SEPTEMBER 17TH, 2025 FEATURE INTERVIEW WITH READING SPECIALIST, LITERACY COACH, AND KIDLIT AUTHOR, CHRISTINA SHAWN, CONDUCTED BY KIDLIT WRITER, BLOGGER & FORMER LIBRARIAN, CHELSEA DICICCO: HOW TO WRITE STORIES THAT MAKE YOUNG READERS FEEL SEEN, HEARD, AND UNDERSTOOD

In today’s Feature Interview, I’m chatting with reading specialist, literacy coach, and kidlit author, Christina Shawn! We’ll be discussing ways to create confident readers and how to write stories that resonate with kids while capturing the magical moments in everyday life.

Christina, it’s so wonderful to have you with us today. Can you share with our readers where you’re joining us from?

Hi Chelsea. I am thrilled to be here. I am joining in from my home in Richmond, Virginia.

I was thrilled to see your application come in last year for the 2025 Feature Interview lineup, and have been warmly anticipating our conversation. Could you share how you found out about the Feature Interview segment and what made you want to apply?

I first became familiar with you through your social media presence on (I think) Twitter / X. I could relate to so much of what you shared, and I found you to be so supportive of the writing community. Plus, you had me at “World of Books!” From there, I began reading your thoughtful and thorough interviews.

I loved reading about your connection to the world of literacy, not only as a writer, but also as a reading specialist and literacy coach. Can you tell us more about this? What ages do you primarily work with? Is it independent, or do you work with a school and/or another organization? 

I love to teach reading. I began teaching middle school reading and then became a literacy coach in public preschool classrooms through a grant system that supported teachers and students with materials, classes, and coaching. I learned so much and felt like we were all making a big difference. Then, when I was staying home, raising my children, I began writing children’s books. I love that now, the books allow me to go back into the classroom and work with teachers, students, and parents to once again build literacy skills. Oftentimes, parents don’t realize how much they are already doing to help grow readers, and I love sharing easy-to-apply tips and tricks with them. I love working with children in the classroom in small groups and with full auditoriums. I feel like the timing is just right to bring all of these elements together to once again try to make a difference through early literacy. 

How did you wind up in the world of kidlit publishing? 

When my children were little, I was implementing much of what I knew about literacy into our everyday lives, and part of that was reading a ton of books and making up songs and stories for them. Eventually, I think my brain just began thinking that way, and one idea turned into my first (self-published) book, LUCAS PLAYS. After working on that project, I realized how much I love unpuzzling words and creating meaningful and entertaining stories. I wanted more. So I began taking classes, and I joined writing communities like SCBWI and 12×12.

What kind of work were you doing prior to writing, and/or are you still doing now?

Writing has always been at least a small part of my work. I was a middle school English Teacher / Reading Specialist, Literacy Coach, and, before that, I was the Community Relations Manager for Barnes & Noble. 

We’d love to hear more about your publishing journey! When did your writing begin? 

I wrote my first picture book, LUCAS PLAYS, in 2016 and self-published it for my family. During that process, I did a lot of research about self-publishing vs. traditional publishing. Ultimately, I didn’t want to wait to see this book, and I only had the one manuscript, so I self-published. But once it was out in the world, and I was able to go back into classrooms to share it, I was hooked. I wanted to do more, so I signed up for a local writing class, joined 12×12, and dove headfirst into the kidlit world.

What genres and age groups do you write for? And how do they differ from each other?

Picture books are my sweet spot. All of my published and pre-published books are for a target age of 3-6. I also have an early reader series for 5-8 year olds that is on sub (and this really appeals to my reading specialist heart), so I hope it gets published one day. 

I am also working on two mid-grade novels that are far more time-consuming and adventurous for me. But I love them both dearly. 

Like me, your publishing journey started on the indie side of things, prior to traditional publishing, with the publication of your first book, PB, Lucas Plays. Since you have experience on both sides of this publishing terrain, could you share a little with our readers about what the differences between the two have been? Traditional VS. Indie, representation vs. no representation, and the pros and cons of both?

Absolutely! I love that I have experience with both Traditional and Indie publishing. Indie publishing is definitely faster, and the author has more creative control. Traditional publishing takes TIME and patience, and often agents, publishers, artists, editorial teams, and marketing teams that are also working on lots of other projects. The reach of traditional publishing has been wider for me, though. When AND THEN CAME YOU was published (traditionally), it stirred a renewed interest in LUCAS PLAYS as well, so that was a really nice bonus.

After publishing independently, what made you decide to pursue traditional publishing? Explain.

Once I decided to write more books, I wrote a LOT of manuscripts. So I wanted an agent who could represent a full body of work and become a career partner. I wanted the experience of publishing with multiple publishing houses and building relationships with editors and artists. I really like being part of a team.

Now, you’re represented by Liz Nealon at Great Dog Literary. And you have a new book that just hit the shelves this year, and another on its way in the fall of 2026. What an exciting time! But before we get into that, could you share how you found your agent match?

Yes! It is a really exciting time! Connecting with Liz Nealon was one of those perfect timing moments. I had been in the query trenches for a while but had never queried her before (I think she had been closed to queries) but my friend, who she represented, thought we’d be a good fit and connected us, so when I received the publication offer for NO LOVE POTION through a Twitter / X pitch I took a chance and reached out to Liz. We hit it off immediately, and the rest is history. Liz is an amazing agent. She is thorough, professional, kind, experienced, and so smart. 

For readers who are not yet at this step in their journey but are actively pursuing representation, could you walk us through your agent call? 

Liz set up a call after reading my submitted manuscript. Then she requested more, and we set up a second call. On our calls, we talked about my specific manuscripts as well as my big picture goals for my writing career. We discussed my background in children’s literacy and also her background at Sesame Street. (How cool is that?) I was surprised and delighted by the parts of my writing that Liz felt drawn to, and I knew that not only were we on the same page, but this partnership could be a really special one. 

What made Liz stand out to you as someone who was the right fit for you/your project?

Honestly, she loved my least commercial manuscript the most. The one that had the most personal risk in it. I knew she saw me. And if she loved that story along with my “safer” manuscripts, then she understood me and my writing goals. I trusted her immediately and continue to feel safe and confident with her representing my work. 

For our readers who may be anxious about the call, what advice do you have?

Be your whole, honest self. It is often our quirks that help us know if we are a good fit or not. Respect yourself and your work enough to choose only the best person for you, and trust your gut.

Are there any specific questions you suggest asking an agent on the call? These could be questions you asked, or questions you wish you had asked!

How do you prefer to communicate? Some agents call, email, or text. Some don’t communicate much at all. Some keep shared Google Sheets of all your subs, some email updates, and some only update once a month or with “good” news. I think it’s important to see if your communication styles are compatible and ask for what you need in order to feel good about your partnership.

Now let’s talk about debuts! As you know, debuting authors have a LOT going on. Could you share a little bit about your exciting year and the time leading up to it? What kind of things did you do to prepare for your big book debuts? Have you been able to participate in any in-person/virtual author events for local vendors, libraries, schools, bookstores, and other organizations?

During the 4.5 years between the publication offer and the publication, I thought about this release a LOT. I added interviews (like this one), podcasts, and announcements to my calendar. I was even on the local news! (You can find links for them on my website and Linktree.) I booked school events, in-person bookstore events, and even a presentation with the Virginia Association for the Education of Young Children. On the day my book released, I hosted a launch party for my friends and family and relished in the celebration with my loved ones. The launch of AND THEN CAME YOU feels huge to me. It is the first traditionally published book of mine, and there are more to come. It feels like the start of something really special.

What have been some of the biggest publishing surprises? 

Probably the best surprise was when Chronicle Books asked me to do a signing at ALA 2025 with Rebecca Stead!!! 

What’s something you know now that you didn’t know before, and wish you had known sooner?

The way your book is coded in the system dictates whether bookstores will stock it. There is little we can do to control these codes.

What are some writing tips/resources that have helped you? This could be organizations/events/contests/etc. 

My critique partners and writing friends are so important to me. I grow as a writer when we critique each other’s work and when we brainstorm together. They are also the absolute best support on this publishing rollercoaster. 

I also LOVE contests. They are a fun and low-pressure way to push my creativity with almost immediate opportunities to share my work and read my friends’ and colleagues’ entries.

Fun fact: My next picture book, NO LOVE POTION (The Little Press, Fall 2026), began as a contest entry.

Let’s talk about the writing! You mentioned in your application that you enjoy writing stories that capture the magical moments of everyday life. Can you tell us more about this? 

I write to process what I feel and to create new worlds and characters because it is so much fun. I don’t usually have a plan. Once I step into that creative space, the story guides me. I find that what is most magical to me is leaning into the everyday. How each blade of grass is a different green, or how the scent of the air is different before it rains. How a person can feel two (or more) feelings at once (and how that’s okay). And how love looks and feels different from every angle. 

I really love the way you described writing stories that make kids feel seen, heard, and understood. Can you share some of the ways that you’re able to do this?

I was a really BIG feeling kid, and I could not make sense out of all that I seemed to know without being told it was true. In fact, I was often told that what I observed or felt was not true, and this confused me as a child. It confuses me a bit as an adult too, but much less. I liked books with complicated emotions and messy characters. I like to write those books now. I want to honor the kids who are trying to figure out the world around them and let them know they are not alone. 

Speaking as a writer and literacy coach, what are some tips for creating confident readers? How can we offer kids aid and build up that confidence?

I could talk all day about this! I’m actually presenting a workshop for parents this fall on exactly this. I like to help parents and teachers notice the ways they are already supporting literacy (often without even realizing it) and help them to be intentional about it. There are so many ways to incorporate early reading skills into everyday life. Just a few examples are sorting socks (yes, socks) or utensils. Sorting letters. Helping children know the letters in their names and then finding them in book titles. Pointing to letters. Pointing to words. Explicitly noticing rhyme as words that “sound the same at the end.”

Let’s talk writing craft, specifically, rhyme! I’d love to hear more about predictive rhyme in picture books and how that fosters early reading skills.

The human ear naturally LIKES rhyme. It processes and retains rhyming words more easily and even believes them to be more TRUE! Isn’t that wild? When we read rhyme aloud, our listeners’ brains become attentive. They absorb skills and information like a sponge. Telling children what rhymes are words that “sound the same at the end” and helping them to identify and create them is a fantastic early reading skill. When predictive rhymes are altered (like with the surprise page turns in AND THEN CAME YOU), it becomes a fun, engaging learning game. 

For some of our very new writers, who may be passionate about writing books for kids but are still uncertain of how to do it, could you shed a little light on page turns? For this question, I’m primarily thinking in terms of picture books!

I love a good page turn!  Page turns can create surprise, humor, anticipation, and suspense that drive the story forward and encourage the reader to turn the page. I love a big reveal or something unexpected in a page turn. AND THEN CAME YOU was so much fun to write because children expect a predictive rhyme, but are surprised to find an unexpected word instead.

I love the themes of your writing, Christina. For our readers who may not be familiar with your books, would you share a brief description of what your stories are about and what the takeaway or “theme” of them is?

My husband jokes that I love to write about LOVE. He’s not wrong. Some common themes in my books are LOVE, CHANGE, ACCEPTANCE, CHOICE, and GROWTH. 

AND THEN CAME YOU (Chronicle Books, Spring 2025): When families grow, love grows too…even when change is scary.

NO LOVE POTION (The Little Press, Fall 2026): Making room in your heart for love (even if it seems icky) feels pretty magical.

NO HATS ALLOWED (Sleeping Bear Press, Fall 2027): Fair doesn’t always mean equal; that’s why it’s important to have a choice. Plus, cats look really cute in hats. 

(NEW BOOK COMING in Spring 2027) All about patience, growth, and love.

What is your reason for writing? And what do you hope to leave each reader with?

I like readers to laugh and cry. I want them to feel and connect. And to think that at least one part of the book is kind of weird. I want my readers to feel seen, heard, and understood. I want them to want to read these books again and again. 

Any last words of advice for fellow writers out there, looking to share their stories with the world?

Sometimes it’s hard to believe that this fun, magical, creative job is also important and necessary, but I promise you,  it is. What we create feeds our souls and spreads light out into the world through humor, connection, inspiration, and creativity. We must keep making our art and know it matters.

Thank you so much for joining us, Christina. It’s been wonderful to connect with you!

Pssst! Note to readers: Christina has just recently developed a presentation for VAAEYC on how rhyming picture books can be used to build early literacy skills during read-alouds. Some of these materials, as well as coinciding lesson plans for her book, And Then Came You, will be available for free download on Teacher Corner. Christina also offers critique services through her website https://www.christinashawn.com

And now it’s time for a GIVEAWAY!

GIVEAWAY

Christina is offering a choice of ONE of two prizes to one winner. Prize options: a fiction picture book manuscript critique or a 30-minute AMA.

HOW TO ENTER THE GIVEAWAY

LIKE and SHARE this post. That’s it! (And don’t forget to tag me so I don’t miss it! X @chellysbooks IG @chelseasworldofbooks). **If there are multiple prize options, please specify which one you’d like in the comments.**

DEADLINE TO ENTER: September 30th, 2025, 11:59 PM CST

CHRISTINA SHAWN BIO & CONNECT

Christina Shawn is a reading specialist, literacy coach, and author who writes about magical moments in our everyday lives. She lives in Richmond, Virginia, with her husband, three kiddos, and two fluffy bunnies, who provide a constant supply of support, humor, and inspiration. Christina loves yoga, beach bike rides, mountain hikes, and adventuring to new places. Mostly, she loves the spark of learning something new and passing it along.

Did you enjoy this interview?

Thank the author & host by purchasing or reviewing a copy of one of their books or by requesting it be purchased by your local school or library! Using the sponsored links below to purchase also helps support this blog.

Purchase your copy HERE.

