila and her family leave Ireland in 1850 because of the Potato Famine. Lila and her little brother and sister worry about leaving favorite traditions behind, like Halloween, where they carved turnips to scare away a spirit named Jack. In America, Lila can’t find turnips. But she finds a new friend, Julia, at a vegetable stand. And in this story about how immigrants have merged their traditions with ours to create new American gifts, she finds a strange gourd – a pumpkin – that she and Julia carve, giving America its own twist on the Irish holiday celebration.

Mama’s Year with Cancer is my first co-authored book, co-authored with Shayna Vincent. Shayna, a young mother with breast cancer, couldn’t find the book she wanted to share with her daughters about what to know about living with cancer, so I proposed that we write the book she wanted to have in the world. Mama’s Year with Cancer is told by a child and takes you from January through December, through a messy, loving, challenging journey until Mama rings the bell that shows her chemotherapy is done.

Coming in November is a picture book biography and my first board book.
Valentines for All, Esther Howland Captures America’s Heart is a picture book biography of Esther Howland, who got the idea of creating and selling Valentine cards that would help people who struggle with words express what they had in their hearts. She created the first American Valentine’s card company in the early 1800s.

I shared earlier about my board book, Counting on Shabbat. I hope this 58-word rhyming story about an elderly person surprised and delighted by a visit from a young family encourages families to visit the seniors and those who are alone in our communities.

I saw that your website offers educational resources with your books. I’m a huge fan of books that come with extras! There are so many great ways to utilize them. They’re helpful to educators and students and make a terrific asset to schools and classrooms. But they aren’t just wonderful in school settings, they can also be extremely useful to parents/caregivers and librarians too. I know for my STEAM Homeschool Students, whom I host in the library every month, I love sharing newly discovered resources with the parents who visit. Books like these are so helpful to these families. Can you tell us a little about some of the resources that you offer, what they include, and how people can find out more about them?

My mother is a retired teacher, and it is very important to me to provide teacher guides, resources, and projects for every one of my books. I have a dedicated page for each book on my website. Because so many of the books are based on real people, my resources include primary sources, photos, and videos of the real people when available. I commission the teacher guides from educators that connect the book with curriculum. There is always a project and an opportunity to share pictures of the children’s work on the project pages. For example, the project for The William Hoy Story is HOY FOR THE ALL. Kids send pictures of persuasive letters they write and send to the National Baseball Baseball Hall of Fame, asking for Hoy to be inducted; he would be the first Deaf player honored there. For Manjhi Moves a Mountain, it is MOVE YOUR OWN MOUNTAIN. Manjhi moved an actual mountain to help his village, but every time we help others, we move mountains. Kids send pictures of kind things they’ve done, and I post them and praise them for moving mountains. The new books will have projects, too. The project for Counting on Shabbat is COUNTING ON KINDNESS.

Time for some easy questions.

Favorite color?
All. I love rainbows!

Favorite smell?
Lilacs

Favorite animal?
All. I don’t want to get in trouble picking between my dog and cats, and besides, I just fell in love with a camel on my trip to Israel :)

Favorite book(s)? I’ll allow up to five because I know choosing favorite books is very hard…
The Wizard of Oz, A Tale of Two Cities, The Last of the Just, The Color Purple, The Chronicles of Narnia… (may have different answers on different days)...

Sweet or salty?
Both, but my real faves are crispy, chewy, and crunchy!

Beach or mountains?
Both! Although my magical childhood summers in the Catskill Mountains may give mountains the edge.

Thank you so much for all of your wonderful answers today, Nancy. We appreciate your time and wisdom and loved hearing about all your new stories and your publishing journey.

Now... it's time for our GIVEAWAY PRIZE(S)! Ooh. Did anyone notice that unsuspicious "s" at the end of that word? Yes, it's true. This month Nancy is offering TWO giveaway prizes.

Prize 1: An "ask me anything" zoom call.
Prize 2: A free copy of one of her books- winner's choice!

In order to be entered to win this month's giveaway prize, simply LIKE this feature interview, SUBSCRIBE to the blog, AND LEAVE A COMMENT on this month's feature interview post with "PRIZE 1" or "PRIZE 2."

And PRESTO! You're entered.

Did you enjoy this interview? Support this author by purchasing one of their books below! Using these direct purchase links also supports this blog.

Mama's Year with Cancer
Valentines For All Esther Howland Captures America's Heart
Lila and the Jack-O'-Lantern Halloween Comes to America
Counting on Shabbat

Connect with Nancy

Website: https://www.nancychurnin.com/
Facebook: Nancy Churnin
Facebook: Nancy Churnin Children's Books
Twitter: @nchurnin
Instagram: @nchurnin

Books by Nancy in 2023

Mama's Year with Cancer 
Written by Nancy Churnin and Shayna Vincent 
Illustrated by Wazza Pink 
Published by Albert Whitman, September 7, 2023 
Genre: Picture Book, Contemporary Fiction 

Valentines for All, Esther Howland Captures America's Heart
Written by Nancy Churnin 
Illustrated by  Monika Róza Winiewska 
Published by Albert Whitman, November 7, 2023
Genre: Picture Book, Biography

Lila and the Jack-O'-Lantern, Halloween Comes to America
Written by Nancy Churnin, 
Illustrated by Anneli Brey 
Genre: Picture Book, Historical Fiction
Published by Albert Whitman, September 7, 2023

Counting on Shabbat 
Written by Nancy Churnin, 
Illustrated by Petronela Dostalova 
Genre: Board Book
Published by Kar-Ben Publishing, November 7, 2023 

Thomas Edison, How a Boy Who Learned Differently Changed the World 
Written by Nancy Churnin, 
Published by Core Knowledge, June 2023 

Elizabeth Freeman, Fighting for Freedom
Written by Nancy Churnin
Published by Core Knowledge, June 2023

Nancy's books will be available at independent bookstores at https://www.indiebound.org/
on Amazon, Barnes & Noble, and through their individual publishers.

May 2023 Double Feature Interview with Children’s Book Author Marzieh Abbas, and Children’s Book Illustrator Anu Chouhan, Conducted by Chelsea DiCicco

Posted on May 1, 2023August 27, 2023 by Chelsea’s World of Books in Feature Interview Series, View all blog posts

Welcome back to THE BLOG! This month I’m pleased to introduce you to not one but two special guests! That’s right… this month is a DOUBLE Feature Interview! Please welcome, Marzieh Abbas!

Marzieh's Bio
Raised between the bustling cities of Dubai, U.A.E, and Karachi, Pakistan, Marzieh loves traveling, reading, and samosas. She is a member of SCBWI, 12x12, and a graduate of the Lyrical Language Lab, Children's Book Academy, and Storyteller Academy. She is active on Twitter, where she continues to form connections with the Writing Community, runs a kidlit review group on Facebook, and blogs about her author journey and life in Pakistan on Instagram.

Marzieh was thoughtful enough to ask if the illustrator for her new book A DUPATTA IS could join us on the interview today… and of course, I said yes!! It’s not every day I get to interview an author and illustrator -especially ones working on the same project. So, right off the bat, we’re in for a treat.

Let’s start with Marzieh’s portion of the interview questions…

First off, I love asking my guests: what landed you in the crazy and magical world of publishing?

PPD! As crazy as it sounds, I had to shut down my home-run cake business of nine years when my second born was just under a year old. I just couldn’t cope. Later I found out I hadn’t fully recovered from PPD and felt overwhelmed with all the juggling I had been doing. I began writing letters to my children and Quran journaling in an attempt to process my feelings. I had never dreamed of publishing a book, and although I enjoyed jotting down thoughts from time to time, they weren’t very eloquent. I was missing my baking business so much I subconsciously ended up writing a story about a mom with two kids who enjoyed baking. It was also Ramadan at the time, and I incorporated that special time of the year for Muslims into the story too. All this culminated in two books with Islamic publishers. I soon realized I could write for non-Muslim kids too! That’s when I stumbled upon the Children’s Book Academy course, won a partial scholarship, and the world of traditional publishing invited me in.

I know the big question for many writers is: “When is my career going to take off?? How long??” and the answer can vary greatly, depending on many different variables. For instance, which route of publication you decide to take… whether it’s submitting directly to a small house or trying to find an agent, or approaching it from the independent side. Can you give us an idea of the time frame of your publishing journey so far?

Mira’s CBA course ran in the fall of 2019. I began querying in March 2020 with only two completed manuscripts. I signed with my agent, the lovely Lynnette Novak, in August 2020, and my first book, A DUPATTA IS… sold in October 2020 (the contract was signed in January 2021, though.) And it just released on April 11th, 2023!

What avenue of publishing did you decide to go with? And can you elaborate on some of the steps you took to get there?

My Islamic books sold before I signed with my agent. The Muslim publishers work differently, and the process isn’t nearly as rigorous as the (secular) traditional publishing route.

After Mira’s course, I was convinced I wanted to go the traditional publishing route and not self-publish. I also saw the benefits of signing with an agent and invested a lot of time scanning MSWL and browsing Query Tracker, so I knew I was querying the agents who were interested in the kind of stories I was writing.

I joined SCBWI in 2020, and The Book was also a very helpful guide, as were the Blue Boards on the forum. I sent Lynnette my work in March 2020. She liked my manuscript and asked me to send her more work. I did, and she didn’t connect with the other story I queried her with. I then went on to invest in professional query critiques with a couple of authors. I polished my work and sent out another round of queries, this time using another manuscript, around June 2020. I also queried Joyce Sweeny of The Seymour Agency at this time. She wrote back saying her PB client list was full and she’d shared it with her colleagues, and Lynnette loved it and would get in touch. When Lynnette did touch base, I told her I had already sent her my work previously, but it had gone through considerable revisions since. She loved my work and wanted to have ‘The Call.’

I alerted the other agents who were considering, and two more agents were interested. I was in the process of sending them more material, and subsequently, we were setting up times for calls when I spoke to Lynnette. I watched all the Bookends Agency videos on which questions to ask during the call. I literally asked her any and everything I had concerns about, even the sticky questions. She was happy to answer all my questions, and we connected so well during the call. I also had a friend check date on Publishers Marketplace for me. Lynnette’s sales were the most impressive, and before I got off the call, my decision was made!

In total, I sent out approximately 30 queries.

Wow. That is incredible! I love your persistence. And I'm glad you mention the Bookends Channel. Bookends videos are definitely a wonderful resource to use as a helpful guide at pretty much all stages of the publishing process. (For any of our readers who are interested in entering the publishing world and aren't familiar with the Bookends Channel, I greatly encourage you to check it out HERE).

So, here's the next question. How many books do you currently have published?

Traditional PB publishing debut: A DUPATTA IS…
Early Reader Chapter Books: Nadia & Nadir series, ABDO Publishing
I also have several upcoming children’s books, including:

● AWE-SAMOSAS (Clarion, 2024)
● HENNA IS...(Feiwel and Friends, 2024)
● YASMEEN LARI, GREEN ARCHITECT (Clarion, 2024)

And some unannounced projects I can’t speak about yet 🙂

ALWAYS exciting hearing about new books!!

I know writing can be solitary. Did you have anyone who supported or inspired you throughout this process?

I have no friends or family who quite understood what I was doing at the beginning. Being a writer or a freelancer isn’t very common here in Pakistan.

I found my community online through a critique group I formed through SCBWI, friends I met virtually at classes I took with The Writing Barn, and in 2021 I joined the 12x12PB Challenge and love the sense of community there.

I’ve made awesome connections through the KIDLIT411, Manuscript Swap group on FB, the #WritingCommunity and the 5 am WritersClub on Twitter, the Desi Kidlit Community, and the Traditionally published and Agented Muslim writer’s group on FB.

As I geared up for the launch of my debut book, I also joined Street Teams, PBSpree, The Dream Team, and Kidlit Works! They’ve been so supportive, and we even swap manuscripts.

I also volunteered to be a mentor through the PBRising Stars program last year and made many author friends there. Groups like ‘Agented Authors’ and ‘On Sub’ and a Slack group called The Rockets have made the whole writing and submission process much less lonely.

Thank you for sharing all of this information with us, Marzieh. These are all fantastic suggestions and places to visit. I was familiar with most all of the ones mentioned but a few stood out as something new. I hadn't heard of 5 AM WritersClub or Desi Kidlit Community, so it was awesome to learn more about them throughout the interview process.

So, what would you say is the biggest challenge you’ve had to face as a writer? And what helped you through it?

I feel like I’m constantly wondering if my next book will sell. The process is different for every book, and the pressure actually keeps mounting, with option clauses and non-compete clauses kicking in as more books come under contract. I am still struggling to keep myself from falling into this trap. The pressure of ‘what’s next?’ can cripple creativity. And sometimes, when you’re active on social media, it becomes even more challenging. My advice would be to focus on what brings you joy, write in several age categories, take frequent SM breaks, share stories of your struggles as much as sharing stories of your failure, and just go with the flow. This is a very unpredictable industry, and there’s no use in trying to crack the code of success!

If you could offer one piece of helpful advice to a new writer… what would it be?

Keep honing your craft through conferences, webinars, and tuning into podcasts. Keep revising your stories, as all the magic happens during revision!

Great advice!

Okay… now for some exciting book talk. I know April 11th was the scheduled release of your debut picture book, A DUPATTA IS. Which, no doubt, you’re THRILLED about. Since we have the special opportunity of having your illustrator here today as well, I wanted to ask you a few questions about this project.

From what I’ve heard from some other authors and illustrators in the publishing industry, usually, the author and illustrator don’t really have much contact- if any at all- throughout the process of the project.

Can you tell us about your working experience with your illustrator, Anu?

Anu and I communicated often. My editor, Emily Settle, and Art Director, Mariam Quraishi, asked for my input often during the process. I pitched in at every stage of the process, from character design to final cover choice. Anu wanted to make sure all the depictions of dupattas from different regions of Pakistan were accurate. It was an amazing, collaborative process, and I hope that shines through. I’m also so lucky to be collaborating with the same team on a companion book, HENNA IS…, which releases in July 2024.

Is there anything that surprised you about the illustrations in A DUPATTA IS?

Since Anu is also South Asian, I knew she would be familiar with the culture of the region. But when I saw her drawings of the girl in her grandma’s room, it brought tears to my eyes. The furniture in the room, right down to the wooden bangle stand, reminded me of my own grandma’s room! Magical!

Do you have a favorite spread of images in the story?

It’s hard to pick a favorite (they’re all so beautiful, and Anu is so so talented)!, but I love the page with the hijabi bride best.

Thank you so much for sharing, Marzieh! It's been an absolute treat having you with us.

And now it's time for this month's...

In order to throw your name into GIVEAWAY ring, all you have to do is:
LEAVE A COMMENT BELOW ON THIS BLOG POST.
And that's it! It's a piece of cake.

Now, I'd like to welcome our next guest today, Anu Chouhan!

Anu's Bio
Anu Chouhan is a Punjabi-Canadian illustrator and video game artist. A trained animator and character designer with a background in game development, Anu often combines her love of her cultural heritage into her art, as well as always being inspired by anime, nature, and global fashion. Her unique, edgy, and energetic art has been featured by the CBC, the BBC, Harper’s Bazaar Bride India, The Times of India, and The Times of London.

How did you end up in the publishing world? What led you here? Where did it all begin?

I was very lucky that my amazing agent Thao Le reached out to me on Twitter. At the time, I was actively trying to get more freelance work and was sharing my work through hashtags like #PortfolioDay and #SouthAsianArtists. When we connected, I indicated that I was interested in illustrating books as well as working on my own picture book. Since then, Thao has helped me work on 7 books, including one written and illustrated by me!

How thrilling! It's wonderful to hear that hashtags like this can help people make illustrative connections within the publishing industry.
Has art always played a role in your life in some aspect? If so, how?

I have enjoyed drawing as a hobby ever since I was little. I work full-time in the game industry, and illustration is often a big part of that. But making time for my personal art and freelance projects like books every now and then is also very fulfilling.

I can imagine! I believe finding balance is a key component to a living a happy and fulfilling life. And it sounds like you've managed to successfully do this.

Can you tell us a bit about your journey in children’s illustration?

I have been illustrating picture books and graphic novels since 2020. At that time, working on books was my main focus. Nowadays, I'm back to working at a studio, so it's important for me to find balance. But often, working on picture books is a fun way to shift my creative gears.

I know you’re trained in animation and character design, and you also have a background in mobile game development, which is SO cool. I’m curious… in what ways does your illustrative work differ from these? And what are the similarities, if any?

With studio work, you're often working within a specific style that's already been established based on the property. With my own art, and often with my books, it's a way for me to establish my own style of art. I've been lucky in that a lot of publishers and art directors have granted me creative freedom when it comes to how I visually interpret the stories; this was definitely the case with A DUPATTA IS... But that said, my drawing style from standalone illustrations vs books is also quite different!

When it comes to your illustration, can you share with us what your creative process like?

I track my tasks by writing in my planner (feels better than using a calendar app). I try to give myself ample research and sketching time before I begin working on a book so that I'm not coming up with ideas on the fly later (although sometimes, that has happened with awesome results).

When it comes to my own drawings, I like to sketch on paper and let inspiration come to me slowly. Forcing an illustration when I'm tired or uninspired has never worked out successfully for me.

I love this so much. And I completely agree! I find personally with my writing, if I try to "force" creativity, vs letting it come naturally, even if I do manage to get words on a page, the quality isn't the same. I say it all the time: creativity is an art form, and as Toy Story 2 taught us, "you can't rush art"!

Are there any challenges that you’ve had to face within the publishing/illustration arena? If so, what were they, and how did you overcome them?

I think that fair wages are a big issue within the arts. There are many gigs out there that don't pay artists what they are worth, and it is important for us to approach projects carefully and understand what is worth our time and what is not. I've been learning a lot about this within the publishing industry, but thankfully my agency is really good at guiding me!


Thank you for sharing this! I'm sure that this will help a lot of illustrators to make sure that they're getting paid properly.

And for our last question today, if you could share one piece of creative wisdom with other illustrators and artists looking to break into the publishing industry, what would it be?

Speaking from experience, it is really important to know when to say "no" to a project. There be times when there are gaps between projects, but there will also be times when a bunch of overlapping gigs will come in at once! It's tempting to say yes to all of them, but it's not worth sacrificing your mental health! 

It's important to take breaks and make time for other aspects of life. Also, remember to stretch your back muscles often lol.

Thank you, Anu. These are fantastic pieces of advice to end our interview on.
It's okay to say "NO," don't forget to STRETCH and give yourself time to relax!

That wraps up our DOUBLE FEATURE INTERVIEW for May. Thanks for visiting the blog! I hope this interview helped answer some of your writing/illustrating questions. If there's ever a question you'd love to have answered, LEAVE IT IN THE COMMENTS below.

Did you enjoy this interview? Thank the author & host by purchasing a copy of one of their books. By using the links listed here, you’ll be supporting the author and this blog!

Purchase Nadia and Nadir: Hurricane Helpers HERE
Purchase Nadia and Nadir: Lunch in the Leaves HERE

To discover more fantastic books and writing related items, make sure to visit my shop!

LEARN MORE ABOUT OUR GUESTS…

Connect with Marzieh:
FB: MarziehAbbas
IG: marziehabbas_author
Twitter: MarziehAbbas
Website: www.marziehabbas.com 

Marzieh's Books:
Hamza's Pyjama Promise. Sun Behind the Cloud Publishing, UK. 2020
Hamza and Aliya share the Ramadan Cheer. Kisa Kids, USA. 2020
ABC's of Pakistan. WHY Books & Children's Literature Festival, Pakistan, 2020
Nadia and Nadir. Chapter book series, ABDO Publishing, 2022
A Dupatta is... Feiwel and Friends, Macmillan, USA, 2023

Anu is represented by Thao Le at the Sandra Dijkstra Literary Agency. 
She can be found on Instagram @anumation, as well as on Twitter @anumationart

APRIL FEATURE INTERVIEW WITH CHILDREN’S AUTHOR, ELLEN LEVENTHAL

Posted on April 1, 2023August 12, 2023 by Chelsea’s World of Books in Feature Interview Series, View all blog posts

Welcome back to CHELSEA’S WORLD OF BOOKS. I'm your host, Chelsea DiCicco. This month, I’m pleased to introduce you to another wonderful children’s book author. She will be the highlight of our April FEATURE INTERVIEW. Please welcome Ellen Leventhal.

Ellen’s Bio
Ellen Leventhal is an author and educator in Houston, TX. DEBBIE’S SONG: THE DEBBIE FRIEDMAN STORY is her fourth published picture book. Ellen’s work has also appeared in various poetry and short story anthologies. Ellen’s best days are when she can interact directly with students and spread her love of literacy, compassion, and kindness. To find out more about Ellen’s books, writing projects, and school visits, you can visit her website, www.ellenleventhal.com.