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AUGUST 20TH, 2025, FEATURE INTERVIEW WITH ELEMENTARY SCHOOL TEACHER & CHILDREN’S BOOK AUTHOR, LEAH MOSER, CONDUCTED BY KIDLIT WRITER, BLOGGER & FORMER LIBRARIAN, CHELSEA DICICCO: PUBLISHING TIMELINES & HOW TO PREPARE FOR AN AUTHOR DEBUT

In today’s Feature Interview with Elementary School Educator and Author, Leah Moser, we’ll explore the links between education and writing, a writer’s first steps in publishing, publishing timelines, and how to prepare for an author debut.

Leah, welcome to Chelsea’s World of Books Literary Blog. We’re so happy to have you join us for the Feature Interview segment today! It’s always so nice getting to have conversations with new people and learn more about them. 

Where are you joining us from? 

Thank you for having me on your blog! I’m joining you from the DC area.

How did you hear about Chelsea’s World of Books Literary Blog and the Feature Interview segment?

I first heard about this opportunity on social media; I’ve been following you on Instagram for some time!  I read through the previous interviews, and I was intrigued by all the wonderful authors, illustrators, educators, librarians, and poets you’ve had on your blog. It was exciting to learn more about each person’s unique journey in this writing world.

I was excited to see on your application your background in elementary education, as well as psychology. Could you tell us more about this?

I majored in Psychology in college. I was fascinated by the human mind (thoughts, feelings, and emotions) and why people behave the way they do in certain situations. After college, I became a preschool special education assistant for a few years. I realized teaching was my passion, and I received my Master’s in Elementary Education. I worked for years as a 2nd and 3rd-grade teacher before taking a hiatus to be home with my three children. Currently, I’m substitute teaching, writing, editing, and visiting schools as an author!

Were there any connections between your educational background and writing? Explain.

As an educator, I often used picture books to introduce or guide conversations with my students. I appreciated the way books could broach challenging topics in kid-friendly language and spark meaningful discussions. I also recognized what types of books children liked to read and which were good to read aloud. Similarly, I noticed where there were literary holes, like topics that were not covered or characters that seemed underrepresented. I began seeing the KidLit world in a different way, and I knew that I could fill in some of those gaps.

What made you decide to pursue publishing? 

When I was in graduate school, I took a children’s literature class where the culminating assignment was to write a picture book. While others struggled through this process, I enjoyed every step of the way. I felt the book was ready to pursue publication. I remember thinking: How hard could it be? After some research, I became overwhelmed and decided to put this publishing dream on the back burner.

Years later, after I had my first child, I met a mother who was also a writer. She invited me to my first critique group with some established, incredible authors. I’ve been writing ever since. It took me some time to feel comfortable in sharing my work with others, but I noticed my writing and stories getting stronger and stronger. I knew I was ready again.

What were some of your first steps when pursuing publication?

After I had several polished, strong manuscripts, I was ready to find an agent and hopefully get some of my work published. I joined social media (at the time, it was Twitter) and Instagram and followed many editors, publishing houses, and agents. I created a spreadsheet with names, information, and what each person/house was looking for to determine if my stories could be a good fit. I spent a lot of time emailing personalized queries and kept my fingers crossed.

Were there any resources/groups that were especially helpful in the beginning of your writing journey?

Yes! I was connected with other established authors through my critique group. I also joined several groups online, such as SCBWI, the 12×12 picture book challenge, and KidLit411 on Facebook. I attended as many local conferences as I could and connected with many KidLit creators in person and online. I also read A LOT of picture books, so I felt like I knew current trends and what was being published at the time.

Were there any difficulties/challenges that you had to face? And, if so, how were you able to overcome them? Explain.

There were and still are many challenges! It took me a long time to find my agent, Dan Cramer of Page Turner Literary Agency. Once I signed with an agent, it took months for us to sell a book. There is so much waiting and so much doubting, but I’ve found the best thing to do is to keep writing and to continue working on other projects. 

Was there anything you wish you’d known sooner that you think would be helpful for our readers?

It’s a big transition from “my story” to “our book.” There are so many people involved in making a picture book. I was fortunate to have a fabulous team for I AM A THUNDERCLOUD, and we all shared a similar vision for this book, but I know that isn’t always the case.

You mentioned in your application that you write picture books and early readers, so your target audience is 4-8 years old. What type of genres/characters/themes do you gravitate toward writing? (Friendship/adventure/silly/mystery/SEL/human/animal/etc?)

With my psychology background, I enjoy writing SEL picture books about emotions. I also like to write funny stories that I know kids would get a kick out of. I’ve started writing nonfiction picture books, which have been exciting to research and summarize. I like to write in rhyme as it adds another level of challenge. But mainly, I want to write books that can be entertaining or meaningful for children and their grown-ups.

Are these also your favorite types of stories to read? 

I love to read all sorts of picture books. I’m constantly checking books out of the library to share with my children. We enjoy funny books that make us laugh, powerful stories, nonfiction topics that we don’t know much about, and beautiful illustrations. 

Speaking of your writing, your debut picture book, I Am a Thundercloud, came out last April, 2024. Congratulations! We’d love to hear about how this story came to be!

Thank you!

What was your inspiration for writing I Am a Thundercloud?

I wrote I AM A THUNDERCLOUD during the pandemic in 2020. As with many people, I felt a lot of emotions during that time. One day, at home, I was thinking of metaphors for feelings, and I thought of the angriest image I could think of. That’s where the angry thundercloud popped into my head. I wrote the first draft of Thundercloud from the perspective of an actual thundercloud. Over time (and with the help of my agent and critique group), the protagonist shifted to a child feeling like a thundercloud.

For readers who may be new to publishing and wondering how long the traditional publishing process takes, could you share how long this story was in the making? Timeframe from story concept to first draft, then to final draft, then query to book deal, and book deal to final publication. (Rough estimate works too!)

I wrote I AM A THUNDERCLOUD in August 2020. I signed with Dan Cramer in February 2021. I got a YES for I AM A THUNDERCLOUD with Running Press Kids in December 2021. I was linked with my wonderful illustrator, Marie Hermansson, in July 2022. The book was released in April 2024. 

What made this story shine above any other manuscripts to make it the one that snagged your first book deal? And was this the book that got you your agent with Page Turner Literary?

This is actually not the book that got me my agent. That book has yet to sell (sad face). I AM A THUNDERCLOUD had gotten a few “maybes” before the big YES. I felt cautiously optimistic.

For authors who may be debuting their own PBs soon, what advice would you like to share for things to do to prepare? (Author event prepwork, social media or word of mouth promotional campaign, in-person networking with local bookstores/libraries/schools, strategies on getting new reader reviews, or something else? Feel free to share more than one, if applicable.)

I joined a 2024 picture book debut group, PB Soar 24, which was extremely helpful. I would highly recommend finding one OR creating your own. It was wonderful to support these other debut authors and connect about our experiences. I also frequented local bookstores often, and introduced myself shortly before my book was released. I reached out to bloggers and connected with people in the KidLit world to get my name/book out there. I was active on social media during this time, trying to promote I AM A THUNDERCLOUD. The Running Press Kids team helped arrange a few school visits, but then I reached out to schools on my own. It’s a lot of work, but I was happy to do it and was proud to be in this situation.

As writers, we all have something inside us that compels us to write. What is your reason for writing? And what do you hope your stories will give your readers?

I hope my stories resonate with readers, caregivers, educators, and librarians. Writing is a creative outlet – a way for me to get my ideas out there. Some of the ideas blossom into drafts and go on submission. Other times, they don’t. But either way, it’s a way of getting my own thoughts out of my head and onto the paper.

What are some of your favorite books/authors?

I love Cori Doerrfield’s picture books. I’ve always been a fan of her SEL stories – her simple language, her emotional illustrations, and her meaningful messages. THE RABBIT LISTENED is my all-time favorite. Additionally, I’ve loved being a part of PB Soar 24 – make sure you check out all their fabulous new picture books!

What are some of your favorite movies/TV shows?

One of my writing inspirations is Carrie Bradshaw of Sex and the City. In college, I was told my writing was sometimes too “informal” due to my rhetorical questions and simple phrasing as I tried to emulate her! In my house, we are big Bluey fans. They created a show that kids find hilarious and adults connect with on another level.

Any last writing advice or words of wisdom that you’d like to share?

Writing is a journey. I am so fortunate to have one book out in the world. But I have yet to get another book deal. I’m hopeful and optimistic for a new opportunity in the future! Something I’m always reminding myself is that no two writing journeys are the same, and there is room for all the fabulous creators to tell their own stories!

“No two writing journeys are the same, and there is room for all the fabulous creators to tell their own stories!” – Leah Moser

Such beautiful words of wisdom, and very true. Thank you so much for joining us today, Leah.

ATTENTION WRITERS: Leah also has an editing service. She works with authors of all levels, from award-winning, well-known authors to those just starting out. Please visit her website to find out more.

And now it’s time for our giveaway prize!

For the month of August 2025, Leah is offering a PB critique OR a copy of her picture book,  I Am a Thundercloud.

HOW TO ENTER THE GIVEAWAY

LIKE and SHARE this post (and tag me X @chellysbooks IG @chelseasworldofbooks). That’s it! **If there are multiple prize options, please specify which one you’d like in the comments.**

And if you haven’t already, subscribe to the blog and/or newsletter so you don’t miss out on future interviews/posts!

DEADLINE TO ENTER: August 31st, 2025, 11:59 PM CST

Did you enjoy this interview?

Thank the author & host by purchasing or reviewing a copy of one of their books or by requesting it be purchased by your local school or library! Using the sponsored links below to purchase also helps support this blog.

Purchase your copy HERE.

Purchase your copy HERE.

Leah Moser is a children’s book author living in Northern Virginia. With degrees in Elementary Education and Psychology, Leah has spent years as a classroom teacher. She loves sharing her passion for picture books with her husband, three daughters, dog, and readers of all ages. I Am a Thundercloud is her debut book.

X/Twitter & IG @LeahMoserWrites Leah Moser – Author on Facebook Visit her author website HERE

JULY 16TH, 2025 FEATURE INTERVIEW WITH INDIE CHILDREN’S BOOK AUTHOR, RENEE BOLLA, CONDUCTED BY KIDLIT WRITER, BLOGGER & FORMER LIBRARIAN, CHELSEA DICICCO: WHY SELF-PUBLISHING WORKS AND WHERE TO START

In today’s Feature Interview, indie children’s book author Renee Bolla opens up about her transition from a 20-year career in the corporate fashion world into kidlit publishing. She offers insight and tips on self-publishing, important first steps, what she wishes she had known earlier, and explains why indie publishing was the right route for her.

Renee, it’s so wonderful to have you here with us! Could you tell us where you’re joining us from today?

Birmingham, MI.

How did you hear about Chelsea’s World of Books Literary Blog and the Feature Interview segment?

I first connected with Chelsea’s World of Books on Instagram. It was one of those organic, mutual-follow moments where I immediately felt a sense of kinship as a fellow author, writer, and someone who cares deeply about community. I’m drawn to people who are building something authentic and inclusive, and that’s exactly what I felt when I landed in your literary world.

– Aw, I love this! I’m so glad you felt that connection. That’s definitely the feeling I want to impart to people visiting my page.

You mentioned in your bio that you transitioned from fashion retail to writing for kids. I’d love to hear how that came about! What led you to publishing? And when did your publishing journey begin?

Twenty years in corporate fashion retail taught me a lot, but it also came with its share of constraints. I grew up in a world of red tape and polished decks, where creativity was only applauded if it checked all the boxes. I spent years being the “do-it-all” working mom, managing a $2B business by day and raising three young kids at home. On the surface, it looked like I had it all together. Inside, I was exhausted. Disconnected.

“I grew up in a world of red tape and polished decks, where creativity was only applauded if it checked all the boxes… On the surface, it looked like I had it all together. Inside, I was exhausted. Disconnected.” -Renee Bolla

Then came the fall of 2020. Another busy morning on autopilot, lemon water in hand, makeup on, getting the girls ready, logging into Zoom, and yet something felt different. My gut had been whispering for years that something had to change, but I kept pushing it down. Until one day, I finally listened. I resigned after two decades in corporate. And while the decision was empowering, it also felt like a loss. I grieved that version of me. But in the stillness that followed, I found space to imagine a new version of myself.

– What an honest way of putting it. I can only imagine the emotions and thought process involved in this decision. It takes great courage to make big changes, especially if it’s been your way of life for a number of years, and you’re embarking on unfamiliar territory.

I didn’t leap into publishing with a full manuscript or a business plan. I started with stillness, with letting myself feel (thanks, Dad, for this advice). And from that quiet space, ideas started pouring in. My daughters became my muses. I found myself dreaming up stories rooted in our everyday lives. And before I knew it, the next chapter of my life began. I just had to be brave enough to embrace it.

I self-published my first picture book, Finding Bunny, in early 2022, with Imagine That following late 2022, and my latest book, The Truth About Stepmoms, in early 2024. One for each of my daughters.

“I didn’t leap into publishing with a full manuscript or a business plan. I started with stillness, with letting myself feel (thanks, Dad, for this advice). And from that quiet space, ideas started pouring in.” – Renee Bolla

What kind of genres do you write in and for what age groups? 

I write children’s picture books, primarily for readers between the ages of 4 and 9. Picture books were a natural entry point for me. When I started this journey, my daughters were 2, 7, and 10, and our home was overflowing with stories (still are). Some books had been passed down for over a decade, and a few were even from my childhood, specifically The Monster at the End of This Book. This was the story my dad read to me at bedtime during his weekends, and it still holds a place in my heart. Sharing those pages with my girls, seeing the same characters come to life for them that once lit up my imagination, felt full circle. 

There’s something magical about picture books. I love how they create space for shared reading moments between kids and adults. They spark questions, curiosity, and conversations that linger. That’s the kind of storytelling I want to offer, heartfelt and rooted in connection.

-YES!!! This sums it up perfectly, and I couldn’t agree more!

There’s something magical about picture books. I love how they create space for shared reading moments between kids and adults. They spark questions, curiosity, and conversations that linger. That’s the kind of storytelling I want to offer, heartfelt and rooted in connection.” – Renee Bolla

What made you decide to go the independent route, and do you think you’ll continue indie publishing route or eventually pursue traditional? Explain.