So, Ellen, the first thing I’m always itching to know is the “HOW” AND “WHY” of what led you into the exciting and challenging journey to publication. What got you here? What inspired you to keep going? How long did it take you to get here? And all the bits in between.

First of all, thank you so much for having me here!

So, the HOW and the WHY are kind of intertwined. WAY back when I was a kid, I was constantly writing poems and songs. At the beginning, they were silly rhymes (not very good ones!), and then, of course, as a teenager, my writing was angst-filled. I never really stopped writing, but I also never thought I would write kids’ books.

Then when I was teaching, I realized that I could make the curriculum more interesting and just add fun to the day with my writing. My friend Ellen Rothberg and I would go into bookstores and think, “We could do that.” Of course, we had no idea how difficult it really was! But one day, she saw a contest, we entered and won! The prize was publication. After what felt like a gazillion revisions, our debut picture book, Don’t Eat the Bluebonnets, was born. After that, I was hooked. I got involved in the kidlit community online and, when possible, in person. Through that, I found a group of wonderfully supportive people.

Of course, there have been many ups and downs and lots of adventures along the way…good, bad, and ugly. And really funny! I’ve learned to just go with the flow. I laugh when I think about two specific times during a reading at Barnes and Noble. Once, I was trying to read to a group, and some clown (yes…a literal clown who was supposed to do something after me) just started doing his thing while I was reading. Then there was the time during a reading with Ellen Rothberg when, in the middle of our reading, someone drove a scooter around in front of us calling for someone. We both sincerely hope the missing “Shelby” was found. One of the funniest things happened when during a school visit, a few teachers dropped their kids off before there were other teachers to take over. It was the day before winter break, the kids got to wear pajamas, AND Santa was on the other side of the room. HOW could I compete against Santa?! Before the teachers came back, a little boy and girl were having an argument about whether that Santa was real. The girl, who said he wasn’t, turned to me to support her claim. I was in panic mode and not sure what to do. Luckily, that same little girl blurted out “That Santa can’t be real because the real one is at the mall!” Whew! And then we had a great time.

Sounds like a close call! Haha. While we're on the track of school... could you tell us a little bit about your history with education and working with kids?

I’ve always worked with kids in some capacity. In fact, my husband and I met when we were working together at a day camp. I taught special ed back in the70s and loved it. When I moved to Texas, I had two little ones, but I was lucky to find part-time work with kids. Then when my own kids got a bit older, I taught mostly fifth grade for many years. I “retired,” but I was back at the same school working part-time within a few months! Now, although not working at a school, I tutor and enjoy my author school visits. So yes…kids (including my own and, of course, my four adorable grandkids) have always been an integral part of my life.

Here’s a hard question. Do you have a favorite manuscript/story that you’ve written? And is it one that’s currently published? If so, which one? Don’t worry, you can tell us! We won’t tell your other stories…

Ha! Yes, that is hard! At this point, I think A FLOOD OF KINDNESS and DEBBIE’S SONG are my favorite published stories, but that’s probably because they are my latest. I still like my others! However, I do have an unpublished story that I love. I wrote what I thought was a picture book years ago, but it was way too long. I love the story and have been trying to weave it into a chapter book or do something with it. It’s still one of my favorites, and I hope at least some of it will appear in something else.

So, as far as children’s books, I know you have DON’T EAT THE BLUEBONNETS, which came out in 2017; LOLA CAN’T LEAP, which came out in 2018, A FLOOD OF KINDNESS, which came out in 2021 (and is one of my favorites by the way) and you have another story coming out this month, April of 2023, DEBBIE’S SONG: THE DEBBIE FRIEDMAN STORY. Which I’m SO excited to read! Can you tell us a little about this story and what it means to you?

Thanks! I’m excited about this one too! Here's a blurb giving you a glimpse of what DEBBIE’S SONG is about: When Debbie Friedman was a little girl, music bubbled up inside her. Notes and melodies. Loud and quiet. Fast and slow. As she grew, she saw things that she believed should change. Debbie dreamed of making music that would include everyone, especially women and young people. It was difficult, but with determination to overcome obstacles and ignore those who sought to deter her, Debbie stuck to her belief that she could make the world better. Debbie's dream came true, and her transformative music changed the landscape of Jewish music forever.

However, this book means so much more to me than that blurb. When I was teaching at a Jewish Day School, we sang Debbie Friedman’s music all the time. I met her briefly once but really never got to know her. As it turns out, many people here in Houston did know her, and she touched all of their lives. I’ve always loved the inclusive music she created and sang, but as I dug deeper, I learned about her struggles, which weren’t insignificant, and how she was still there for everyone during their difficult times. Had Debbie lived, she would have been the same age as I am now. Her songs were the soundtrack of my children’s education, and I felt strongly about making sure this generation learned about her and how through her story, they’ll learn that they each have a special spark inside them. Though it may not be the same, through Debbie’s story, they’ll learn that they, too, have the power to make a difference, just like Debbie did.

In your opinion, what is the hardest part of publishing, and the most rewarding part of publishing?

For me, there are two parts that I find very difficult, and they’re related. I have a hard time letting go of my manuscripts and sending them off. I am never sure they’re ready to go, but I’ve learned that it is possible to over-revise and lose the heart, so I’m constantly working on that balance. Then once I jump that hurdle, I find the waiting hard as well as the lack of control. I’m getting better at that second part, but it’s difficult.

The most rewarding is, of course, seeing children enjoy my books. That thrill of seeing a child read one of my books will never go away. The other rewarding part of this journey is my connection to the kidlit community. There is no way I’d still doing this if it weren’t for my critique groups and friends I’ve made along the way.

If you could share one piece of advice with other writers on this journey, what would it be?

This is one that I need to remind myself of sometimes. Enjoy the journey.

It’s a tough business, and if you are only focused on the publication, it’s easy to get frustrated. It’s important to step back and just have fun with the process. Don’t let the business aspect zap your joy of writing and storytelling.

Now, because I’m a big-time lover of all things educational and a Children’s Librarian, I have to ask, what are your school visits like? And… do you do library visits too?

My school visits are hopefully educational and FUN! Although I have a description of my presentations on my website, I let the librarians/teachers know that I mix and match and will do whatever I can do to support the teachers in the classroom. I always have some type of interaction with the kids. The goal of pretty much every presentation is to let them know that they all have stories to tell and they are all storytellers.

And yes, although I haven’t done a lot of library visits, I’d love to do more! Here’s where you can find more about my School Visits.

What was your hand’s down best experience when doing a school and/or library visit?

Hmm…I’ve had so many good ones. One memorable visit was years ago when the first version of DON’T EAT THE BLUEBONNETS came out. A school in El Paso, TX, made it the monthly read for all their grades, and I was welcomed with writing and art having to do with their book and even a cake with the main character on it! The kids and staff were amazing. This was more than a normal visit because it was the 100th anniversary of the school, and we had a big celebration. We wrote stories and songs together and had a great time.

BUT…that is not to say that I don’t love all my school visits. Every one of them has something wonderful and magical about them that I keep with me. Sharing my love of literacy, kindness, and inclusion is definitely my favorite part of this business.

For other authors who may be interested in offering library or school visits, what recommendations would you give them on where to start?

Honestly, I still struggle getting visits sometimes, so I don’t want new creators to get down on themselves. Most of my school visits have come from personal connections. You need to put yourself out there and meet people at conferences, etc. For me, word of mouth is the best thing. When librarians and teachers like what you do; hopefully, they will pass on your info to others. Don’t be afraid to ask! But honestly, I’ve gotten visits from cold emails too, so you never know. I’d say to start small. When you first start out, you’re honing your presentation skills. Maybe don’t take on a whole school at once. Start with a grade level or two and see what works. Whatever you do, I’d say to be yourself. We all have different personalities, and as with other parts of life, trying to be someone you’re not never works.

And this is a new question that I want to start asking to help spread love and support for our wonderful independent bookstores. What's one (or more) local bookstore(s) that you love? Name it(them) below!

I love Brazos Bookstore in Houston!

Wonderful! Thank you for sharing, Ellen. As writers we know just how important indie bookstores are and we appreciate all their efforts to keep their doors open. I've gone ahead and added quick links to Brazos Bookstore's Twitter, Instagram and official website. If you live local, why not check them out?! And if you don't... you can always order from bookstores online through Bookshop.org.

Okay, now for some silly/fun questions:
If you were a color, what would it be?

Hmm….maybe purple? No real reason except that I love it!

If you could only eat three foods for the rest of your life, what would they be?

So I’ll pretend there is no such things as cholesterol or anything like that for this one. I think I could eat pizza, pasta, and Chinese food. Clarification: I don’t eat a lot of these things, but one can dream.

Favorite song?

That all depends on my mood. Sorry…can’t pick just one.

Favorite dessert?

Anything that combines chocolate and ice cream together.

Cat or dog?

Dog

Beach or mountains?

For years I’d say the beach, but now I’m thinking mountains.

Thank you, Ellen. We loved having you with us. But wait- it’s not over. It’s that time.

Do you know what time it is?
It’s time for our giveaway prize! YAY!

This month for our GIVEAWAY PRIZE, Ellen is offering a signed copy of her book DEBBIE'S SONG OR an Ask Me Anything zoom call. Winner's choice! 

How can I enter?

The winner will be selected from COMMENTER'S below at random. (That's right, all you have to do is leave a COMMENT with your prize choice. That's it!)

Please ONLY comment ONCE.

Winners will be announced before or by April 15th, 2023.

Thanks for joining us today! Be sure to like and subscribe to stay up-to-date with all our wonderful Feature Interviews and other blog posts. To find out more about Ellen, you can visit her website. Or find her on Twitter or Instagram

Did you enjoy this interview? Thank the author & host by purchasing a copy of one of their books. By using the links listed here, you’ll be supporting the author & the blog!

Purchase Debbie's Song HERE
Purchase A Flood of Kindness HERE
Purchase Lola Can't Leap HERE
Purchase Don't Eat the Blue Bonnets HERE

To find out about other great book recommendations, visit my shop tab!

MY SPRING FLING KIDLIT 2023 ENTRY: WAKE UP, WORLD! IT’S SPRING! BY CHELSEA DICICCO

Posted on April 1, 2023September 6, 2023 by Chelsea’s World of Books in My Writing Journey, View all blog posts

First off, I'd like to thank the fabulous hosts, fellow librarian and kidlit Author Ciara O'Neal and Literary Agent Kaitlyn Sanchez for yet another amazing Kidlit opportunity to not only showcase our work but to just have fun with our community!

This has been such a terrific way to make friends, build relationships, and overall branch out with other writers. I speak for myself and my critique group partners when I say, we are all so grateful for events like these that help make this line of work even more enjoyable.

For most of us, writing can be very solitary work so fun events like these really add a breath of fresh air and get our creative juices flowing.

If you're not familiar with what the Spring Fling Kidlit Contest is, no worries! I'll be sure to include all the rules and details below.

So, what IS Spring Fling Kidlit?

Your challenge, should you accept it, is simple.
Find a gif and write a spring-inspired story. That's it!

Here are the official rules from Ciara's website:

1. Your story should be geared towards kids ages 12 or under.

2. Choose a gif to inspire your story. be sure to share where you found your wonderful gif. (The website or if you created it yourself!)

3. All gifs should be child appropriate and in no way be derogatory towards any faith, race, etc.

4. Now for the dreaded word count! You have 150 words. That’s it! No more but less is always welcome.
(Your title is not included in the word count.)

5. No illustration notes pretty please.

6. Your gif should be the only visual with your story.

7. The Spring Fling contest officially begins on Saturday April 1st and closes April 3rd, post your gif and story on your blog.

8. On April 1st, we will post a google form on this blog. (You can use the quicklink above titled "official rules" to get to the blog post.) Fill out the form, paste your blog website and story, and you my friend, will be entered!

9. Deadline for posting your story or the link to your story is April 3rd at 11:59pm CST.

10. Only one entry per contestant is permitted.

****If you don't have a blog, no worries, you can put your whole story on the google form. The form will open on April 1st. If you want others to read it too, feel free to post your story in the comments with the link to your gif.***

And that's it!

Now... the moment we've been waiting for; my entry for this year's 2023 Spring Kidlit Contest. This year I wanted to write a story that incorporated not only spring but sharing it with a beloved friend and who better to splash in puddles with than your dog?! So, without further ado, I give you my entry: WAKE UP, WORLD! IT'S SPRING!

Title: Wake up, World! It's Spring!
Written by: Chelsea DiCicco
Word Count: 121

Dewdrops dance on dainty petals.
Tweets and twitters fill the air.
This can only mean one thing…
“WAKE UP, WORLD! IT’S SPRING!”

Padding paws and racing feet.
Hurry, scurry; we can’t wait!
Nature’s calling- here we come!
“WAKE UP, WORLD! IT’S SPRING!”

Butterflies outstretch their wings.
Bees are buzzing off to work.
Mower’s roar, and flowers bloom.
"WAKE UP, WORLD! IT'S SPRING!"

Showers sprinkle in the sun.
Puddles are for everyone!
Happy slappy splashy feet.
"WAKE UP, WORLD! IT'S SPRING!"

Wagging tails and cheerful eyes.
Dirty paws and sun-kissed skin.
Shaking, quaking, laughs and barks.
"WAKE UP, WORLD! IT'S SPRING!"

Hoots and chatters fill the night.
Evening stars pierce the sky.
Look! There goes a firefly.
"Rest up, world. It's Spring."

This GIF was created by Chelsea DiCicco (me) on Canva for the purpose of being used for my 2023 entry for the Spring Fling Kidlit Contest.

Wake up, World! It's Spring! GIF by Chelsea DiCicco — **Wake up, World! It’s Spring! by CHELSEA DICICCO**

50 PRECIOUS WORDS ENTRY FOR MARCH 2023, VIVIAN KIRKFIELD’S PICTURE BOOK WRITING CONTEST, MONDAY MORNING CUPCAKES BY CHELSEA DICICCO

Posted on March 5, 2023March 5, 2023 by Chelsea’s World of Books in My Writing Journey, View all blog posts

Hey guys,

So, we've just started March, and so far, 2023 has been a busy year; full of activities in the writing community, like the amazing #PBPARTY *which I participated in* and the Twitter #PBPITCH event for picture book writers seeking representation, *which I also participated in.* Since the #PBPARTY entries take a few weeks to get results, I've been trying my best to stay busy. Because waiting is hard!

Ways I've stayed busy include: gardening, playing with my pets, doing research on writing projects, reading books, trying to write new stories *and finding my inspiration outdoors* -it's almost SPRING! Curling up in my hammock and getting sunshine. And of course, my library work. Planning new programs and events, working on new activities for my Homeschool Group and Crafternoon and family Nature Walks behind the library.

One of the things I've also done to stay busy is to participate in OTHER events, which brings me to my purpose for posting today.

This year, I participated in Vivian Kirkfield's Picture Book Contest, 50 precious words. This is my first year - hooray! And my wonderful critique partner is also participating with me. Another hooray!

I found out about this awesome event back toward the ending of last year, (2022) while watching a YouTube interview with Literary Agent, Kaitlyn Sanchez, hosted by Maria Dismondy, of Cardinal Rule Press.

After the interview, I visited her website where I found a whole list of great resources for writers. You can find it under her "RESOURCE" tab and click "CONTESTS." Or you can just click this link here and it will take you directly to her page.

So, without further ado, here is my entry for the 50 Precious Words Contest. I hope you enjoy this little sweet treat.

Monday Morning Cupcakes
By Chelsea DiCicco
IG @chelseasworldofbooks
50 words

I smell them from the kitchen.
Sweet, SUGARY goodness.
A treat for each hand.

There they are. A perfect baker’s dozen!
Oodles of sprinkles and colors. Frosting for days.
Yum!
A magical Monday miracle.

“CUPCAKES!”
Pack them, stack them, steal a taste.
Safe in my lunch box. I can’t wait!

If you'd like to view the original post on Vivian's Website, you can follow this link here.

FEBRUARY 2023 FEATURE INTERVIEW WITH LOCAL ARTIST AND ILLUSTRATOR, ALYCIA NEIGHBOURS

Posted on February 1, 2023February 1, 2023 by Chelsea’s World of Books in Feature Interview Series, View all blog posts

February is here! And with it… another FEATURE INTERVIEW! Today, I’m especially excited to introduce you to our guest, Alycia Neighbours. I have the pleasure of working with Alycia in the library. She is a fantastically talented artist with a very funny (and sometimes unfiltered) sense of humor- which cracks us all up. Of course, most of us gals in the library think we’re hilarious and spend a lot of our time laughing at what some might think is nonsense. But I’m losing focus. *My ADHD apologies.* Speaking of which… something that Alycia and I share is that both of us are on the neurodiverse spectrum. Which is pretty cool. I have a feeling putting us together for this interview is going to lead to a lot of wandering around on different topics. We’ll see if we get through it. If nothing else… I can guarantee it will be interesting. So, let’s do this. *Rolling up sleeves.* Are you ready, Alycia? And 100 points to Gryffindor if you say, “I was born ready.” *Cracks knuckles, smirks, and her eyes have a puckish glint* “I was born ready, but I’m unsure if you are.” Ready or not, here we go! My bio about Alycia: Alycia is a very cool librarian with many creative talents and passions. She works with wildlife rescue (we actually have a very funny story about a tortoise she almost stole thinking it was mine. Maybe we’ll tell you about it later…) She’s an artist and now working on illustrations for an upcoming picture book (YAY!) She is neurodiverse (I’ll let her expand on that if she’d like), big-hearted, big-humored, big-mouthed- (Am I allowed to say that, Alycia? I know you would. Just kidding. Kind of.) one-of-a-kind individual with her own unique brand of personality. She is also a mom and stepmom to a pretty gigantic brood of kids. I can’t remember how many there are… What was it, like 50? I know it was a Cheaper By The Dozen Situation at best. Tell me again, how many munchkins you have in total? And all jokes aside, she’s a pretty terrific and down-to-earth human being, who I’m deeply grateful to know. Alycia’s bio about Alycia: I am a 46-year-old wife and mother of 8 with 2 granddaughters. A lot of the time, it does feel like there are 50+ kids I am somehow responsible for. Most of the time, it IS extra kids that have come over to play with our menagerie of animals. If it can be a house pet, I guarantee I probably have two of them. If it’s not one of my pets, it’s probably wildlife that I am working on rehabbing; nobody blinks an eye around here about squirrels in a closet, a hawk on the screened porch, a possum in the bed, or watching me set a broken leg on a mouse on the kitchen counter. I am autistic and have a Conure as a service animal. Cricket, the conure, is a small parrot with a growing vocabulary. He has the ability (as all birds do) to sense small, subtle magnetic changes around him. This includes the beating of my heart speeding up. His job is to identify those moments before I do, and then he leans into my neck. His warm body pressing on me alerts me that I need to pay attention to what my body is telling me and use my tools to combat my instincts. When I am not filling dinner plates of food bowls, I am either working at the library, homeschooling 4 teenagers, or creating. Artwise I am a painter, crocheter, knitter, pyrographer, calligrapher, tattoo designer, logo designer, sculptor, and jewelry maker. My other interests are mounted archery, kayaking, working with mustangs or abused horses, hiking, and anything else that can get me into nature. So, today’s interview (as you can probably already tell) is going to be formatted a little bit differently for a few reasons. 1.It’s Alycia and me- and together, we’re trouble. 2.This will be my first sit-down interview with an artist only! We did have one interview back in December that featured a father and son-author/illustrator team, but this time, we are going to be focusing on art and illustration. And Alycia’s illustration journey is going to be a little bit different because, as I understand it, Alycia is going through a traditional route and was hired by a publishing house. Is that right? I believe the chain of events that occurred whilst I was peacefully sleeping is that an author actually stumbled into my art via a social media site while she was perusing artwork pertaining to her character. She introduced it to the Powers That Be of Publishing and then began courting me with promises of face-to-face meetings at her hobby farm. How could I possibly refuse a chance to sit down amongst roaming goats, turkeys, floofy dogs, and kitties in need of “scritches.” I know that in publishing, there is some red tape on things, and it’s important to stay hush-hush until a certain date. So, with that in mind, instead of me asking you direct questions, maybe instead, you could tell us what you’re able to about the publishing experience and project so far. I can tell you that the publishing house that is working with us is a fantastical beast of making sure everything is absolutely perfect, from making sure the prose is formatted the best for our demographic, the margins are clearer than a guppie’s mind, the artwork being chosen is to not only reflect the passion of the words but to engage all levels of readers. It’s a slower process than Chelsea’s pretend tortoise imitating an arthritic sloth. The author I am working with has a background in teaching and preparing kids not just academically for the world but emotionally. She is in the middle of two books, one I am illustrating in my style because of the subject matter and the other about a whimsical butterfly done by a brilliant watercolorist. It was important to her to choose artists that not only could tackle bringing her words to life but who were passionate about their subjects. Her deciding factor in choosing me was her book focuses around a crow that has grown up believing his identity was defined by those around him, which was a loving, but aloof family of chickens. He has to embrace who he truly is if he is going to be able to make a difference. When the author found me on social media, not only was she interested in my artwork, but I was also working with an orphaned crow affectionately named Chikyn. I was documenting his life of learning how to be a crow by introducing him as he was maturing to wild crows that nest in the woods behind my home. She knew then that I was the perfect candidate for illustrating this book. So, now that we’ve talked about your traditional experience let’s talk about your inspiration for art. Have you always identified as an artist? How old were you? I have always been creative, and at 46 years old, I sometimes feel as though I am just beginning. I work in all sorts of mediums and am usually taking online courses and working with other artists to further my different crafts. As mentioned, I am on the spectrum and am Autistic. One of my superpowers is the ability to hyperfocus on small details that make up the whole. I can get lost for hours creating each blade on a feather, the wrinkle on a flower petal, or the texture of the skin on an elephant. Most of my art focuses on these details, and by working in black and white, I encourage the viewer to ignore the colors that fascinate us at first glance and look closer at the beauty of the structure. What does being an artist mean to you? And what is your connection to your art? Being an artist means slowing down to appreciate the complex within the simplicity at first glance. It is taking a millisecond of time and preserving it in a way that invites the viewer to stop for a while and take notice of the chaotic perfection of form and structure. My connection to art is that is my way of being. I think, hear and process the world around me in pictures. To be able to pull those images from my mind and put them onto canvas is a way of communication for me. It is my window to my soul. What made you want to pursue illustration? Pursuing this particular avenue of art allows me to use my connections to my work to help the author give “flesh” to their message. Children especially learn images long before they learn language. When reading an illustrated book on their own or if an adult is reading to them, they take what they have already learned through images and assign language. I feel this gives kids a sense of security to learn language and emotion/intention with a base of knowledge that feels familiar and comfortable. Outside of this newest publishing venture, have you previously done any sort of commissioned artwork? If so, can you tell us a little bit about that process and maybe about the projects you worked on? I’ve been doing commissions for the better part of the past decade. I tend to gravitate toward projects that have deep emotional meaning to the recipient. Whether a portrait of their beloved family member, a wood-burned recipe on a cutting board that has been passed down from the grandparents, a sculpture of their favorite pet, a watercolor of their home, a crocheted blanket for their newborn child, or a rendering of their favorite animal; if they are passionate then so am I. I know what a talented artist you are. I’ve seen your work up close! And I’ve had the privilege of watching you teach a painting class for beginner artists as well, inside the library. Do you have any samples of your work that you’d be willing to share with us today?