I came into publishing at a time when self-publishing was being embraced rather than dismissed, and that changed everything for me. I knew right away that I wanted to self-publish. I wanted full creative control over every detail of the story and the illustrations. I wanted my daughters to see themselves in my stories, and not just metaphorically. I also didn’t want to wait years for someone else to decide those stories were worthy of being told.

“I knew right away that I wanted to self-publish. I wanted full creative control over every detail of the story and the illustrations. I also didn’t want to wait years for someone else to decide those stories were worthy of being told.” -Renee Bolla

Self-publishing gave me the freedom to move on my own timeline. I could publish while my girls were still young enough to curl up next to me and see their reflections on the page. That window of time felt too sacred to miss.

“Self-publishing gave me the freedom to move on my own timeline.” -Renee Bolla

That said, I’m not opposed to traditional publishing in the future. I believe there’s room for both in a writer’s journey. But for now, indie publishing fits me. It’s nimble, empowering, and has allowed me to build a business that reflects my values and vision from the inside out.

-Beautifully put!

Tell us more about your indie journey! What were some of the steps involved in getting your foot in the door for this new, exciting venture?!

This is a big question. Where do I begin? Publishing was a whole new world for me. I had so many questions in the beginning, more than I can count. But what surprised and uplifted me most was how welcoming the writing community was. I started reaching out to anyone willing to share their experience. I asked a lot of questions. And people responded with openness, encouragement, and generosity. That support became the foundation for everything I would build next.

-Questions are a great place to start! And yes, the kidlit community really is such a warm and inviting place.

I joined the 12×12 Picture Book Challenge and became a member of SCBWI. I participated in critique groups and learned to embrace feedback, even when it stung. I followed writers and illustrators on social media, watched webinars, and read books like Writing Picture Books by Ann Whitford Paul, anything to move my writing journey forward. I even took workshops through the Highlights Foundation, which helped me grow both as a writer and a storyteller.

-These are all great first steps. Asking questions. Joining writing groups. Participating. Embracing feedback (this one is hard at first, but CRUCIAL for growth as a writer). Expanding your writing circles. Webinars, books, and workshops- all fantastic.

Every connection I made along the way mattered. Each conversation, critique, or workshop taught me something I didn’t know the day before. And I can’t forget the unwavering support of my family, they were right beside me, cheering me on, reading early drafts, and reminding me to keep going when imposter syndrome crept in.

The biggest step? Hitting publish for the first time. It was terrifying, thrilling, and deeply rewarding. That moment marked not just the release of a book but the beginning of a new chapter I never knew I was meant to write.

What’s something you wish you had known earlier about that you’d like to share with readers who may be considering self-publishing?

That you don’t have to do it all, and you don’t have to do it all at once.

When I first started, I thought I had to have every detail mapped out, from an airtight marketing plan, polished website, and a full social presence, before even whispering that I was writing a book. I spent too much time trying to get it all “just right” and not enough time simply sharing the journey.

If I could go back and tell myself one thing, it would be: Start talking about your book early. Let people in. Share the process, the why, the messy middle. Build community around your story before it’s released. You don’t need a finished product to start creating connection.

I also wish I hadn’t listened to imposter syndrome quite so much. That voice in your head that says, Who am I to do this?, is loud at the beginning. But the truth is, no one else can tell your story the way you can. Your voice matters, even when it shakes.

You will make mistakes. You will learn things the hard way. But you will also grow, build confidence, and create something real. And that’s more important than perfect.

If I could go back and tell myself one thing, it would be: Start talking about your book early. Let people in. Share the process, the why, the messy middle. Build community around your story before it’s released. You don’t need a finished product to start creating connection.” -Renee Bolla

What are some challenges you’ve faced, and how have you been able to overcome them?

One of my biggest challenges has been unlearning perfectionism. After two decades in the corporate world, I was conditioned to believe that success meant flawless execution. That every decision needed to be backed by data, every step reviewed, and every mistake avoided at all costs. But the creative process doesn’t work that way. It’s messy. Vulnerable. And deeply human.

Letting go of the pressure to do it “right” the first time was, and still is, an ongoing journey for me. I had to learn to take imperfect action. To publish, promote, and pivot without having all the answers. That’s terrifying when you’re used to operating in a world of forecasts and performance reviews.

Another challenge has been visibility. As an indie author, you wear every hat: writer, marketer, publicist, distributor. Getting my books into readers’ hands takes consistent effort and creative thinking. But I’ve found success by leaning into what I value most, connection. Whether it’s school visits, community events, or author meet-ups, the more I connect with real people, the more meaningful my journey becomes.

What have been some of your greatest moments and highlights in Kidlit Publishing?

Hands down, one of the most unforgettable moments was watching my daughters hold my book for the first time. Seeing their faces light up as they flipped through the pages, pointing out characters who looked like them and moments pulled from our real lives, it was surreal. That moment alone reminded me why I started this journey in the first place.

I’ve also been honored to receive recognition for my latest picture book, The Truth About Stepmoms. It was named an Editor’s Pick by BookLife by Publishers Weekly, received a 2024 Honorable Mention from Writer’s Digest for self-published books, and was selected as a 2024 Females of Fiction Winner. It also earned Best in Genre – Children’s Humor from Indies Today and was recognized by the Independent Author Network. Each of these honors has been incredibly affirming, especially knowing how much heart went into telling a story that challenges stereotypes and celebrates blended families.

But honestly, the real highlight is hearing from readers. When a parent messages me to say, “My child asked to read your book again tonight,” or sends me a picture of their child reading my book, it truly touches my heart every single time. That’s the kind of legacy I want to leave.

What is your “why” for writing? 

Writing has always been how I process the world, how I hold onto fleeting moments, and make sense of life’s curveballs. But at its heart, my why is deeply rooted in motherhood. My daughters are my muses, my motivation, and the spark behind every story I write. I want my girls to grow up knowing that their voices matter and that who they are is something to be celebrated.

So, for me, writing is a way of leaving breadcrumbs of love behind, tiny pieces of myself woven into words. These are the stories I hope they’ll return to as they grow, stories that make them laugh, wonder, feel brave, and remember exactly who they are and where they come from.

What does writing bring you, and what do you hope your stories offer others?

Writing is my creative sanctuary. It’s the one space where I can be fully myself, honest, imperfect, intuitive, and curious. It gives me permission to slow down, reflect, and turn the everyday into something meaningful.

My hope is that my stories offer children and families a safe space to feel. Growing up, emotions weren’t always discussed or validated. As a parent now, I see how critical it is to name feelings, to talk about hard things, and to normalize the ups and downs of life. That’s what I try to bring into every story: heart, honesty, and a whole lot of love.

If even one child feels comforted or finds joy in something I’ve written, then I’ve done what I came here to do.

What are some positive experiences you’ve had from readers?

I’ve had kids and parents come up to me at events and say they read my book at bedtime every single night. I’ve had parents send me videos of their child giving a five-star review with the biggest smile on their face. I’ve received photos of little ones being gifted my book or snuggled up reading it at night. Every time I start to question why I do this or when I feel exhausted by the never-ending to-do list that comes with writing, publishing, and promoting, one of these moments lands in my inbox and reminds me exactly why I started.

Sometimes, it’s my daughters who bring me back to center. When they tell me how cool it is that their mom is an author, or when they want to join me at a book event and share their stories too, those moments stop me in my tracks. Just writing about it makes me tear up. It’s truly something special.

Outside of publishing your books, you’re also very active in the Kidlit/literacy community. I’d love to hear more about your groups and projects. Let’s start with your A Pop of Indie: A Traveling Book Fair. What’s it all about? When was it founded? And what inspired it?

I co-founded A Pop of Indie in fall 2023 with fellow indie kidlit author Lindsay Gizicki. It’s Michigan’s first traveling book fair made up entirely of independently published Michigan-based children’s book authors. Our mission is to reinvent the traditional book fair mode. (You know the one. It usually brings in the same mass-produced books and sells a lot of toys.) Our goal is to create a space that highlights local authors, promotes diverse stories, and inspires the next generation of readers.

Each book fair pairs with a free 90-minute Family Literacy Night for local elementary schools, which includes a writing workshop, author Q&A panel, arts & crafts, and story time. We bring real authors into school communities, allowing kids to connect face-to-face with the creators of the stories they’re reading. We now have over 30 authors and more than 100 books in our catalog, spanning picture books through middle grade.

This initiative is all about accessibility, creativity, and representation. We want reading to be more than a classroom activity. We want it to be a part of everyday life, something the whole family can rally behind and celebrate. A Pop of Indie is about inspiring, empowering, and nurturing young minds one indie book at a time.

Could you tell us more about your work with the marketing group Kidlit at Heart. What is it, exactly? And what role do you play?

Kidlit at Heart came together through the 12×12 Picture Book Challenge. We’re a group of authors navigating different paths (traditional, hybrid, and indie publishing) but all with a shared mission: to support one another and reach more readers.

We collaborate on marketing efforts, share resources, and brainstorm creative ways to amplify our books. Many of us launched books around the same time, so we hosted virtual launch parties, author Q&As, and promoted one another across our communities. It’s been such a gift to be part of a group that values collaboration over competition.

Coming from a corporate background in branding and marketing, I’ve been able to contribute those skills to the group. But it’s a two-way street; we each bring something unique to the table. At the heart of it, we’re just a group of writers helping each other succeed, one book at a time.

What other writing groups are you a part of, and what kind of benefits would you say they’ve offered you?

Early in my journey, I joined SCBWI and the 12×12 Picture Book Challenge, both of which were game changers. They gave me structure, accountability, and access to a wealth of information and industry insight. Through these groups, I found critique partners, built confidence, and embraced feedback as a vital part of the process.

I’ve also participated in writing workshops through the Highlights Foundation, which helped me deepen my craft and connect with other writers in a truly immersive setting. One of the most pivotal moments came when I took virtual writing classes with Valerie Bolling, an author, educator, and mentor who had an incredible impact on my latest book, The Truth About Stepmoms. Valerie’s insight, encouragement, and thoughtful feedback helped me shape the story with more clarity, intention, and heart. She challenged me to dig deeper, to elevate my storytelling, and to trust my voice, and for that, I’ll always be grateful.

In addition to those, I’m a writing contributor for Detroit Moms, where I share the raw, beautiful, and messy realities of motherhood with a community of women who just get it. Writing for them has stretched my voice in new ways and allowed me to connect beyond children’s literature.

Each group has poured into me in a different way—professionally, creatively, and emotionally. They’ve helped me grow not just as a writer, but as a human.

What suggestions would you offer to other aspiring indie authors?

  • Start before you’re ready. You will never feel “ready,” and that’s okay. Start where you are and learn along the way.
  • Talk about your book early. Don’t wait until it’s perfect. Let your community in on the journey; they’ll root for you harder when they feel a part of it.
  • Ask for help. This path wasn’t meant to be walked alone. Reach out to fellow authors, editors, and illustrators. Most people are more generous than you’d expect.
  • Get comfortable with feedback. Critique is where your story grows. It’s not personal; it’s part of the process.
  • Think like a business, but lead with your heart. Self-publishing is creative and entrepreneurial. You’re not just selling a book, you’re building a brand rooted in purpose.
  • Celebrate small wins. Your first school visit, your first review, your first reader message, it all counts.
  • Protect your joy. It’s easy to get caught up in comparison or metrics. Come back to why you started. Keep the joy in your work.

Writing takes a lot of time and dedication. And, like many creative pursuits, it can sometimes consume our lives-  if we let it. As a mom to three, could you share what your experience of writing and publishing while parenting has been like? How do you manage your time and set boundaries to ensure balance for family and work?

I wish I had a perfect answer for this, it’s the million-dollar question so many working moms ask. But the truth is, I simply take it one day or one week at a time.

As a mom of three kids in very different life stages (elementary, middle, and high school) there’s no one-size-fits-all system that works for me. I also have ADHD, so structure isn’t always my best friend. I’m emotionally driven and creatively led. I’ve learned to tune into my energy, to work when I’m inspired, and to rest when I need to.

-YES! As a fellow ADHD girl myself, I can attest to how important this is. Tuning into our energy- working when we feel inspired and resting when we need to rest.

Outside of writing, I run my own business, RNB Retail Consulting, where I support women-owned businesses across Michigan using my 20 years of corporate retail experience. I’ve had to become more intentional with my time and more comfortable saying no. That’s taken practice, but it’s been incredibly freeing.

I don’t compartmentalize writing from motherhood because, honestly, it’s all intertwined. My kids are a part of this journey; they read early drafts, give feedback, and often tag along to bookstores and festivals. When they tell me they’re proud or that they want to write a story of their own, I know I’m doing something right.

Here are a few things that help me:

  • I carve out short writing sprints (30–45 minutes) when the house is quiet.
  • I keep a notebook or phone notes handy to jot down ideas anytime they come.
  • I protect family time fiercely, and I protect creative time too.
  • I involve my kids in my writing world. Their perspective often sparks the best ideas.
  • And I give myself permission to pause. Productivity doesn’t always look like writing. Sometimes it looks like living.

Speaking of parenthood, are there any resources related to your books that you offer to parents? (If so, would you be interested in linking/sharing them here so they could be available on the blog as well?)

Yes! Creating family-friendly, book-inspired activities is one of my favorite parts of the author journey. I want my books to do more than entertain; I want them to help families connect, process, and grow together.

For The Truth About Stepmoms, I offer resources that support children and families navigating blended family dynamics. These include:

  • A DIY family photo album craft that encourages kids to reflect on their favorite memories and celebrate their unique family makeup.
  • Conversation prompts that help kids express their feelings about family changes, stepparents, and shifting routines.
  • A “What Makes a Family” worksheet that emphasizes love, support, and connection over titles or roles.
  • Links to valuable outside resources like the Radical Stepmoms Podcast, which features real stories and tools for navigating stepmotherhood, and @stepmomcoach on Instagram, whose website is full of helpful strategies, affirmations, and printables for blended families.

I want families to feel seen and supported because there’s no one-size-fits-all model for love.

For Imagine That, which centers around bedtime fears and the power of imagination, I provide tools that help kids work through fear and build emotional resilience:

  • Discussion prompts about nighttime worries and calming routines.
  • A printable bravery cape activity, where kids decorate their own cape and write down the things that make them feel strong.
  • Bedtime affirmations and breathing exercises to ease anxiety.
  • A list of creative problem-solving prompts that help kids reframe fear through play and storytelling.

For Finding Bunny, a story about friendship and emotional resilience, I’ve created resources that focus on helping kids identify and process their feelings:

  • Emotion cards and a feelings game to help children name what they’re experiencing.
  • Creative writing and drawing prompts based on the story.
  • Mindful drawing activities that offer a gentle way to express emotion nonverbally

Some of these resources are available on my website, and others I provide during school author visits. They are easy for parents, teachers, and caregivers to implement at home or in the classroom. My goal is to extend the reading experience beyond the book because stories aren’t just for reading. They’re for living, feeling, and growing together.

Anything else you’d like to share with readers today?

If I could leave you with one thing, it’s this: Reading is one of the simplest, most powerful ways we connect with each other. Whether it’s a bedtime story, a few minutes between errands, or a book tucked into a travel bag, those small moments matter. They shape how our kids see the world and how they see themselves.

Make time for reading. For yourself and for your family. Stories are fuel. Stories are mirrors. Stories are bridges.

And if you ever need a little reminder of that, here’s the phrase I come back to often:

“Reading is my love language.”

It’s how I show up, how I connect, and how I leave something meaningful behind.

To every aspiring writer, dreamer, or mama out there juggling more than one hat, keep going. Tell your stories. They matter more than you know.

Renee, thank you so much for joining us on Chelsea’s World of Books Literary Blog. It has been a pleasure having you here today. So much courage and kindness have been shared in today’s chat. I’m sure our readers who have made it to the end of this interview would agree. But we’re not quite to the very end. Now it’s time for our GIVEAWAY!

For the month of July, Renee is offering THREE winners a prize of one of her books + EXTRA GOODIES. Each book will come with EXTRA GOODIES: stickers, a bookmark, and a book bag tag.

Prize winner 1: Signed copy of Finding Bunny + EXTRA GOODIES

Prize winner 2: Signed copy of Imagine That! + EXTRA GOODIES

Prize winner 3: Signed copy of The Truth about Stepmoms + EXTRA GOODIES

Did you enjoy this interview?

Thank the author & host by purchasing or reviewing a copy of one of their books or by requesting it be purchased by your local school or library! Using the sponsored links below to purchase also helps support this blog.

Purchase ADHD AND ME

Purchase Finding Bunny

Purchase Imagine That

Purchase The Truth About Stepmoms

Renee Bolla, a children’s picture book author, seamlessly transitioned from the corporate world of fashion retail to crafting stories for young minds. She self-published Finding Bunny and Imagine That in 2022, followed by The Truth About Stepmoms in 2024. Renee weaves the magic of her personal experiences, as a mother of three, into every narrative, creating stories that resonate with the shared joys and challenges of parenthood. Her passion for literature extends beyond her own creations. She is the founder of A Pop of Indie: A Traveling Book Fair, an initiative connecting Michigan indie authors with elementary students, fostering a love of reading. She is also a writing contributor for Detroit Mom, a member of SCBWI, an active participant in 12×12 Picture Book Challenge, and co-founder of the marketing group, Kidlit at Heart. Through her work, she aims to inspire and inspire young hearts, one story at a time. @reneebollaauthor (Instagram, FB, and Pinterest) / @reneebolla (Tik Tok) https://www.reneebollaauthor.com

JUNE 18TH, 2025 FEATURE INTERVIEW WITH MOMMY BLOGGER AND KIDLIT AUTHOR, MIA WENJEN, CONDUCTED BY KIDLIT WRITER & BLOGGER, AND FORMER LIBRARIAN CHELSEA DICICCO

In today’s Feature Interview, we’ll be discussing:

  • writing across genres of kidlit, picture books through middle grade
  • how to master voice
  • creative process
  • juggling work with play & work-life balance
  • and how to dazzle and hook an agent

Mia, it’s great having you with us! Can you tell us where you’re joining us from today? And how did you find out about Chelsea’s World of Books website/blog?

I’m joining from Newton, MA which is 7 miles west of Boston. I found Chelsea’s World of Books online as a source for book recommendations.

I’d love to hear how you got your start in publishing. What led you to the wonderful world of publishing, and what were you doing before then?

I was a children’s book blogger at PragmaticMom.com, and then I cofounded a literacy nonprofit, ReadYourWorld.org. I read a ton of children’s books as a blogger, and that helped me to spot areas where I didn’t see books. When the publishing world became more interested in diverse stories about 7 years ago or so, that is when the door opened for me to try to write my own stories.

Prior to that, I was an entrepreneur as the co-founder of Aquent.com. I also took time off to be a stay-at-home mom after my middle child was born. She is now 23 years old. When my third child started preschool five days a week, I decided to start my blog.

When did you begin pursuing writing as a career? And what were some of the first steps you took toward turning your dream into a reality?

My first step was to edit a book that was a curated list of lists of diverse children’s books by children’s book bloggers for my nonprofit, ReadYourWorld.org.

My next step was to write books for adults. I co-wrote How To Coach Girls with Alison Foley, the former Boston College Varsity Women’s Soccer Coach, who is also my neighbor. We also co-authored The Elusive Full Ride Scholarship, which helps high school students play sports in college.

But what really got me started was taking an Adult Education class on how to write children’s books at my local high school, and penning my first manuscript, Sumo Joe. I ended up entering this into Lee and Low’s New Voices competition. I didn’t win, but they offered me free editorial support, and after 7 months of edits, they offered to publish my book.

What were some things that helped you most in the beginning of your journey? Any contests, writing organizations, groups, friends, etc.?

Fifteen years ago, mom bloggers were a really big thing. There were hundreds of us who specialized in children’s books, and it was a warm and supportive community. I think this is where my journey into the world of children’s books began. It was a place to share my favorite books, and then I realized that there weren’t enough diverse stories being published, so I focused my blog on that. Being able to build a community around a love of diverse books has been the heart of being able to become a children’s book author because I was able to meet like-minded bloggers, authors, illustrators, publishers, and even agents!

As a fellow blogger and advocate for diverse books, I was thrilled to learn more about your literary blog. Can you tell us how/when that got started, and why?

About 13 years ago, Lee and Low published a study that showed that the number of diverse children’s books had not increased in the past 14 years. That was really a wake-up call for me because I had gone to a 10-year-old’s birthday party in California, and 18 out of the 19 girls were mixed race. The demographics of the U.S. were definitely changing into a more diverse population, but the children’s book publishing industry wasn’t keeping up because they thought only people of that minority would read a book about a diverse character. Children’s book bloggers sharing about great, diverse books to a wider audience helped to change this notion. The ALA awards recognizing diverse stories also played a major role.

As a traditionally published and agented author, could you share a little bit about what led you in the direction of traditional publishing vs. independent, as well as what reasons you chose to seek representation?

I have been both traditionally published and self-published, and my agent, Lary Rosenblatt, is also non-traditional in the sense that he owns a media company, (22MediaWorks) that makes children’s books as a “book packager.” He’s made more than 300 books for large publishing houses and turned to agenting during the pandemic when publishing was upended by the Covid lockdown.

He had hired me as a contract writer for Asian Pacific American Heroes, and asked if I had an agent. I did not and I was thrilled to work with someone that I actually already made a book with so there was comfort in knowing a person beyond one or two meetings. We also self-published Changing the Game: Asian Pacific Female Athletes together during the pandemic and then, five years later, he was able to sell reprint rights to Scholastic, the publishing company that he made Asian Pacific American Heroes for.

We have since sold 11 manuscripts together, and it’s been a wonderful and fruitful relationship!

For writers/illustrators out there who are desperately trying to dazzle and hook an agent, what are some suggestions you have on how to dazzle and hook an agent?

Honestly, I think the best way is to submit manuscripts on your own while also querying agents. When you have an agent who expresses a little interest, enough to get a phone call, let that person know when you are about to sell a manuscript on your own. There are actually quite a few publishing companies that will accept unagented children’s book manuscripts.

You mentioned that you write across different ages of kidlit. I’m curious, which did you start with- PB or MG (writing and/or querying)?

I had two picture book manuscripts and a partial early reader chapter book ready when I queried five agents. I would recommend querying a higher number. I got replies from three of them. One agent was someone I knew as an author, and she said that she was only looking to add a diverse graphic novel creator who was both a writer and illustrator, so that was not a fit. Another agent gave me a beautiful rejection email that broke my heart because it was so kind. I didn’t hear back at all from two of them. I had a couple of calls with another agent who was looking for a different type of story than I had written, but encouraged me to keep sending her my work.

So … no takers. I ended up not querying further and just focused on learning how to write better manuscripts, and then Lary came at the right time/right place.

Which manuscript landed you your agent, and which landed you your first book deal?

Sumo Joe was my first picture book deal. Food for the Future was my first book deal with my agent.

When writing across age groups, it takes a different mindset to create an appropriate voice for your characters. For example, a character in a picture book might respond much differently when presented with the same situation/problem as a character in a middle-grade story. How are you able to master voice across different age groups in your own writing? And do you have any tips on ways to improve this for our writers out there who may be interested in experimenting?

I honestly am still working on this. I tend to write for an older age naturally so I have to fix that when writing picture books. I also use an editor that I pay to help polish my manuscripts and I have learned a ton from her as well as from every editor that I work with on my books that were sold. It’s an ongoing process, I think, to just get better at craft.

My advice would be to read 100 books (if picture book) on the topic of what you are trying to write. There is so much to learn by imitating. It’s just like art when you study a master and even do a copy of their work. When you infuse your own personal lived experience into the story, you make it your own.

When writing a story… be it picture book or middle grade, what is your creative process like? And is it different depending on what age group you’re writing for?

I think I am similar to a lot of writers in that I have a ton of ideas, but I am always behind in developing them into an actual manuscript. And that process can really vary for me from a few weeks to five years. Sometimes, I have the idea, but I can’t figure out the structure of the story. For me, the structure of the story is where I begin and end as a writer. I think that is because I have trouble writing with a lot of emotion, so story structure is where I can build the narrative arc. Then, I go back to add in emotion and figurative language.

I talk to a lot of kidlit writers who are parents and have busy, busy schedules as it is, and want to get their stories out there, but worry that they won’t have enough time to dedicate. As a parent, what are some ways that you’ve been able to juggle work with play and create a healthy work-life balance?

I don’t think that I could have written manuscripts when my children were younger though many, many successful children’s book authors and illustrators can do that. I empty nested two years ago, so it’s been easier for me to find the time to slot in writing and revising.

What is your BIG reason for writing? What does it mean to you?

As an entrepreneur, I feel like I dropped into this because I had accidentally created an author platform as a children’s book blogger. It seemed like an opportunity to try to figure out. I was used to starting off doing things very badly and learning from mistakes, as someone who has worked on many start-ups, and writing is not different!

But I think the reason why I keep at it is because there are still stories out there of Asian Americans that deserve to be known to children as picture book biographies. I am hoping to bring some of these people’s stories to life in that way. I have a long list, lol!

Tell us about some of your stories and their inspiration! What makes each story special to you, and what do you hope it will provide your reader with? A new point of view? A specific emotion? A shared experience? A window or a mirror? Etc.

We Sing from the Heart came out of a meeting with musician and band leader, Simon Tam, when he reached out to hundreds of Asian American organizations and influencers to write letters of support for his lawsuit’s appeal. We met over the phone, and I was so impressed with him! When he won his trademark in a unanimous Supreme Court decision, I knew that my kids would not know about him unless it was through a children’s book.

My newest book, The Traveling Taco, is in response to the negative narrative recently about immigrants. I wanted to show that some of your favorite foods, such as ice cream, pizza, and pasta, would not be available if not for immigrants. I find that food is a great entry point to learn and appreciate other cultures.

What has the reaction been from readers? Have you had any special moments with fans? In person, online, through a kind review/note, etc.? We’d love to hear/see!

I don’t have a photo, but on one of my very first author visits to a school in Rhode Island, a very young Asian boy, perhaps in Kindergarten, greeted me with a hug. It meant so much to me, and I felt like he connected because we are both Asian.

What have been some of the highlights and greatest joys along your publishing journey?

I met publisher Angus Yuen-Killick one year after the pandemic at USBBY in Nashville, and his children’s book company, Red Comet Press, was a start-up with just one or two seasons of books under his belt. It’s been a joy to get to know him and support his company. They make the most beautiful books! I’m thrilled to be making six books (and hopefully more!) with him and his husband, Mike Yuen-Killick! It has been really fun to work together on our books, but also to send talent their way and watch my friends’ books come out.

Have you been able to host any local author events? Book signings/school visits (virtual/in-person), library storytimes, etc.?

Yes, I am going to be doing some group events soon. I have a group of Red Comet Press authors in the Massachusetts area and we hope to have events lined up in the fall. I am also putting together another group focused on sustainability/farms/pollinators.

I also do solo events including an author visit for a school in Ohio, right before ALA.

What were some difficulties you faced on your publishing journey, and how were you able to overcome them?

Every time I get a rejection, it feels like a gut punch, and I have to take off a few days from writing to recover. Luckily, my agent shields me from much of this.

What advice do you have for an author facing (a) similar difficulty/difficulties?

Look at rejection as the currency you need to succeed. Like, I need 100 rejections in order to achieve X goal.

Favorite children’s book/, author, and/or illustrator?

I have so many, but I will say that my go-to response is Because of Winn-Dixie by Kate DiCamillo. Every character in that book is a fully fleshed-out, living, breathing, interesting human being. She is a remarkable writer!

-Such a great choice! I love Kate DiCamillo!

Favorite hangout spots?

I am learning to Urban Sketch, so I like to go fishing with my husband on the Charles River, and I watercolor paint while he fishes. I also set up a bird feeder in my yard, so now I wander around Newton, where I live, to find birds. There is a small pond in front of Newton City Hall, and I like to search for birds while painting there.