Note: so, Alycia gave me free reign to choose images from her Instagram, and of course, my favorite animals are foxes and bats, so I have included them both!

Alycia, your attention to detail blows my mind. I know you usually work with black and white, but I chose one image to share as well with a pop of color. It really is stunning! But, I could talk all day about how much I love your work, and as much fun as that would be… I might lose some readers. So, back to what we were previously talking about: the library…

Recently, you hosted your first program in the library! Back in December of 2022, you hosted a winter painting party. How did it feel to host your first program? Were you super siked to lead an art-based event? Or were you nervous? Or were you a little of both? (Although, I can’t really picture you being nervous. And you handled the class so smoothly, it seemed like second nature.)

I was very excited to bring painting to the library. The main reason I began working in the library is my intense desire to serve people. Not just to serve them but for each person, I come in contact with to feel seen, feel important, and feel connected. Painting and learning painting is not something easily or cheaply done, so many people don’t ever take a chance on themselves becoming artists. The library offering this service for free allowed people of all backgrounds to be risky. I know how hard it is to take a risk and create something that feels so personal, so by teaching the class, I was able to walk right alongside them each step of the way, instructing, encouraging, and celebrating each unique canvas.

I was a little nervous, but that was due to my being in a new situation and a transition from my normal routine at the library; spectrum by-product. However, teaching painting classes is not new for me. I’ve taught personal lessons one-on-one, small groups during parties, and large groups of 100s of children at one time. I’ve learned the reward of seeing all the risk-takers with their paintbrushes is far more powerful than my moments of discomfort.

So, if someone wanted an Alycia original, is that something they could get? Can people approach you with projects they’d like you to create for them? And if so, how?

Absolutely! I am always available for new projects and ventures. Sometimes there are busy seasons, so there may be a wait for your finished project, but I always connect through each stage of the work progress to show the recipient where I am with things an.d if we need to tweak along the way. They can always approach me in person or through email alycia.neighbours@gmail.com, social media sites, or by phone (six one five- four two zero- zero two four four.)

Okay, now for some fun GET-TO-KNOW-YOU-BETTER questions:

Alycia, if you could be any mythical creature, what would you be?

I would want to be a fairy the size of Tinkerbell (which, by the way, is one of my favorite characters) By being so small, I could sit in a flower all day to appreciate each splendid petal or perhaps ride on the wings of bird and see the world through their eyes, or maybe I’ll curl up under a toadstool, pull up my blanket of moss, listen to the cricket orchestra play a Sonata while I nap under a sunbeam.

If you could have any superpower (other than the many you already possess), what would you choose?

Flying. Definitely flying. I am a bird fanatic (autism focus - I can talk about birds for hours and hours) and also have a degree in bird biology.

If you could travel to any point in history, what and where would it be?

I’m going to have to go with the Jurassic Era here. Yes, I am probably going to get smashed at some point, but this girl is going to ride a Triceratops if that is the last thing I do.

If you turned into an animal tomorrow, based on your personality, what do you think it would be and why?

As much as I want to say a bird, I would one hundred percent probably be a cicada. I stay under wraps and avoid all contact until I am forced to come out. Then I begin to scream.

Now for some riddles… no cheating!

Where do sick boats go?

Well, if they had taken their Vitamin Sea, they wouldn’t have to go to the dock.

Tou·ché. However, the answer we were looking for is “the dock-tor.”

Name an expensive fish.

The one that clogs up your toilet and creates hefty plumbing bills.

*Chelsea laughing* Goldfish.

How do you spell COW in thirteen letters?

*Sips coffee, tries to look wise*

SEE O DOUBLE YOU.

Alright. Here’s our last one.

If 2 is company and 3 is a crowd, what are 4 and 5?

*Continues sipping coffee*

Thank you, Alycia, for letting me pick your brain! It’s been a treat. *Chelsea as a zombie “brains! Delicious.”* And now… does anybody know what time it is?

I’ll give you a hint. It starts with the letter G…

As great as all those things are… it is none of the above. It’s…

Alycia is generously offering a custom artwork giveaway. Think of your favorite animal *fiction or nonfiction* and leave it in the comments below. One lucky winner will be chosen at random to receive a custom piece of art featuring the animal you chose. The commenting window for the prize will last one week from the post date of this FEATURE INTERVIEW. The deadline will be Wednesday, February 8th, 2023, so make sure to get your answers in as soon as possible! Please also make sure to include your NAME and EMAIL ADDRESS in your comment so that we can easily contact our prize winner. 

To connect with Alycia or to see some of her amazing artwork, visit her social media, shown below.

Instagram alicyia.neighbours

Before you go… 

If you enjoyed this interview, be sure to like this post and subscribe to Chelsea’s World of Books BLOG for more fabulous #kidlit happenings. You can also follow me on Twitter, Instagram, or Facebook. Thanks for reading! 

Sneak peek… 
Join us next month for our FEATURE INTERVIEW with Kidlit Author Janet Sumner Johnson.

January 2023 Feature Interview with Local Children’s Book Author Brittany Wuthrich

Posted on January 1, 2023August 12, 2023 by Chelsea’s World of Books in Feature Interview Series, View all blog posts

Hello friends!

Welcome to my third FEATURE INTERVIEW segment. And to start off the new year of 2023, I have a special guest joining today. Let’s give a warm welcome to Brittany Wuthrich!

About Brittany: 

Brittany is a local Children’s Author living outside of Nashville, Tennessee. She released a picture book entitled BIRD AND THE TREE for ages 4-8.

A little background on my relationship with Brittany Wuthrich:

I was perusing a local bookstore in my area (Curious Capybara) and stumbled upon an adorable book! I picked it up, and lo and behold; it was a local author. So, when I set up a short story contest in the library over the summer of 2022, I knew I wanted to get ahold of Brittany and see if she’d like to co-judge to find our finalists. Fortunately for me and the children’s library, she did! Having her as one of our panelists and judges over the summer was an absolute treat.

Today, we’re going to be discussing some shop talk on the behind-the-scenes of independent publishing.  We’ll be answering questions about where to find an illustrator, how to pay an illustrator, how to format, how to edit, how to market, and so on. So, if you’re looking into self-publishing your picture book… keep reading to find out how it’s done! 

We’re also going to be delving into some serious topics on mental health and recovery. 

DISCLAIMER: IF YOU OR SOMEONE YOU KNOW ARE SUFFERING FROM SEVERE MENTAL HEALTH ILLNESS (suicidal/depression) AND ARE NOT COMFORTABLE DISCUSSING, PLEASE STOP READING NOW.

So, let’s jump right in!

I always like to start with the heart of it all: inspiration. 
Let’s talk inspiration and first steps:
Brittany, what inspired you to write THE BIRD AND THE TREE?
(SEE IMAGE BELOW…)

I wrote a poem about this quote and what it meant to me. The real and raw place I was in when I wrote this is not easy to talk about. It isn’t easy to access because of how far I’ve come from where I was, either. It isn’t uncommon, though. It seems like a lot of people deal with anxiety and trauma. That doesn’t minimize it, of course. So the poem I wrote deals with a little of mine.

I ended up going to what is essentially group therapy sessions to deal with it. Ok, so I don’t know how comfortable I am with sharing this. It seems appropriate though, because of what happened recently with the guy from the Ellen show. Tragically, he passed away from suicide. People were so surprised because of his happy persona and how young he was.

I think for the same reasons, people would be surprised to know that I was at a point in which I had gotten close to making a similar decision with my life (despite how I appeared outwardly).
It is hard to admit that I let myself get so far in despair. But it happens to people from all types of walks of life. People deal with depression. It is just a fact. It is real. That is why I would like to advocate for mental health awareness. So… back to how this became a children’s book.

In those group sessions, it was normal to discuss a quote or a topic at the top of the hour. On this particular day, we got a black-and-white quote printed out on a piece of paper (with this exact graphic above). I think it spoke to me because it was a reminder that I had strength in ways I didn’t always acknowledge.