Favorite snack?

I love senbei, rice crackers. Also, the herb popcorn from Trader Joe’s. I am also a fruit-a-holic. I love all kinds of fruit, especially anything tropical. My kids think that I was a fruit bat in a past life.

Anything else you’d like to share with our readers today?

My nonprofit, ReadYourWorld.org, gives away diverse books to readers, and our sign-up to be matched with a book starts in September. We celebrate the books at our annual event on the last Thursday in January.

We also have tons of resources to find great diverse children’s books, including our List Resource, a library of more than 250 interviews with authors from our IG Live series, and our Classroom Kits.

If you are in the Boston area, we host the Newton Children’s Book Festival, which will feature more than 60 authors. Check it out HERE.

Thank you so much for being here today, Mia!

And now…

It’s time for a GIVEAWAY!

For the month of June 2025, Mia Wenjen is offering ONE WINNER a signed copy of her book We Sing from the Heart and her newest book, The Traveling Taco, + book swag + and a virtual author visit.

HOW TO ENTER THE GIVEAWAY

  • Leave a comment on this post!
  • And if you haven’t already, like this post and subscribe to the blog and/or newsletter!

That’s it!

Want extra entries? Share and tag on X @chellysbooks or Instagram @chelseasworldofbooks, and I’ll add your additional entry to the giveaway pool.

DEADLINE TO ENTER: June 30th 2025, 11:59 PM CST

Did you enjoy this interview?

Thank the author & host by purchasing or reviewing a copy of one of their books or by requesting it be purchased by your local school or library! Using the sponsored links below to purchase also helps support this blog.

Purchase ADHD AND ME.

Purchase THE TRAVELING TACO.

In this Feature Interview with entrepreneur Mia Wenjen, we discuss writing across genres of kidlit PB-MG, how to master voice, creative process, juggling work with play & work-life balance, and how to dazzle and hook an agent.

Purchase WE SING FROM THE HEART.

Mia Wenjen blogs at PragmaticMom.com. She is also the co-creator and president of nonprofit, Read Your World. Her newest picture book is and Boxer Baby Battles Bedtime (Eifrig Publishing). Her debut picture book, Sumo Joe (Lee and Low, 2019) was selected as a Bank Street College Best Children’s Book of the Year. Food for the Future: Sustainable Farms Around the World (Barefoot Books, 2023) is a Junior Library Guild selection, received a starred review from School Library Journal, and made Chicago Library Best of the Best list. We Sing from the Heart: How the Slants® Took Their Fight for Free Speech to the Supreme Court (Red Comet Press) releases on October 15, 2024. Follow her @pragmaticmom on social media.

Blog: @PragmaticMom Instagram: @PragmaticMom Twitter/X: @PragmaticMom Pinterest: @PragmaticMom FaceBook: @PragmaticMom LinkedIn: Mia Wenjen YouTube: Mia Wenjen TikTok: @ReadYourWorld BlueSky: @PragmaticMom Threads: Mia Wenjen

EXCITING NEWS!! Applications now open for the 2026 Feature Interview lineup!

Attention kidlit community, I have exciting news. Applications for the 2026 Feature Interview lineup are now OPEN! If you’ve been following my blog, you know that this window is typically only open one month out of the year, so this is a special opportunity. I hope that opening the window early will allow more people the time needed to prep their applications and give as many people a chance to share their stories!

Would you/someone you know be interested in being a guest? APPLY HERE! I’d love to hear your story!

Shout THE NEWS from the rooftops- share, share, share!

Happy writing, and hope to hear from you!

APRIL 16TH, 2025, FEATURE INTERVIEW WITH CHILDREN’S BOOK WRITER HEATHER STIGALL, CONDUCTED BY CHILDREN’S BOOK WRITER, BLOGGER, AND FORMER LIBRARIAN CHELSEA DICICCO

Today, I’m talking with returning guest children’s book author Heather Stigall. In this month’s Feature Interview we’ll be trekking through the ups and downs of publishing and sharing intimate details of the daunting questions: “What do I do if my agent and I end up parting ways and/or my editor leaves?’ 

But before we do… here are a few things to know about feature interviews.

THE SCOOP: WHAT ARE FEATURE INTERVIEWS & WHO ARE THEY FOR?

Feature Interviews are a free resource for writers and illustrators at every stage of the publishing journey.

Every month, I collaborate with industry professionals—authors, illustrators, editors, and agents— many of whom were or currently are also educators and librarians, to discuss all things publishing.

What can these interviews offer YOU?

These interviews give readers an up-close and personal look at the world of publishing from an array of different perspectives on every side of the desk and offer insight into tips, resources, and advice on how to:

  • stay current with market trends
  • hook an agent or editor
  • find writing community & other resources
  • discover workshops, contests, and other events
  • figure out which path of publication is right for you
  • know if your agent is a good match

And more!

AND… if that’s not enough, every guest offers at least one giveaway prize—sometimes more. This means you have multiple opportunities to win prizes every month! *If you’re interested in entering the giveaway, scroll to the bottom of the interview for instructions.*

Not that we’ve shared a little about what’s in store… it’s time to jump into our interview!

Heather, it’s so nice to have a returning guest visit the blog. The last time we shared a chat was in the October 2023 Feature Interview. Now, fast forward to April 2025. How time has flown by! Since then, you’ve been through the mountains, so to speak, on your publishing journey.

When reading over your application for the Feature Interview segment 2025, I thought it was interesting and kind of comical how the route to publishing sometimes takes such unorthodox paths… far from linear. Publishing moves at a pace and rhythm of its own choosing and, more often than not, in quite chaotic upside-down and crisscross patterns, but eventually, things DO move forward, which is hopeful. Speaking of which… let’s jump into the first question.

Could you share a little about your 2025 project and its significance to your writing journey? What makes this book special, and what interesting experiences has it had? 

Thank you for having me back, Chelsea! You are so right about the far-from-linear path that publishing often takes, and my journey has been no exception! To answer your question about what made my 2025 project special, in short, it got me my first R&R (“revise and resubmit”), my first request for more work, and landed me my first agent. All amazing things! 

To expand on that a little, in the spring of 2021, I had the opportunity to submit a manuscript for a professional critique through a webinar I hosted for our chapter of SCBWI (Eastern Pennsylvania’s chapter of The Society of Children’s Book Writers and Illustrators). I submitted a story that had been through several rounds of revision and critiques by my critique partners. The agent had a lot of positive feedback about the story’s character, voice, language, themes, and marketability, but she also had some suggestions for how she felt I could improve the plot’s middle section. Then, much to my surprise, she said that even though she was taking on “very few picture book text these days,” she “encouraged” me to query her for representation and was “happy to take another look” at my story. I knew then that I had something special!

I did a few more revisions and that summer, I queried her. Within two weeks, she responded, asking me to send more work! A first for me! She specified that she was not asking for an exclusive submission, but to check in with her if I received an offer of representation while she considered my work. So, I began sending my story out to other agents while waiting to hear back. One of those submissions was to Beth Marshea of Ladderbird Agenc,y who was a 12×12 Picture Book Challenge Featured Agent (“Gold” members of 12×12 receive special monthly submission opportunities). Beth responded the very day I sent her my manuscript to say, “When I tear up at the end of a PB I have to talk to the author!” After talking with Beth and sending her more work, she offered representation. I then went back to the agents who had my work and had not yet responded, including the first agent who was considering my work, but I ultimately signed with Beth. A few weeks later, we went out on submission with my story about a boy who wanted to be friends with a ghost!

For many writers AND/OR  illustrators looking for literary representation, it’s the dream goal to find “the agent” and ideally work together for, if not the remainder of, then at least a significant chunk of their author and/or illustrator career. But, as we know, that’s not always the case. Agents move and sometimes leave the industry altogether, and so do editors. 

Many creators might shudder in fear at the thought of “starting all over again” and wonder, ‘What happens if my agent/editor ends up leaving the business or we end up parting ways? Where does that leave me and my book? What are the next steps to take?’ Since you have some experience with the things listed above, could you share a bit about your experiences, as well as the steps you were able to take?

Again, you are so right, Chelsea! I had a wonderful working experience with Beth. She was enthusiastic about my work, we got a book deal on the first story I sent her, she negotiated my contract, and we went out on submission with a second story. But in the spring of 2023, Beth informed me that she decided to take a step back from representing authors. She would continue to represent me on the book I had coming out and negotiate any offers we received on the story we had on submission at that time, but that would be our last project together. I was so disappointed! And the thought of querying authors all over again was daunting.

But that wasn’t the only roadblock I encountered that spring. A month after Beth informed me that we would be parting ways, Beaming Books (with whom I had a contract for GILBERT AND THE GHOST) informed me that the acquiring editor would no longer be working for them. Then, the following month, the publisher informed me they decided to push GILBERT AND THE GHOST’s publication date from Fall 2024 to Fall 2026! I had the option to withdraw from my contract, but I knew that even if I received a new book deal the following day (hah!), the publication date would likely be the same (or farther out). 

I took a little time to let all this news sink in and after collecting myself, I retrieved my old agent research and updated it. I polished the stories I felt had the most promise. I crafted a new bio for my query letter that included my new publication credits. Then, I spent the summer and fall querying agents again. I collected rejections again. But this time, I got three requests for more work, and it took less time to find new representation (six months vs. almost four years). Now, I’m represented by the amazing Amy Nielsen of The Purcell Agency. And (bonus!) Beaming Books decided to push the publication of GILBERT AND THE GHOST to 2025!

-WOW! Truly an amazing journey, Heather. And this speaks to your resilience and adaptability- which we all know are greatly needed qualities to stay afloat in this ever-changing industry.

Let’s talk a little about R&R’s. What experiences did you have with R&R’s, and how did they impact your writing? Explain.

Great question! My experience with an R&R is a perfect example of how subjective this business can be. As I mentioned above, the agent who requested an R&R on GILBERT felt the middle section needed revision and offered reasons why (she had some questions about the story’s believability). It is interesting to note that she felt the story’s ending was “sweet and satisfying.” I agreed with almost all her suggestions and revised accordingly. When I queried her, I thanked her for offering to look at my revision (which served as a reminder that she did) and briefly explained how I addressed her concerns. I also explained why I decided not to revise one item she commented on. She must have liked the changes I made because that led to her asking to see more of my work. 

Interestingly, however, somewhere in the process of making these revisions, I had another critique opportunity with a different agent, and she had some different opinions. For example, she wanted Gilbert’s family to be more empathetic to his cause; to encourage him to be brave along the way. I wanted them to act more as antagonists (just not in a mean way), so I decided to ignore that suggestion. The agent also felt that an editor might shy away from my story because the ending wasn’t “decisive” enough. It was my intent to leave room for reader interpretation at the end, so I ignored that suggestion as well. I did agree with a few of her other suggestions, but I only incorporated the feedback that resonated with me.

I’m glad I followed my instincts, because the agent I ultimately signed with obviously loved the version of the story I chose to stick with, and it was the version that resulted in a book contract.

-I really love how you explained this, Heather, and I think it’s SO incredibly important for creatives to learn this balance as well, knowing what feedback to take and what feedback to ignore. Being flexible and open to edits and changes to your work is something you’ll always need to have in this field. That being said, knowing what resonates with your vision is crucial. If an agent suggests an edit that doesn’t align with the “heart” or “vision” of your story, knowing how to stand your ground and tactfully defend/explain your vision will go a long way in having a happy relationship, as well as being satisfied with your end product.

Let’s talk about unexpected – shifts in plans (and timelines). You mentioned that since signing the book contract and losing your agent AND the editor being let go, AND THEN the publisher pushing the pub date out by another TWO YEARS- Ahh!- that you then got a new agent -(yay!) and after this, the publisher pushed your pub date back up by one year. *Oh-my-goodness.  Talk about a ROLLER COASTER. I almost got whiplash just from writing this…*

During this uncertain time, I can only imagine the overwhelming emotions you may have been going through. How did you manage to keep it together and stay the course? And what advice would you give to authors and/or illustrators who may be facing similar up-and-down challenges?

A wild ride, for sure! Of course, I was crushed to receive news that I had been “orphaned” and then that my book had been orphaned too. I was starting to feel invisible, just like the main character of my story. But I knew others who had been through similar situations, and I asked them about their experiences. It helped to know I wasn’t alone. I also counted my blessings. I had the support of my critique partners, family, and the kidlit community, and my first book was about to launch (PAISLEY’S BIG BIRTHDAY released in August 2023). I told myself that the delayed publication date for my second book would allow me more time to promote the first. I could also use the extra time to research and query agents as well as polish more manuscripts when received a request for more work. I took comfort in the fact that I found an agent who believed in me once, so I had faith I could do it again. And, in the process, I continued my “rejection ritual” that helps take the sting out of all the NOs. When I receive a pass on a submission, I put a dollar in my “Rejection Jar” (which I’ve recently re-named my “Not Yet Jar,” because at school visits I encourage students to think in terms of “not yet” instead of “no”). When I receive a “yes” I spend the money in the jar on something for myself. So, my advice to those who are facing challenges like this is: Take the time you need to grieve, find your support system, take a breath, get back in there, and believe in yourself!

-Something that I really loved that you said when you were expressing the up and down journey with this book was: “One of the main themes of the picture book is to believe and not give up, so I guess it’s fitting that it’s path to publication took believing and perseverance as well!” All I could think was YES, that is absolutely the truth!

No doubt, there were disappointing moments during your journey: close-calls, near-misses, and some tears shed along the way. But, at the end of the day, when it’s all said and done, would you say the rewards outweigh the moments of struggle? Explain.

Absolutely! I tend to look at the bright side of things, so when I hit a hurdle or roadblock, I tell myself that there is a reason for it. So maybe the delay in GILBERT’s publication was to allow me to savor PAISLEY a bit longer. I’ve had so much fun planning a launch, doing storytime events, school visits, book festivals, and more. Now I feel even more prepared to launch book number two and look forward to all the fun I’ll have sharing GILBERT AND THE GHOST with all those readers out there.

What have been some of the happiest moments of your publishing journey?

Oh, there have been so many! Besides signing with two agents and getting two book contracts, some of my happiest moments have occurred while promoting at events. I am fortunate to live near a few indie bookstores, and I’m a frequent visitor of Children’s Book World in Haverford, PA, so I asked them if they would host a book launch for my first book, PAISLEY’S BIG BIRTHDAY (they’ve agreed to host my launch for GILBERT too). Paisley is a bunny, so I baked and decorated carrot cupcakes and bunny-shaped sugar cookies and made “carrot” savory treat bags. I had several surprise guests, including my aunt who is a big fan of picture books (she was a kindergarten teacher in her former life). I had commissioned her to make me stuffed toys that looked like the main character and her brother, Paisley and Pip, so it was especially meaningful to have her at my launch. Paisley and Pip now come with me for all my book events! 

Another highlight was meeting the illustrator of PAISLEY’S BIG BIRTHDAY, Natallia Bushuyeva. This was very unexpected, as she lives in France! My husband competes in triathlons and qualified for the 2023 World Championships in the half-IronMan which was held in Finland that year. After his race and before coming home, we vacationed for a few days in Paris and arranged to meet Natallia. We met at a little café and signed each other’s copies of PAISLEY. How cool is that?

I love sharing my love of books with children. I have done several storytime events at bookstores and libraries and have also done some school visits. Everything from the kids’ enthusiasm to the questions they ask to the fan mail is more than enough reason to know pursuing children’s book writing was the right path for me.

Why do YOU write? What does writing mean to you?

I write to engage the creative part of my brain and to connect with my inner child.

What do you hope your stories will give your readers?

I hope to connect with the children who need or want to hear the stories I want to tell.

What’s something that you think every author and/or illustrator should know about publishing that you wish you had known sooner?

I think it’s important to understand that children’s book writing and illustrating is a business. We can pour so much of ourselves into our stories, so it’s understandable why rejections feel personal and can downright hurt. But there are so many reasons why an agent or editor passes on a manuscript, even a well-written, marketable one. Keep writing and submitting – your “yes” is out there!

What are some writing resources/contests/groups/workshops/etc. that have benefited you most along the way? How have they helped you? Did they help you find community, critique groups, accountability partners, deepen craft, etc.?

I am the poster child for trying out writing resources! I could name so many specific resources I’ve used that have contributed to my journey in kidlit (way too many to list them all here), but I’ve grouped them in more general terms:

The library and bookstores: I check out stacks of books from my local library regularly. Not only have I read books on the craft of writing, but reading books in the format/genre in which I write (mostly picture and chapter books) helps me see what I can do to improve my own writing and to see what books are being published and by whom. Bookstores are also great because you can see how books are being positioned and promoted to boost sales.

Joining SCBWI led to finding my critique group; attending local and not-so-local, in-person and virtual conferences and events; and to a volunteer position. That led to connecting with other writers/authors, illustrators, and industry professionals; learning more about my craft and about the industry; and improving my writing, revision, and critiquing skills.

Joining challenges (like 12×12, StoryStorm, Reading for Research Month, and March on with Mentor Texts) challenged me to write and read more, connected me with like-minded creators and more critique partners, and encouraged me to persevere.

Entering contests (like PBParty, the Rising with the Stars mentorship, and the #PBChat mentorship), and applying for awards and conferences (like SCBWI awards/grants and the Rutgers One-on-One Plus conference) challenged me creatively and pushed me to get my work out there. 

Subscribing to (a ton!) of podcasts, blogs, publisher mailing lists, and author/illustrator newsletters, has been hugely influential. I’ve learned about writing, marketing, and author visits; about classes, workshops, contests, and mentorships; about industry trends and changes; about agents, editors, and publishers; and more. These sites (Chelsea’s is one example) often offer opportunities to win prizes like free books and critiques, and I have been the winner of a few. Bonus: Subscribing is FREE!

What do you think the main keys are to staying the course and keeping your joy in publishing? Feel free to share as many keys as you like! We’re open to all the wisdom.

Prepare (learn your craft and about the industry; work on what you can control). Practice (write, revise, share, submit, repeat). Have a Positive attitude (celebrate small successes). Persist! 

Speaking of wisdom: what’s one piece of writerly advice/wisdom that you feel has been most helpful to you as a writer?

Keep going! 

Okay, now we’ve entered the book portion of the interview. Tell us about your newest book! Starting with: What was your inspiration? 

My newest picture book, GILBERT AND THE GHOST (illustrated by Jess Mason; Beaming Books, August 2025), began with two things – a title idea and a childhood memory. The title came about during Tara Lazar’s 2020 StoryStorm challenge. I like wordplay and thought “ghost writer” had potential for a picture book title (notice it’s not the title of my book now). The childhood memory came from my happy place – the beach. Beginning when I was two years old, my parents and my aunt and uncle rented the same beach house every year. I have many fond memories of summer days with my cousins at the beach, but as I brainstormed ideas for what to do with my fabulous title, I recalled one memory in particular. Before we left our rental for the season, we would hide a note somewhere in the house, hoping to find a reply when we returned the following year. Surely someone would want to be our pen pal! The next year, we’d check our secret hiding spot. Did anyone reply? No. But our note was missing! Someone must have read it, right? Maybe they did reply, but another renter received the note before us. So, we tried again, for several years, believing that eventually we would become friends with another beach lover, even if we never met. With that memory in mind, I wondered if I could write a story about a child who wrote notes to a ghost he believed lived in his neighborhood, even though no one else believed. A friendship story between a child, who understood what it was like to feel invisible, just like a ghost, and a ghost, who might want a friend too. So, I did!

Here is what the jacket copy for GILBERT AND THE GHOST says:

The ghost at 632 Savannah Street is real . . . right?

Gilbert often feels invisible, just like the ghost living at 632 Savannah Street. Despite his family’s disbelief, Gilbert leaves gifts for the ghost: a friendship bracelet, a plate of cookies, even a drawing with a note. When each disappears one by one, Gilbert finds that believing and friendship are worth the effort.

For kids who might often feel unseen, Gilbert and the Ghost is a ghostly tale of overcoming obstacles and finding friendship in mysterious places. Gothic, whimsical illustrations make this picture book perfect for spooky season, while its earnest themes make it worth a read all year round.

I didn’t plan it, but I realized much later that the story themes in Gilbert are a lot like what many authors/illustrators experience when they are trying to succeed in the industry. Gilbert, who sometimes feels invisible, believes in something most others around him don’t; but he perseveres and patiently keeps trying to achieve his goal (even though sometimes that’s difficult). I think we in the kidlit community can relate to feeling invisible when we submit into the “void” and often hear nothing back. Yet, like Gilbert, we persevere and try to be patient (even though that’s often difficult!). I am fortunate to have a very supportive family, and I’ve found the kidlit community to be extremely encouraging, but I know some creators encounter a lot of unsupportive (even if well-meaning) “doubters” just like Gilbert does with his family. So, I dedicate this book to all of you out there who are taking the steps to pursue your dream. I believe in you!

You shared something with me about feedback you received from the publisher on your book’s ending, and I really loved this experience because I think it’s very important as a writer to know when to budge and be flexible on something and when to tactfully stand your ground on something that speaks to your authentic author “voice” and the intention and vision that you have for your work. Could you tell our readers about your experience with this?

Absolutely! Before we got an offer from Beaming Books on GILBERT, the acquisition team came back with a few questions, one of which was about the ending. Earlier in this interview I talked about receiving agent feedback regarding what she felt was an indecisive ending, so I worried I might not receive an offer from Beaming if I gave them the “wrong” answer. But it was also important to me that the ending stay true to my intent. I don’t want to give the ending away, so I will refrain from providing specifics, but I will say that I crafted a carefully worded answer to their question, sent it to my agent for approval, and she sent it along to Beaming Books. Thankfully, they offered!

What are you most excited about with the publication of this book?

Even though I’ve seen the final digital version, I’m looking forward to holding a copy in my hands! It’s been a long wait for this book and I’m incredibly proud of it. I’m also excited to see the educator guide my daughter is creating for the book (she’s a teacher and created a fabulous one for PAISLEY), for a ghost-themed book launch at Children’s Book World, and for more readings and school visits with children!

When does the book come out, and when can we pre-order?

GILBERT AND THE GHOST officially releases on August 19, 2025, but you can pre-order now! Ordering links can be found on my website HERE.

I have a special offer for everyone who pre-orders the bookfree SWAG! To get your SWAG, email or message me with proof of your pre-order purchase (you can use the contact form on my website; links below).

Any last words of inspiration that you’d like to share with our readers today?

Take a lesson from Gilbert – believe in yourself!

Thank you for joining us again, Heather. It’s truly been a treat having you. We’re all wishing you the best and continued success on this mountainous journey that is kidlit publishing.

Thank you, Chelsea, for having me on your blog again!

But that’s not all, friends! Now it’s time for…

A GIVEAWAY!!!

This month, Heather is offering a choice of either one signed copy of GILBERT AND THE GHOST or one critique of a fiction picture book, up to 800 words (preferably fiction).

HOW TO ENTER THE GIVEAWAY

  • Leave a comment on this post!
  • And if you haven’t already, like this post and subscribe to the blog and/or newsletter!

That’s it!

Want extra entries? Share and tag on X @chellysbooks or Instagram @chelseasworldofbooks, and I’ll add your additional entry to the giveaway pool.

DEADLINE TO ENTER: 11:59 PM CST ON LAST DAY OF APRIL 2025

Did you enjoy this interview?

Thank the author & host by purchasing or reviewing a copy of one of their books or by requesting it be purchased by your local school or library! Using the sponsored links below to purchase also helps support this blog.

Heather Stigall uses her experience with children and her degrees in Child Development, Psychology-based Human Relations, and Social Work to create stories that speak to kids. She is the Critique Group/Meet & Greet Coordinator for the Eastern PA SCBWI Chapter, a member of the 12×12 Picture Book Challenge, and a wife and parent to five children and one pup. When she’s not writing, you can find Heather hanging out with her kids (hopefully at the beach), reading, eating chocolate, baking, or creating all sorts of treasures. Her debut picture book, PAISLEY’S BIG BIRTHDAY (Clavis Publishing) released in August 2023, is available in five additional languages and is a 2023 Keystone to Reading Elementary Book Award nominee. Her second picture book, GILBERT AND THE GHOST (Beaming Books) is due out August 2025. You can connect with Heather through her website, HeatherPierceStigall.com, and her social media links at https://linktr.ee/HeatherStigall. PAISLEY’S BIG BIRTHDAY (Clavis, 2023) GILBERT & THE GHOST (Beaming Books, 2025)

Connect with Heather Stigall www.HeatherPierceStigall.com FB Heather Pierce Stigall, IG @heather_stigall7, Bluesky: @heatherstigall7, Twitter/X @heather_stigall

Looking for custom writer, librarian, or book-lover-themed swag and/or accessories? Visit my Zazzle store! Want to see a curated list of my personal favorite books and recommendations? Visit my bookshop page! Want to browse favorite writing accessories, books by genre, and cozy reading must-haves? Visit my Amazon Storefront!

Looking for a specific topic? Browse the list below to find a link to information on one of these topics:

MARCH 19TH, 2025, FEATURE INTERVIEW WITH FUNNY CHILDREN’S BOOK AUTHOR BRITTANY POMALES, CONDUCTED BY CHILDREN’S BOOK WRITER, BLOGGER, AND FORMER LIBRARIAN CHELSEA DICICCO

In today’s Feature Interview, I’m talking with children’s book author Brittany Pomales. We’ll be sharing funny stories and delving into the key ingredients for mastering humor in picture books. What makes a funny manuscript stand out in a crowded marketplace? And how can you make readers laugh out loud while also weaving in other hooks and themes? We’ll explore the answers!

But before we do… here are a few things to know about feature interviews.

THE SCOOP: WHAT ARE FEATURE INTERVIEWS & WHO ARE THEY FOR?

Feature Interviews are a free resource for writers and illustrators at every stage of the publishing journey.

Every month, I collaborate with industry professionals—authors, illustrators, editors, and agents— many of whom were or currently are also educators and librarians, to discuss all things publishing.

What can these interviews offer YOU?

These interviews give readers an up-close and personal look at the world of publishing from an array of different perspectives on every side of the desk and offer insight into tips, resources, and advice on how to:

  • stay current with market trends
  • hook an agent or editor
  • find writing community & other resources
  • discover workshops, contests, and other events
  • figure out which path of publication is right for you
  • know if your agent is a good match

And more!

AND… if that’s not enough, every guest offers at least one giveaway prize—sometimes more. This means you have multiple opportunities to win prizes every month! *If you’re interested in entering the giveaway, scroll to the bottom of the interview for instructions.*

Not that we’ve shared a little about what’s in store… it’s time to jump into our interview!

Brittany, we’re thrilled to have you here. Really and truly. First thing first- where can we find you on a map? Doesn’t have to be the exact location- just a ballpark.

Absolutely a pleasure to be on your blog, Chelsea! You can find me in the very dry, very hot state of Arizona. Send water.

How long have you been writing, and when did your love for writing first begin?

I don’t recall the early years but I vividly remember entering a writing contest in the sixth grade and being offended by the certificate of participation. I was sure I was going to win. I didn’t even get an honorable mention. In hindsight, it wasn’t a great story. Don’t tell younger me I said that. 

Have you always been a big reader? And what are some of the books/authors that have been most influential to you as a writer?

A mega-reader. As a child, my local newspaper interviewed a few kids at the local library and I took it as my soapbox to complain about how the next book in the Series of Unfortunate Events series was always checked out. It changed nothing. You would think they would have purchased some extra copies. 

-That’s too funny! I love the picture.

Speaking of books… As you stated in your application for the feature interview lineup, “There are a lot of women writers in kidlit community who feel disheartened when trying to publish funny books. Humor is so subjective!” And I think everyone who has ever dabbled in writing (and querying/submitting) humor manuscripts can wholeheartedly agree. So tell us… what’s the secret sauce to writing funny books? 