That same day, a poetry organization in Nashville came to the group to lead an exercise in poetic expression. I can’t remember the name of the group. The exercise was to write a poem in five minutes. There wasn’t enough time for me to get distracted by self-doubt or email. When the timer stopped, so did I.

I already had a respect and love for poetry. I was all about it. I loved approaching it in this different way, though. Oftentimes, I feel blocked from writing as freely as I did when I was younger. This exercise unlocked a new way to approach writing that I still use to this day.

In the five minutes, I imagined being a bird. I thought about what it was like being stuck or why it would be hard to move on in a situation. Really, I didn’t do a lot of thinking… I just wrote. When I heard the beeping of the phone timer go off, I put my pen down. I had written BIRD AND THE TREE.

When the exercise was over, we were asked if we would like to share what we wrote. I remember that there was a meaningful silence in the room after I read. I remember that what I read seemed to resonate with my cohorts. It felt good to know that some could relate to the Bird as I did. It felt liberating to share.

I had no idea that just a few short years later, I would be living in some of the happiest years of my life, that I would be a mother to a little girl and later a little boy. I would be more authentically in touch with my faith in God and my family. It took a lot of work, and I feel very removed from the place I had found myself in then. But all I can say is that it happens. All I can say is I forgive myself.

On my last group day, I got a parting gift. All participants get a painted rock with a descriptor or an affirmation of some kind on their final day. In my case, and it’s a little serendipitous, mine was a painting of a bird on a branch. The group leader reflected back to me that I reminded her of the bird on the branch from the quote. It meant a lot to me, and I still have the rock to this day. My husband encouraged me to turn the poem into a children’s book. Eventually, I did.

Wow, Brittany. Thank you for sharing these intimate details behind your inspiration for BIRD AND THE TREE. I know it isn’t an easy thing to talk about, and I’m sure that many who are or who have struggled against the battle of mental health appreciate your story.

Having many family members myself who suffer from various mental health illnesses, ranging from chronic and suicidal depression as well as seasonal depression and bipolar, (myself included)… and personally experiencing the death of my own husband years ago due to depression, I understand that this can be a very sensitive thing to share. But in sharing, there is healing. And it’s truly wonderful to see how you have been able to heal and grow and find happiness with your ever-blossoming family!

So, now that we’ve discussed the inspiration… what was the message you hoped to share with this book?

Initially, when I decided to make this a children’s book, I thought that it could be a message of hope. I could see through the story how what Bird was experiencing was grief.

Years before, I had learned about the five stages of grief through a Stephen’s Ministry class at my church. The class focused on serving others who were dealing with loss and hardship. I think I was only fifteen or sixteen at the time, but one thing that has stayed with me to this day is that there are things not to say to someone who is hurting. The other thing was that grief has layers. Specifically, there are five stages of grief: denial, anger, bargaining, depression, and acceptance. *source here*

Through that lens, it is easy to see that the character of Bird is going through the grieving process. He didn’t want to believe that everything would change, even when it was clear that it would. That’s denial. There are other examples throughout the book that all lead to his ultimate acceptance: when he uses his wings to move on. We all experience grief at all ages.

Excellent! And were you happy with your finished product?

Yes. Given the chance to go back, though, I would change the title. It seems there is already a book called The Bird and the Tree. Not a huge difference, but my book doesn’t have a ‘The’ in the title. BIRD AND THE TREE is not on Amazon at the moment, so this other book usually comes up if someone searches for it, which can cause confusion of course. I like to think I did my research, but I had no idea this book existed until it was pretty much too late into the process. I could probably look into changing the title with any reprints I do, we’ll see.

Can you walk us through the beginning steps of the publishing process?

Lots of typing things into a search bar. Nowadays, there is so much information out there, the game is also to know the right stuff to search for. In my case, I was searching for self-publishing, how to launch a Kickstarter.

You mentioned that you used a Kickstarter to help with the publishing process. Can you explain that in further detail?

Kickstarter was the catalyst for this project to be possible. It gave Becca and I not only the funds but the confidence to keep going. I would recommend Kickstarter to anyone trying to self-publish. It is a resource, leveraging social media as well to keep followers in the loop through every step of the way. For our Kickstarter campaign, Becca and I set a goal: $2,800. People that donate to a project on the site are called backers. Once the campaign started, we had thirty days to meet that goal. If we did not hit $2800 within that time, all the money would be refunded to the backers. It kicked us into gear to be active about sharing our intention of creating a children’s book. We laid out what the book was about, gave examples of illustrations, and set rewards for different tiers of backers.

Enough buzz was created as a result of the campaign that 54 backers funded the project to help us exceed our goal within that time. We were pumped to see that support!

Did you ever consider going the traditional route with your book, or did you know from the beginning that you wanted to publish independently?

I was so energized at that point and time to make the book happen that I didn’t want to risk being told no. I wanted control of the project and trusted myself enough to do it. I still made mistakes along the way, but I am glad that I had this experience.

I can relate to that! I’m working on patience… but when you’re excited about something, it’s hard to wait! You just want to shout it out from the rooftops. So, how long did it take you to write and revise your story before publication?

Did you hire a professional editor?

Yes, using a service called Reedsy, I hired a professional editor named Jennifer Rees. She has a background as a Senior Editor at Scholastic Press, where she edited picture books and novels. I was excited to read from her bio that she was an editor for The Hunger Games.

The way Reedsy works is that you find the service you’re needing: editing, design, publicity, and marketing (to name a few), then search through the service providers to narrow down a shortlist. I looked for editors who specialized in children’s picture books.

Once I had my shortlist, I sent requests out with a brief seeking developmental editing, copy editing, editorial assessment, and proofreading as the service needed for BIRD AND THE TREE.

From the five I sent out, two made offers, two declined, and one did not respond. So I had two quotes to select from. After I selected Jennifer’s quote, she sent a rundown of how our collaboration would work.

I appreciated working with an editor that had a seasoned background. She offered advice to help my manuscript (the poem I wrote in 2019) translate well for children’s literature.

Working with Jennifer’s feedback helped me unlock a new side to Bird’s story. It was darker in tone to start with and there was not as much closure for the character. I added the element of the acorn that we see grow into a new tree at the end of the story. Her feedback was detailed and very helpful. That process lasted over the span of about three months.

Did you test your book on beta readers on any sites before publication? If so, can you list where you were able to find them?

Only a handful of friends and family.

Let’s talk illustrations & cost:
Where did you find your illustrator?

Our husbands work together.

Terrific luck! And how did you handle payment with your illustrator? Was it a royalty share, or did you pay a flat one-time commission rate and purchase ownership of the illustrations?

It was a 50/50 split to a certain point. Becca had lots of other projects to focus on while I was still focused on promoting the book. Basically, there was a payout at that point. Going forward, I have ownership of what I sell.

Did you have a clear idea of what you wanted your images to look like, or did your illustrator have total creative control of the artwork?

I worked closely with my illustrator to find the world that Bird lived in. I took a role as art director with collaborative control. We had weekly meetings whenever possible to discuss the direction of the book.

Was it easy to communicate with your illustrator?

Yes. It isn’t too challenging, but we live in different states. We were working together over video calls during the thick of COVID lockdowns.

I think during Covid, many were doing similar styles of work and communication. What a crazy time! And what recommendation would you give to someone who is looking to hire an illustrator?

I don’t feel like an expert in this area because I was lucky to find Becca. I’ve heard people find them on Fiverr. I know sometimes reviews are not reliable, but I definitely look at reviews. I research what I’m looking for. If you know the art style, you’re going for in your book (watercolor, digital, etc.), look for someone who specializes in that area. Have lots of references to share with your illustrator to help them get a visual of what types of illustrations you are looking for. Becca and I had fun rereading some of our favorite children’s books.

How long did the illustration process take?

Since the illustrations are a big part of telling the story, in this case, it took about as long as the book took to make. I had already had the poem completed in 2019. The book took about a year and a half to make.

Were you able to see the images during the process, or was the entire book illustrated, and then they came to you with the final product?

I got to see different evolutions of both the Bird and the Tree. Here are a few different drawings of Bird that Becca pitched early in the process.

How cool! I love these little birds. What kind of illustrations did you end up using? Were they all digital or hand-drawn, or a combination?

Becca used an app on her iPad called Procreate to digitally draw the illustrations.

Your book cover is just fantastic—how did you land on that illustration for the front cover?

Simply to introduce Bird hanging out at his favorite spot. To compel the reader to want to know Bird’s story.

Let’s talk marketing and cost:
As far as the publishing cost and marketing, what was the ballpark pricing for getting your business up and running?

Ballparking around $3,500 for every aspect of the project. The publishing arm was around $2,000 of that.

That’s good information to know. Thank you!
What kind of marketing did you do for your book?

Grassroots. Mostly Instagram. My illustrator and I collaborated on Instagram lives and stories. In the early days of the Kickstarter campaign and publication, I hosted open mic nights at Kave House of Haggai for poets and musicians. The events served to share about the book and give a platform to other local creatives.

I know you have some coloring pages that you brought in (that coincide with the story BIRD AND THE TREE) and shared when you came to the library over the summer. They were just adorable! Are those available for purchase somewhere? If so, where can we find them?

Thank you! They are not available for purchase right now. I just have them for special events. However, I would eventually like to get a few merch items on my website.

Can you tell us what other (if you have them) promotional things you have to go along with your book?

In our Kickstarter campaign, we offered some fun promotional items for backers! Becca made mugs, tote bags, and tees. Elena drinks her “coffee” (chocolate milk) out of her Bird mug.

Do you have an author website, and if so, what platform did you go with—and do you recommend it? If not, what other preferred social media or online presence do you use to connect with readers?

I have a website:  brittwut.com. It’s a central location for a lot of different things I’m working on at the moment.  It is also where the book can be purchased. 

I use Wix. It is just really easy to use. The interface is clean, and I like the storefront features. I prefer to use Instagram at the moment to send out information to my readers.  I’m just comfortable with Instagram. I’m aiming to use other social platforms this year.
  
Let’s talk reviews and getting your book into bookstores:
As every writer knows, finding readers is half the battle- especially when self-publishing. As far as commercial marketing goes, what avenues did you find most successful for finding readers to review your work? Can you name a few places or give a few suggestions in this area?

I probably have not done nearly enough in this area.  I was pleasantly surprised, though, at the reception of the book when I went to local markets. It was a lot of fun to set up with the books and meet people in the community.

Other than Curious Capybara, do you have your book available in any other bookstores? If so, where? Are they all local?