I watch a lot of Gordon Ramsey and the secret to a good sauce involves quality ingredients but also a layering of flavor. And it is easy to underestimate the impact of the proper amount of salt and acidity. The same applies to writing funny books. Like knowing how far to take a joke. With picture books, it’s easy to leave a scene too early or not drive deep enough in a scene to keep your word count down. But nine out of ten times—a statistic I just made up—there is an opportunity to up the humor by adding that extra beat.

Okay, so now, you have a hilarious concept. Seriously, everyone’s laughing about it. Now what? Let’s talk about the process of making manuscripts shine. What tips would you give to a writer who’s looking to conquer their craft?

Writing funny looks easy, but it is far from it. That’s why I created Kidlit Haha Week, a week-long dive into writing and illustrating funny books for children from April 1st – April 5th. Every day, you’ll find a new blog post written by a funny author, editor, or illustrator on my website Brittanypomales.com that dives into the nitty-gritty of writing funny. For FREE! 

My best tip would be to join us. No pressure to attend live. Read along whenever you can. This is its second year. The goal is to eventually have an archive of content funny writers can use whenever they need it.

-Such a fantastic resource for humor writers! Thank you for sharing!

“Writing funny looks easy, but it is far from it. That’s why I created Kidlit Haha Week, a week-long dive into writing and illustrating funny books for children.” – Brittany Pomales

What helped you to master your craft of humor? Explain.

I watched a lot of Abbott and Costello with my dad as a kid. This helped me learn to think funny. And I Love Lucy is my true north when it comes to humor. But what helped me most to apply that to my writing was my mentorship with Dev Petty through Pbchat. She helped me achieve the layered flavor of humor—if I may continue the metaphor—in my manuscripts. 

When writing humor, how do you balance the funny with other hooks and themes? If you have any examples of other books that you think do this well, we’d love to hear them!

Sometimes a story idea is really just a joke. And when trying to add layers hooks and themes can feel forced. I think the best way to achieve balance is to try and plot out your joke and hook/theme before sitting down to write. I know. I’m a pantser. But it will help make sure there really is more to the story to avoid it feeling one note and it will save you time later down the road.

Hornswoggled!: A Wacky Words Whodunit, written by Josh Crute and illustrated by Jenn Harney, is a great example of balancing humor with the hook of using wacky words. The wordplay is so integral to the story that nothing feels gimmicky or forced. That was a challenge I had when writing IT STARTED WITH A P since I heavily use words that begin with the letter P throughout.

-I love the book recommendation! And such great advice!

Were there any resources that you remember being super valuable in your writing journey? It could be a group/organization/contest/etc. We’re all ears! (Corny, I know.)

PBChat, which is no longer, was by far the most valuable resource for me. Justin Colon hosted weekly chats that ultimately turned into a three month mentorship. He ran them both for free for several years. 

The chats started just as I began to learn the craft. It helped me find community and provided me with information faster than I could figure out what I needed to ask. And I absorbed it all. Or at least tried, too. Then, in its third year of the mentorship program, I was selected as a mentee. 

Although readers can no longer benefit from PBChat, in its absence, the PB Rising Stars mentorship was formed, so there are still free resources out there.

-Yes! PB Rising Stars is another great resource for sure!!

Okay, we’ve found our support system of other writers/groups/critique partners, we’ve mastered our craft of writing funny, and we have a killer concept and several great hooks. Now the question is, how do we get an agent/editor to love this book as much as we and our critique group does?!

There is nothing you can do to make someone love your book. Although, wouldn’t it be nice? It can be the funniest fart book ever written, but if someone doesn’t like potty humor, it will never land. The goal becomes to find the person who does love potty humor and can appreciate your funny fart book. And the best way to do this is to search high and low. Submit, submit again, and then submit some more. Which is frustrating and exhausting. So take a break, vent to your critique group, and then hit submit, yup, again.

-The perfect advice. YES!!!

“There is nothing you can do to make someone love your book. The goal becomes to find the person who can appreciate your book. And the best way to do this is to search high and low. Submit, submit again, and then submit some more.” – Brittany Pomales

Can you talk to us a little bit about your querying/submission journey and how you ended up with your current agent and book deal? We’d love to hear the behind-the-scenes!

I was in the trenches for about five years before connecting with Stefanie. Like most of us, I jumped in too soon. But after a few years of hard work, I was a part of both the Pbchat showcase and PBparty showcase but ultimately found my agent through cold querying. 

I queried Beth at Ladderbird because she represented a writer I knew. I was notified through Query Tracker that she forwarded my submission to Stefanie. I didn’t know much about her, so I did some googling. Her manuscript wishlist didn’t mention humor at all, so I wasn’t sure whether to get my hopes up. But Beth had to know something I didn’t if she forwarded her something that wasn’t on her MSWL. 

Stefanie asked to read more, then we set up the call, and her offer came shortly after. I signed with Stefanie in July of 2022 as only a picture book writer. I know it can get discouraging when a lot of agents ask for author-illustrators or a writer who writes for multiple audiences but it does still happen! 

We did a final polish on IT STARTED WITH A P. It had already been edited so much. And we went out with it in September. We had an offer by the end of October. And though that book sold quickly—about seven weeks—nothing else in my career has moved that fast. 

-Wow! This is so great. I love hearing how agent/author matches are made.

What are some of the challenges you’ve had to face on your publishing journey, and how have you been able to combat them?

The unknown is so hard for me. I excelled at school because there were syllabi and ways to measure how you were doing. In corporate jobs, there are benchmarks to meet for raises and promotions. Pursuing publication is like reading tea leaves. You try your best to interpret what’s in front of you, but you have no idea. Throwing spaghetti at the wall, as most of us say. 

As a strategist—it’s my personality type—it is so tough for me not to know. So, I focus on the small areas where I can strategize. Like creating sublists with my agent or deciding on how many books to send out on sub each year. 

For writers who may be passionate about writing funny books for kids and who may have been querying to no avail for a number of months, or even years, with no bites, what words of comfort and/or advice would you like to share with them?

Hearing no so often makes you wonder if you’re good enough. You are! If you’re going crazy. A little bit. And whether it’s all worth it. Maybe. 

Asking yourself these questions occasionally is normal but if you’re asking them almost daily please take a break. I assure you publishing will still be here if and when you’re ready. 

Let’s talk marketing! Writing a funny picture book that sells. How have you been able to incorporate marketing into your publishing journey as a debut picture book author?

The best part of a long journey is being able to watch those who are ahead of you. Why reinvent the wheel right? 

Everything from website designs to blog tours. I watched what other funny authors did to promote their books. What did I like? What didn’t I like? As both an author and a reader. 

This allowed me to get into the mindset of marketing my book and break it down into bite-sized chunks. Which made it far feel less scary when my time finally came. 

-Such a great attitude! And smart idea. Learning from others is so helpful!

What are a few key things you’ve been able to do to help promote/market your book?

This is going to sound obvious, but talk about the book. That includes sending cold emails to bookstores/bloggers/podcasters/bookstagrammers. Which feels scary but I’ve heard ‘no’ so many times throughout this journey that, honestly, a few more wouldn’t hurt. And you’ll be pleasantly surprised by how many people say yes. 

They say trial and error and experience make the best teachers. With that in mind, what are some things you’ve learned along the way?

I learned what kind of writer I am, along with my strengths and weaknesses. I wish it didn’t take so long—about fifteen years. Most of that time was figuring out I wasn’t a novelist. All the years I tried, I didn’t finish one novel. After I figured out I was better suited for short-form, it still took me years to land on funny picture books. 

Speaking of learning along the way. If you could go back in time, what’s something you wish you had known about publishing sooner? And why?

The business of it. I’m still learning since I am just debuting, but I feel like I would have handled my early years a little differently had I known. But I mean, we all jump into it a little naively. We just want to share our stories with the world, but there is so much more to it. 

Okay, now we’ve reached the book portion. Tell us about your book! What’s it about? What was its inspiration? And what do you hope readers will get from reading it?

On the night before his birthday, King Liam has a dream that his birthday will be ruined. But upon waking, he can’t remember what ruins it except that it started with the letter p. Naturally, in a mad dash effort to stop this pesky P, he orders Cedric, his royal advisor, to rid the palace of Ps. 

The idea began with the phrase ‘The Land of Nothing’. It led me to question how a land that once had many somethings would end up as a land with nothing. Underneath all the humor, it became a story about letting anxious thoughts ruin your day. Something I’ve personally struggled with. 

Mostly, I hope readers—young and old—can laugh at the outlandish measures King Liam takes in his effort to save his birthday. For those who need it, I hope they resonate with the message that all that worrying didn’t help King Liam in the slightest.

Speaking of readers… what has the reaction been from readers?

I wondered how the younger readers in the 4 – 8-year-old range would react to it. I use some pretty big words. (perplexed, preposterous, etc.) But it seems the younger kids love hearing all the p words, and the older kids enjoy trying to figure out what the problematic p is. And, of course, readers of all ages love the illustrations. 

Have you been able to do any author events? If so, when/where? And pics, please!

Not yet, but soon! I have a book launch scheduled at Changing Hands Bookstore in Tempe, Arizona, on Saturday, April 12t,h and I cannot wait. In addition to a storytime, kids will be able to decorate their own crowns. I even have a six-foot inflatable letter P. 

What have the highlights of your author journey been so far?

Every step of making the book. From the first sketches to physically hold the book. They have all been ‘is this real’ moments for me. 

Next up on the highlight reel is seeing children enjoy it. Eventually, by my own children—who are a bit too young at the present. 

What’s one piece of wisdom that you’d like to share with other creators?

Publishing is a bit like the comedy TV show Whose Line is it Anyway, where everything is made up, and the points don’t matter. 

Thank you so much for joining us today, Brittany.

But that’s not all…

We have one more item on the agenda.

And that is THE GIVEAWAY PRIZE.

GIVEAWAY

For the month of March, Brittany is offering 1 winner a choice of a humor PB critique (prose or rhyming, up to 750 WORDS) OR a signed copy of IT STARTED WITH A P (US Only.)

HOW TO ENTER THE GIVEAWAY

  • Leave a comment on this post! That’s it.

And if you haven’t already, like this post and subscribe to the blog and/or newsletter!

Want extra entries? Share and tag this blog post on X @chellysbooks or Instagram @chelseasworldofbooks, and I’ll add your additional entry to the giveaway pool.

DEADLINE TO ENTER: last day of the month (March 2025) at midnight CST.

FAQ:

What if I was already subscribed to the blog? Does that mean I won’t qualify for the Prize Giveaway? Not at all! If you subscribed before this month, all you’ll need to do is LIKE this Feature Interview and leave your COMMENT below this post within the deadline (the current month/year entry was posted).

Did you enjoy this interview?

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Purchase IT STARTED WITH A P

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Brittany Pomales wrote It Started With a P. Unless you didn’t find it funny; in that case, someone else wrote it. When she isn’t writing books, Brittany is often playing with, singing to, and or reading to her son and daughter along with her husband and dog in their Arizona home. She has celebrated over thirty birthdays. Thankfully, none have resulted in a celebration crisis–yet!

www.brittanypomales.com Twitter/X – @brittanypomales IG – @brittanypomale Bluesky – @brittanypomales.bsky.social

Looking for custom writer, librarian, or book-lover-themed swag and/or accessories? Visit my Zazzle store! Want to see a curated list of my personal favorite books and recommendations? Visit my bookshop page! Want to browse favorite writing accessories, books by genre, and cozy reading must-haves? Visit my Amazon Storefront!

Looking for a specific topic? Browse the list below to find a link to information on one of these topics:

BOLDJOURNEY Magazine, Interview with Kidlit Author, blogger, Entrepreneur- Chelsea DiCicco

Working in a creative field can be tricky… and mentally exhausting. This career path is littered with wonky obstacles and challenges, one of those being the struggle to keep creativity alive. So where does the happy medium lie between balancing life and keeping creativity thriving?

FEBRUARY 2025 FEATURE INTERVIEW WITH LIBRARIAN AND CHILDREN’S BOOK AUTHOR MAKENZIE HICE, CONDUCTED BY CHILDREN’S BOOK WRITER, LITERARY BLOGGER, AND FORMER LIBRARIAN CHELSEA DICICCO

Today, I’m talking with storyteller + filmmaker + Children’s Books Author AND Librarian Makenzie Hice. We’ll be diving into finding inspiration from books, discovering ideas for stories, challenges of the writing process, and the importance of being kind to yourself while creating.

Before we get started with our interview, if this is your first time visiting, here’s a sliver of what you’ll find here on the blog. THE BLOG houses pretty much an endless array of resources and helpful tips for writers and illustrators- and the list is always growing, but one of the most popular and truly incredible things that the blog has to offer is the FEATURE INTERVIEW segment, founded in 2022 and hosted by yours truly, Chelsea DiCicco.

You might be wondering…

WHAT ARE THEY?

WHO ARE THEY FOR?

HOW CAN THEY HELP ME?

Let me shed some light…

Feature Interviews are a monthly collaboration of industry professionals, including authors, illustrators, editors, and agents, having real conversations about the ins and outs of publishing. Many featured guests were at one time, or currently are, also educators, librarians, or booksellers. Their input and perspectives on publishing bring an invaluable amount of knowledge both for newly aspiring authors and/or illustrators, as well as those who are well-established.

These conversations help provide writers and illustrators with tools and insight by giving them an up-close look at publishing across a diverse collection of viewpoints from different sides of the desk. Every month, we dig deep into the behind-the-scenes of publishing, share tips and resources, and provide answers to common (and not-so-common) questions. We also offer PRIZE giveaway opportunities to all readers who take the time to either leave a comment on the blog post or share it on social media. Prizes include free merchandise, one-on-one Zoom mentor calls or Ask-Me-Anythings, manuscript critiques, and more.

Now that we know what’s in store, let’s get this ball rolling!

Makenzie, it’s so great to have you on the blog with us this month! It’s no secret I love libraries and always have a soft spot for talking to fellow librarians. And even though I technically no longer work in a library anymore, I feel like it’s a “once a librarian, always a librarian” type of thing.

Even when I am no longer working for the library, it will always be a significant place for me. The Dewey Decimal System will forever be ingrained in my brain. 

Okay, so to get us started, could you tell our readers where you’re located?

I currently live in Portland, Oregon. We are known for our rain here.

Wonderful! So, Makenzie, when reading through your bio in your application for the 2025 Feature Interview lineup, it was very apparent that you have a real love for storytelling. And I thought it was interesting that you mentioned your interest in storytelling was first developed through filmmaking. Could you tell us more about this?

I fell in love with filmmaking when I was fourteen. I started making my own short films with my friends as a creative outlet. I always loved movies and was enchanted by the endless possibilities of visual storytelling. I didn’t know exactly what I wanted to do in film, so I tried a little bit of everything. My favorite director as a teen was Stanley Kubrick, which is funny to look back on. My goals as a storyteller are the complete opposite now.

I’d love to hear the process of how one form of creative arts led you to find another! Can you tell us how you got from point A. filmmaking to point B. writing?

When I went to Portland State to study film, I wasn’t sure what I specifically wanted to pursue. Once I took my first screenwriting class, my heart was set. I loved being able to make something out of nothing. When it comes to writing, I found relief in knowing not too much could go awry. If I write myself into a corner, I can write myself out of it. I had a favorite screenwriting professor and I took every class of his. He taught me so much about enjoying the process and not beating myself up. Seeing someone who was successful with such a light-hearted attitude when it came to writing really inspired me to stick with it. Writing is hard work, but it doesn’t mean you have to be hard on yourself. 

When and how did the pursuit of your publishing career begin?

I was graduating from college in the Summer of 2020. We were all living in an uncertain time, and I felt very lost. I asked my screenwriting professor for advice on where to look for opportunities. He encouraged me to not limit myself. “You are a writer, not just a screenwriter,” he said. Writing children’s books was something I had considered, but I had no idea where to start. Since I was unemployed and had all the time in the world, I started researching how to construct a manuscript and went from there. I took my screenwriting knowledge on structuring stories and developing characters and morphed it to fit the picture book format. I was surprised by how well my past knowledge lent itself to my new phase of writing.

From the time you first began your publishing journey, how long did it take you before you found your “yes” and could you tell us how that happened? (Was it through a contest, a cold query, an in-person event, or something else? Was it an editor/publisher who you submitted directly to?)

I looked up publishers who were accepting unsolicited manuscripts and found several useful lists. I am grateful for how much helpful information there is on the internet. I then took the leap of sending out a manuscript. It was scary, but I figured I couldn’t expect anything from the universe if I wasn’t willing to put myself out there. When you submit to publishers, you may get a polite rejection or hear nothing at all. The first manuscript I sent out received a few rejections, but mainly it was crickets. I then wrote Angel and the Paper Trail and sent it to about five publishers. Within a month, I received an email from Clavis Publishing telling me they wanted to publish my story. My first “yes” came about 5 months after beginning my children’s book-writing journey. I understand my situation was very lucky. I sent the right manuscript to the right person at the right time. I don’t say this to discredit the work I put into it, but I am aware of how long extremely talented people have had to wait to get their first “yes.” I was given a rare opportunity before I had a strong grasp of what I was doing.

I saw on your application that you aren’t represented by a literary agent. Have you been at any point, and/or is that something that you are interested in pursuing in the future?

I have never been represented by a literary agent, but it is my dream to have one. Right now, I am in the rejection portion of my career. I am consistently submitting to agents, adding to my growing list of rejections. Getting rejected isn’t fun, but it is a huge part of the journey. I don’t take it personally. I just let myself feel what I need to feel, dust off my shoulders, and keep trying. I will gladly pay my dues in order to earn the growth I need.

If you weren’t represented by a literary agent for your previous book deals, could you tell our readers about what your experience was like when going through the process of handling and negotiating publishing contracts independently?

My negotiating process wasn’t very extensive. They emailed me the contract. I read it over with my mom and signed it. I am by no means saying this is the best approach when signing a contract, but it is what felt best for me at the time. It was my first book, so I had no prior experience. I’m still learning about the business side of this industry. If I have the fortune of signing another contract in the future, I think there will be a more in-depth conversation going on.

For writers and/or illustrators who are considering submitting directly to publishers without solicitation, do you have any helpful tips you might like to share?

Keep looking and be patient. Publishers’ and agents’ submission windows often change, so it’s good to consistently do research. You may not have a manuscript that is a great fit for a specific publisher right now, but something you create down the line could be. You can’t predict exactly what people are looking for, so don’t be afraid to try different things. 

Let’s talk about finding inspiration from books. Have there been any specific books that you can recall that really inspired your creative career today? Explain.

Ever since I was young, I’ve been drawn to sweet-gentle stories. I loved the work of Arnold Lobel (The Frog and Toad series) and Else Holmelund Minarik (The Little Bear series). They have helped shape my view of the world, teaching me to look for the little moments of joy in life. Those are the things that keep my heart warm. When I get caught up in stress, I revisit these stories to remember why I started doing this in the first place. 

What are some ways you strive to keep your creative juices flowing, in turn helping you continue discovering new ideas for stories?

Working in a library, I get to be surrounded by books every day. This allows me to see what’s coming out and what classics have withstood the test of time. Pulling inspiration from both old and new gives me a good sense of what kind of stories children are drawn to. Reading children’s books helps keep my childlike view alive. They bring up old memories from when I was a child. Revisiting perspectives I had when I was young helps me tap into a whimsical imagination I once neglected.

Have there been any challenges you’ve had to face during the writing process/publishing journey, and if so, what are some ways you were able to overcome them?

I have trouble trusting my instincts. If I get too close to something, I can’t see it from another point of view. I may have a general idea of what I want to convey, but I can’t find the right words. I overthink and let it stop me in my tracks. Over time, I have learned it is easier to edit a page of clunky words than a page of nothing. I have had to become okay with creating a mess and cleaning it up little by little. The more experience I can get working through my mistakes, the stronger my writing muscles will become. 

I love the idea of being kind to yourself while creating. It’s so, so, so important. We often look at and talk about the “fun” side of creativity and the “beauty,” which there is a lot of fun and beauty in it, BUT being creative can also take a LOT out of you. Especially if you’re harnessing it to be used in your everyday career. And if you don’t take time to properly recharge that creativity, you can find yourself on the flipside completely energy-drained. Can you speak to what it means to be kind to yourself while creating? And what are some ways you’ve been able to do this? (If you’d like to mention other ways of being kind to yourself while creating, like not holding yourself to standards of perfection, not comparing yourself to other people’s successes, etc., Feel free to add that as well!)

In order to get better at something, you have to be bad at it for a while. It can feel really uncomfortable. I used to beat myself up if something wasn’t coming easy to me. It takes time to create. The more you try to force it, the more frustrating it will become. It is important to take a break when you hit a wall. When I am burnt out, I give myself a week to catch my breath and clear my head. Pursuing a creative path can be emotionally draining. I think there may always be a little voice in the back of my head whispering, “You’re not good enough.” I can’t silence that voice, but I can acknowledge it for what it is. It is a feeling, not a fact. As soon as I stopped bottling up my negative emotions, the more at peace I had as a writer. Balance looks different for each person. Celebrate the little accomplishments. Even If you were only able to write for fifteen minutes, be proud of yourself. Every little bit counts. You can’t give it your all every single day. You have to find a routine that works for your life.

Okay, I’m itching to know more about your work in the library. How long have you been a librarian? And which library do you currently work in (if you feel comfortable mentioning)?

I have been working for a Multnomah County Library for about three years. It is a three-story building, which lends itself to housing many books. I am actually not a librarian, but just a library worker. I shelve books, make library cards, and do many things to help patrons get what they’re looking for. I share a lot of the work with the librarians, but they are much more qualified and educated than me. Before working in a library, I thought everyone who worked there had a Master’s Degree in Library Science. I was pleasantly surprised to learn this wasn’t the case. There are workers with varying levels of education. This made it possible for me to work in such a cool place.

Have you been able to host any author events at your local library? 

I haven’t. To be honest, I feel sort of sheepish when it comes to talking about my book at work. This past year, I have been trying to come out of my shell more and be better at sharing my accomplishments with the people around me. 

My book on display at our library!

Speaking of local author events, I’d love to hear about any events you’ve been able to participate in: local/virtual school visits, bookstore visits, library storytimes, etc.

I have done two events at local bookstores. My first event was at Herringbone Books in Redmond, Oregon. I also did a reading at Green Bean Books as part of their back-to-school storytime. I feel very grateful for how kind everyone at these stores was. Last year, I got to visit my brother’s second grade class. It was my first time seeing him in teaching mode. His students were thrilled to meet their teacher’s sister. They were such an engaged audience. I brought little papers so they could make their own notes. I loved seeing how excited they were as they picked their papers and brainstormed what they wanted to write.

My first event at Herringbone Books in Redmond, Oregon!

What has the response to your books and/or events been? Have you had any particularly positive/kind responses while visiting with patrons/classrooms/families? (This could be anything! A kind card. A hand-drawn picture. A thoughtful comment. Etc. Again, if you have pictures you’d like to share, please email them to me as attachments to chelseasworldofbooks@gmail.com)

For the few events I have done, I went into them feeling super nervous. I became a writer because I liked the isolation of it, so being the center of attention is something I struggle with. Despite my nerves, everyone has been so wonderful to me at these events. Someone who had reached out to me through social media months earlier was able to attend one of my events. It felt so amazing to have someone support me in that way. Her kind message had meant so much to me, making me cry happy tears. Getting to meet her in person was so special.

What have been some of your greatest highlights/memories/milestones on the publishing journey? (Again, if you have pictures you’d like to share, please email them 

Seeing my book on a library shelf was definitely a pinch me moment. As I was going about my regular day at work, I looked up to discover it sitting there. It was in the company of so many wonderful stories. It was surreal. Another big moment for me was when I found out my book made it onto the Children’s Books Council’s (CBC) 2024 Children’s Favorite list and Teacher Favorite list. It was such an honor to be included. It helped me feel confident at a time when my imposter syndrome was at its height. 

Okay, we’ve arrived at the book portion of the interview. Please tell us about your books! 

My book, Angel and the Paper Trail is about a young boy who is new to his school and struggling to make friends. He finds a mysterious note inside a book at the school’s library and sets off to find out who wrote it. With the help of his classmate, he begins his search. With each clue they follow, their search team grows. 

This story was inspired by the time I spent at the library when I was younger. I hid many notes in library books and wondered if anybody ever found them. 

What do you hope your readers, big and small, will experience and/or gain from your stories?

I just hope to bring a little bit of joy and comfort to readers. If readers walk away with a smile, then my job has been done. 

Any last words of wisdom you’d like to share with our readers today?

A creative path is not an easy path, but it is so rewarding to do what you love. It may feel as if you are not moving forward, but you are making more progress than you think. Accept support and find ways to support others. This community is full of so much kindness. Root for others’ successes, and remember, your moment will come, too. 

Thank you so much, Makenzie, for joining us on Chelsea’s World of Books Blog.

Thank you so much for having me! Getting to be a part of this makes me feel like the real deal! And now… it’s time for a GIVEAWAY!

GIVEAWAY PRIZE: A FREE COPY OF ANGEL AND THE PAPER TRAIL

Makenzie is giving away 3 PRIZES (TOTAL) TO 3 WINNERS (TOTAL): 1 PRIZE PER WINNER.

HOW TO ENTER THE GIVEAWAY

  • Leave a comment on this post!
  • And if you haven’t already, like this post and subscribe to the blog and/or newsletter!

That’s it!

Want extra entries? Share and tag on X @chellysbooks or Instagram @chelseasworldofbooks, and I’ll add your additional entry to the giveaway pool.

DEADLINE TO ENTER: THE LAST DAY OF THE FEBRUARY 2025 BY 11:59 PM CST

Did you enjoy this interview?

Thank the author & host by purchasing or reviewing a copy of one of their books or by requesting it be purchased by your local school or library! Using the sponsored links below to purchase also helps support this blog.

Purchase ADHD and Me HERE

Purchase Angel and the Paper Trail HERE

Makenzie Hice grew up in Bend, Oregon, where she first fell in love with storytelling through filmmaking. She spent her summer days walking to her library and leaving notes in books. While attending Portland State University to study film, she uncovered her passion for screenwriting. After receiving the invaluable advice to try writing for other forms, she decided to take a chance at fulfilling her dream of writing a picture book. She currently works in a library where she is happy to be surrounded and inspired by thousands of stories. From time to time, she even gets the fortune of checking in and shelving a copy of Angel and the Paper Trail. Connect with Makenzie on Instagram @makenziehicewrites.

Looking for custom writer, librarian, or book-lover-themed swag/accessories? Visit my Zazzle store! Want to see a list of my personal favorite book recommendations? Visit my bookshop page! Want to browse favorite writing accessories, books by genre, and cozy reading must-haves? Visit my Amazon Storefront!

Looking for a specific topic? Browse the list below to find a link to information on one of these topics:

CanvasRebel Magazine, Interview with Kidlit Author, blogger, Entrepreneur- Chelsea DiCicco

As a creative entrepreneur, it’s my belief that shared experiences are part of the cornerstone for continued growth and success. Having the mindset that you can learn from anyone or any experience opens the door to limitless opportunities and helps you stay a forever student. Which is why I’m so passionate about sharing people’s stories!

If you’re a regular on my blog, you’re probably familiar with the Feature Interview segment, which features guests from all around the world sharing their literary journeys. Hosting these guests on my blog every month brings me such joy because I know that somewhere out there, it’s helping someone else grow!

Normally, I spend my time happily on the side of the host, but at the beginning of January 2025, I was approached by Sarah Garcia, a member of the editorial team of CanvasRebel Magazine, and invited to the other side as one of their interview guests. If you’re unfamiliar with CanvasRebel, they’re a fabulous organization whose mission is “to create a space for artists, creatives, and entrepreneurs to be able to learn from their peers through the magic and power of storytelling.” Which, for me, as a writer and literary blogger, is right up my alley. So, I immediately, without hesitation, said YES!