They are all local. Currently, the book is available at Kave House of Haggai in Gallatin and on my website, brittwut.com. Southwater Manor carried them for a while. I had them at Mango + Rose before it closed. I gave two copies to The Getalong in Nashville. Curious Capybara carried a few copies as well (and I’m so glad that you found the book there).

Because you are self-published, did you have to do a consignment set-up with local bookstores? If not, what was the process like? Was it easy or difficult? Explain.

Yes. It was mostly on consignment. The process was easy! Payouts vary from place to place. Some would send a check, and others would Venmo. This usually happens on a monthly basis. Because this was local, it was not too hard to get started. Usually, shop owners were receptive to carrying a book from a local author. I love working with and supporting these local businesses as well! After a few conversations and agreements over terms, I would replenish the books as they sold. When I got pregnant with my second child, I stopped cycling my books out at most places because I needed to be at home more at the time.

When I did markets, it was also fairly easy. There was a flat rate for a space, and the events usually lasted 1-2 days. I accept Square and Venmo for transactions. They are also not very complicated to use.

If someone didn’t live locally but wanted to purchase your book online, where could they find it?

www.brittwut.com

Let’s talk formatting and publishing platforms:
How did you format your story for printing? Text & illustrations?

Becca made her own font using quirky handwritten letters. How cool is that?!

VERY COOL! Was formatting a nightmare, or did you enjoy it?

Getting the color profile correct for printing was tricky.
I did not enjoy this part. I also experienced some decision fatigue when it came to the size of the book, the paper coating, and binding. It was nice that PrintNinja sent a packet with physical examples to look at. That helped a lot. Still, it was a little daunting for me to lock in on something.

About how long did it take?

I believe it was close to a year and a half.

Did you have to hire someone or enlist help from someone you knew, or did you do all the formatting on your own?

I used Adobe InDesign. Becca sent me the art files, and I formatted the document into a .pdf.

Did the publishing platform you used offer any formatting aid? If so, what was the pricing like on that, or was it offered as a complimentary service?

PrintNinja has a lot of resources and guides for formatting on their website. It was no extra cost to access these, and they’re readily available to anyone regardless if they’re using the service or not. Check out their Printing Academy.

What type of binding did you use on your book spine? And what material was your book cover?

Binding - Saddle Stitching
Size - 11x8.5
Page Count - 32
Cover Paper - 14pt Cover, Gloss
Cover Finish - Gloss Lamination
Inside Paper - 85 lb Text, Matte
Color Options - Full Color

I know you have your book in paperback form— do you have a hardcover available as well? If not, is that something you may do in the future?

I would absolutely love to see BIRD AND THE TREE in board book form. I think the illustrations would really lend to it. Currently, it is only in paperback.

Do you have any other digital or audio options available to download THE BIRD AND THE TREE?

Not yet, but I want to. I would love to create an animated version as well.

Did you run into any snags along the road of publication? If so, how did you overcome them?

We had some problems getting the correct color profile out of Procreate. Even though the document was set to CMYK, when it was exported, it was converted to RGB. How and why that happened are still over my head. We ended up converting the Procreate file to a .psd (Photoshop) file and exporting it from there as a CMYK file.

Basically, the CMYK color profile is best for print, and the RGB color profile is best for viewing on screens. So because our initial submission was in RGB, the colors Becca used would have looked muddy or slightly different in print.
There was also an issue with the bleed (the area of the page that would be trimmed): just that extra needed to be added.

That was a learning process for me.
I wanted to make sure the books arrived before Christmas. There was a long process from print to ship, and we were approaching the fall season. PrintNinja is located in China. There was a Chinese National Holiday from Oct 1st - 8th in which production would be shut down. We were already delayed because we had to reject the first proof due to color profile issues. Shipping would typically take 6 weeks from overseas. We ended up paying to expedite some of the copies.

We were able to reject the proof in time and make the changes needed with the bleed and the color profile. Thankfully, the books arrived just in time for the Christmas season. Many of our friends purchased them as gifts for their family members.

Unfortunately, a number of books got damaged in transit, but PrintNinja issued a small refund to rectify the problem.

What are some advantages and disadvantages that you’ve personally experienced along your independent publishing journey?

I think the good has outweighed the bad. I can’t say enough how supported I felt to have funded this on Kickstarter. Becca helped a lot with that too. Having creative control was a huge advantage. It also helped that I have a background through both education and work that helped me understand a lot of the technical aspects of self-publishing. I already had the Adobe Creative Suite to use InDesign for assembling the pages. If I didn’t understand a part of the process, I knew how to find those resources.
I wouldn’t call it a disadvantage, but on the flip side, because creating this book has been a one-stop shop if I slow down (which I have with the birth of my son), the book, in a way, slows down.

I would like to have more of a web presence for the book using SEO and other social media campaigns, but it has been gradual. To solve this, I could probably focus on a little more delegation in 2023… and time management. This amuses me to imagine, but maybe writing a blog post or creating a reel while my toddler has a snack and my three-month-old naps.

If you had it to do all over again, would you still go the self-publishing route? Why or why not?

I would… but I would also like to see what it would be like to submit to a publisher to have that experience.
Any final words of advice to share with our readers?
I realized after the fact that the spine of the book matters. It is very important to have a spine so that you can see the title of the book from the side. Some local Nashville sellers have turned down the book (even when they liked the story) to carry in their shops as a result of the saddle stitched spine.

Whew! We made it through all the shop talk. Now, time for some fun questions…

Tell us a little about yourself. Do you have any hobbies outside of writing?

I do! I have a few hobbies:  papercraft (cardmaking, stickers, and, more recently, bookbinding), photography, and digital design. These are things I get into while being a stay-at-home mom. Also, last fall, I started a folk trio called Smoke and Ember.  

Do you have any siblings? Are you a middle, oldest, or youngest?

I am the oldest. I have a younger brother, by five years.    
What about your family? I know you have two little ones now! Do you and your hubby plan for more children down the road?
Up until baby number two, I think we were certain that two would be it. That’s probably right. However, if another baby would ever happen to happen, I think I’d be okay with it.  

Are your family all readers?
 
My husband reads occasionally. He reads autobiographies and instruction manuals. My daughter Elena still rips a lot of her paper books, but her favorites right now are Finding Nemo and a Disney Princess Little Golden book about The Little Mermaid. 

Do you have any pets? 

I have two pets! A dog and a cat. The cat was first. His name is Nash. I got him from a friend when I moved back to Georgia for a year in 2015. So in a way, he was my first child, haha. He likes drinking water from the faucet and birdwatching from our bedroom window.

The dog is Graham. He is an F1 Golden Doodle. He has a lot more Golden Retriever in him than Poodle. His hair is straight, sometimes, it waves when it is wet. He loves sticks and playing keep away. He is very gentle around my toddler. I got him a few months before I found out I was pregnant. He has been a very good sport about sharing the attention.

How cute are they! And thank you for sharing pictures. We LOVE pictures!

If you could travel anywhere in the world, and stay as long as you wanted, without the restriction of work responsibilities or financial restrictions, where would you go, and how long would you stay?

I’ve never been, but the pictures convince me that this place is amazing. I’d want to go to Lake Como in Italy. I would find a coffee shop with a waterfront view, set up my portable watercolor kit, and just study the views: the colors of the houses, the boats, and the shiny blue water. Oh, that would be so fun.

If you could describe your perfect day, what would it look like?

Hmm, maybe the day I just described at Lake Como. Well, in reality, I think the perfect day is when I get everything on my to-do list done while also being the mom my kids need me to be. It’s a day where everything is balanced perfectly. There is work and play, rhythm and calm. The rhythm of the day is like a song. At the end of the day after the main swell of the music, I can sit and look at the stars from my back deck and be thankful. I guess it’s a day where I can successfully be everything to everybody and everything to myself all at the same time. Ha ha. Seems like a far reach.

If you could meet any fictional book character(s) who would it/they be?

The Count of Monte Cristo.
Miss Clavel from the Madeline books.

Oh my goodness. Amazing choices!

If you were an animal, what animal would you be?

Lynx. I like cats. Lynx strikes me as both beautiful and fierce.

If you could have one superpower, what would it be?

Super speed.

What’s your favorite color?

Mauve, in various shades

Thank you, Brittany, for your time in answering all these questions.

To find Brittany’s book, THE BIRD AND THE TREE visit:

Her website www.brittwut.com
Or Instagram @britwut

Did you enjoy this interview? Support this author by purchasing their book HERE! Using this direct purchase links also supports this blog.

December 2022 FEATURE INTERVIEW with Local Father and Son Author Illustrator Team Shaun C. Tyson and Simon C. Tyson

Posted on December 1, 2022August 12, 2023 by Chelsea’s World of Books in Feature Interview Series, View all blog posts

Biscuit and Gravy visit the fire station to learn about fire safety. Their imaginations run wild as they tell their parents how they defeated the fire monster. Questions and answers about fire safety are included at the end of the book.

Biscuit and Gravy Learn About Fire Safety. Written by Shaun Tyson. Illustrated by Simon Tyson.

Published March, 2022.

Want to support this author and blog? Purchase a copy of BISCUIT AND GRAVY LEARN ABOUT FIRE SAFETEY with this special Amazon Affiliate link.

A little background on my relationship with Shaun and Simon

I met Shaun and Simon in the summer of 2022, but Shaun and I were in contact earlier in the year. For the 2022 Summer Reading Program, hosted in the Children’s Library, I was looking for fun activities to do with the kids. Of course, being an avid reader and writer myself, I was excited about the idea of having a short story contest.

The goal of the short story contest was to engage kids within the community and motivate them to write a story. The rules were simple: anyone up to the age of 12 could submit a story, up to a max of 1,000 words. All of the participants would have a chance to share and read other stories on our story board display in the Children's Department. However, three special winners would be chosen and awarded a special prize at the end of the summer. Because who doesn't love a good incentive?

This idea seemed way cool... but I wondered, what could bring this contest to the next level of awesome? And then it hit me. What if we had LOCAL CHILDREN'S AUTHORS not only help participate in selecting our finalists but also present the prizes to the kids, along with a copy of one of their autographed books? There's a great way to incorporate the community!

By a sheer chance of luck, the weekend prior to this novelty idea, a local Children's Author- Shaun Tyson- had come into our library and donated a copy of his children’s book Biscuit and Gravy Learn about Fire Safety. So, of course, he was on my radar as a possible candidate. It didn’t take long to track Shaun down, and he was overwhelmingly gracious about the opportunity. Working with Shaun was a joy. He was a fantastic communicator, provided everything I needed- when I needed it- and, he was super easy-going.

Now that we had Shaun on board, it was time to find some more authors. Where did I find them, you ask? Well, as every librarian knows, the best place to find writers (other than in the library of course) is at your local bookstore! So, that’s just where I went. I paid a visit to Curious Capybara, a local gem in our area, and in no time, I had leads on some other fabulous authors. And thankfully, all of them were more than willing to join the judging table and help us find our short story finalists. Acting as judges were Rainbow Mosho, Brittany Wuthrich, and Shaun Tyson.

Upon meeting Shaun and his son Simon in person, I was met with an immediate feeling of warmth and kindness. The entire clan (wife and other son too) were down-to-earth, and just overall a pleasure to have visiting our library. So, when I started doing feature interviews, I immediately thought of them. And just like last time, they graciously accepted.

So, let’s jump right in!

Questions for Shaun:

What made you decide to write a book?

There are firefighter books out there. Some have great messages, but few teach fire safety. I felt there was a need for a children's book that taught actual fire safety tips that the child could remember.

What was your favorite part of the writing process?

Seeing it all come together with the illustrations. Simon really brought the characters to life.

Did you come up with the concept of the story first or the title? Did the title ever change?

The story concept was first. The title came after the character names were developed, which were created by my other son, Sully.

How long did it take from the point you had your first idea for the story to publication?

Probably close to a year from concept to print.

At any point, did you consider doing traditional publication?

I looked into it, but it seemed less likely that I would be able to achieve my goal.

What made you decide to self-publish?

I decided to self-publish because I would be fully in control of what I wrote and on our own timeline.

Can you tell us a little bit about your personal connection to the story on fire safety?

I have been in public safety for over 23 years. A large part of that has been in the fire service, predominantly in fire investigations. Seeing so many fires and how they were caused fueled my passion for fire safety education.

Was it difficult to decide where you would get your illustrations, or did you know immediately that your son would be the perfect fit?

It was an easy decision to keep it in the family. Simon is quite talented.

Do you think you’ll publish more books in the future? If so, do you think you’ll continue a series using your characters from your first book or start fresh on a new venture entirely?

I do have an interest in publishing another Biscuit and Gravy book. I think stories can be both fun and educational. But we will have to wait and see what happens.

If you published again, do you think you would go the independent route again or try to seek out traditional publishing?

I think I would continue to self-publish because I do like the freedom that comes with it. Although, it is tougher to get the word out about your book. They both have their advantages.

Now for some fun questions….

Favorite smell?

Melted caramel. Karamell-Küche in Epcot’s Germany Pavilion is the place to go if you like caramel.

Favorite color?

Green

Favorite place?

Epcot at Disney World.

Favorite season?

Definitely Fall.

Favorite beverage?

Sweet Tea.

Favorite animal?

Otters are awesome.

Favorite tv show?

Any of the baking competition shows on Food Network.

Favorite book (s)?

I am going to keep with kid books and say the Berenstain Bears books.

If you could have any superpower, what would it be?

Although super strength would be tempting, I think super speed so I can get more things done in less time.

If you were an animal, what would you be?

Although I love otters, I think I would be a fox. They are mysterious creatures.

Thanks Shaun! Now, let's talk to Simon a little bit.

Questions for Simon:

How old were you when you started working on the illustrations for BISCUIT AND GRAVY LEARN ABOUT FIRE SAFETY?

I was 17 years old when my dad first approached me about illustrating the book, but 18 by the time I started the illustrations.

Was this your first time doing any kind of creative art professionally?

This was my first book, but I had done some commission artwork for friends and family prior.

Do you have any history of art education?

Currently, I do not have any art education, but I do plan to take some art classes while in college. Most of what I have learned about techniques and tools comes from watching other artists on YouTube, such as Jazza and James Raiz.

How long did it take you to draft your work?

If I remember correctly, it took me about three weeks, give or take, to draft everything. Certain pages were a bit trickier to tackle than others, and I would go back and forth on what to do with them.

How did you create your illustrations? Did you use an online program, or were your creations hand-drawn? If hand-drawn, what mediums did you use? If you used an online program, did you do hand sketches first?

For the final illustrations seen in the book, I used a program called Clip Studio Paint. However, I started off with simple pencil sketches to get the basics of how Biscuit and Gravy would look in each picture. I'd take a picture of the sketch with my phone, email it to myself, and then use that as a rough guide on my computer to make cleaner lines and coloring. Certainly not the most efficient way to do things, but it worked for a first project!

What was it like working with your dad?

Working with my dad was a ton of fun. When it was time for me to illustrate, to go along with the writing he already had done, he gave me tiny doodles of what he wanted many of the pictures in the book to look like. It was cool getting to see his original vision develop over time into the final product, a process that is really rewarding as an artist.

Did you enjoy the process of illustration?

While tedious, I enjoyed the illustration process. Drawing is one of my favorite things in life, so getting to design these lovable characters and present them in dynamic ways was very fun.

Do you think this is something you might continue to pursue in the future?

I've considered pursuing more illustration work in the future! I would love to help more authors with their work, there's just a "do I have the time" issue. We'll see what opportunities are presented in the future, though. I keep an open mind! I do know for certain, however, that Biscuit and Gravy's adventures are something I'll be coming back to when the time comes!

Now for some fun questions…

Favorite smell?

So many favorite smells to choose from, but I'll have to go with freshly baked cinnamon rolls!

Favorite color?

I really enjoy the color feldgrau green.

Favorite place?

My grandparents' house is probably my favorite place on earth. (Grandma often makes cinnamon rolls!)

Aww! Great answer!

Favorite season?

Autumn is my favorite season. In my humble opinion, the perfect weather happens during this time of year.

Favorite beverage?

Cherry Coke is my go-to beverage, but cherry Sprite is a close second.

Favorite animal?

Komodo Dragons are by far my favorite animal. Such cool creatures!

Favorite tv show?

Star Wars the Clone Wars has been a consistent tv show in my life. While my favorite tv show changes frequently, I'll have to go with this one. Having grown up with it since I started school, it has a special place in my favorites list.

Favorite book (s)?

My favorite book is the Outsiders by S. E. Hinton! Such a dynamic story with lovable characters. It's also worth noting that my favorite illustrated book would be any of the Pigeon books by Mo Willems. His work was a huge inspiration for Biscuit and Gravy Learn About Fire Safety!

If you could have any superpower, what would it be?

If I could have any superpower, it would be to emit fire. Not only would it look cool, it's practical for things like roasting marshmallows! Would be smart of me to make sure I have the fire safety stuff memorized before using the power though.

If you were an animal, what would you be?

I think it would be cool to be a panda. Sometimes I feel like one, sitting around eating and sleeping for most of the day!

Thank you, guys, so much for sharing your story with us! To purchase a copy of BISCUIT AND GRAVY LEARN ABOUT FIRE SAFETY, click here. To find out more about Shaun and Simon, visit their social media pages on Facebook, Instagram, or TikTok, all of which are @biscuitandgravybooks.

Are you an author, illustrator, or any other member of the writing community looking to share some of what you do with others? Contact me below for details on upcoming FEATURE INTERVIEWS.

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APRIL 3RD, 2024, FEATURE INTERVIEW WITH CHILDREN’S BOOK AUTHOR JENNIFER RAUDENBUSH, CONDUCTED BY KIDLIT WRITER, BLOGGER & LIBRARIAN CHELSEA DICICCO

WHERE YOU’RE AT AND WHERE YOU’VE BEEN…

EARLY STAGES: HIGHS AND LOWS AND CONQUERING MOUNTAINS

CELEBRATING THE VIEW: POSITIVES IN PUBLISHING

LAST WORDS

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FEBRUARY 7TH, 2024, FEATURE INTERVIEW WITH BILINGUAL, NEURODIVERSE CHILDREN’S BOOK AUTHOR AND ASSISTANT LITERARY AGENT RACHEL S. HOBBS, CONDUCTED BY KIDLIT WRITER, BLOGGER, & LIBRARIAN CHELSEA DICICCO

HOW IT ALL BEGAN

BEHIND THE AGENT DESK: QUERIES, TRENDS & PET PEEVES

CONTRACTS, MONEY & EVERYTHING IN BETWEEN

BEHIND THE AUTHOR DESK

DIVERSITY IN LITERATURE AND WHY IT’S SO IMPORTANT

OVERCOMING CHALLENGES AND EMBRACING UNIQUE ABILITIES

TIPS AND RESOURCES FOR KIDLIT WRITERS AND ILLUSTRATORS

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June 2023 Feature Interview with Children’s Book Author, Nancy Churnin, Conducted by Chelsea DiCicco

The Beast of Publishing: Steps & Timeframe

Writing Tips, Shared Wisdom, and Writing Across Genres

New Books and Extra Resources!

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May 2023 Double Feature Interview with Children’s Book Author Marzieh Abbas, and Children’s Book Illustrator Anu Chouhan, Conducted by Chelsea DiCicco

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APRIL FEATURE INTERVIEW WITH CHILDREN’S AUTHOR, ELLEN LEVENTHAL

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MY SPRING FLING KIDLIT 2023 ENTRY: WAKE UP, WORLD! IT’S SPRING! BY CHELSEA DICICCO

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50 PRECIOUS WORDS ENTRY FOR MARCH 2023, VIVIAN KIRKFIELD’S PICTURE BOOK WRITING CONTEST, MONDAY MORNING CUPCAKES BY CHELSEA DICICCO

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FEBRUARY 2023 FEATURE INTERVIEW WITH LOCAL ARTIST AND ILLUSTRATOR, ALYCIA NEIGHBOURS

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January 2023 Feature Interview with Local Children’s Book Author Brittany Wuthrich

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December 2022 FEATURE INTERVIEW with Local Father and Son Author Illustrator Team Shaun C. Tyson and Simon C. Tyson

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EARLY STAGES: HIGHS AND LOWS AND CONQUERING MOUNTAINS

CELEBRATING THE VIEW: POSITIVES IN PUBLISHING

LAST WORDS

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HOW IT ALL BEGAN

BEHIND THE AGENT DESK: QUERIES, TRENDS & PET PEEVES

CONTRACTS, MONEY & EVERYTHING IN BETWEEN

BEHIND THE AUTHOR DESK

DIVERSITY IN LITERATURE AND WHY IT’S SO IMPORTANT

OVERCOMING CHALLENGES AND EMBRACING UNIQUE ABILITIES

TIPS AND RESOURCES FOR KIDLIT WRITERS AND ILLUSTRATORS

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The Beast of Publishing: Steps & Timeframe

Writing Tips, Shared Wisdom, and Writing Across Genres

New Books and Extra Resources!

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