Hello again, and welcome back to the second Feature Interview of January 2024 on Chelsea’s World of Books Blog. Isn’t it nice to chat more than once a month? In line with our educational aquatic theme for the month, I’m talking with guest children’s book author and librarian Elaine M. Alexander. Elaine is the author of another splish-splashy ocean adventure entitled Anglerfish: The Seadevil of the Deep.
But before we get into the interview… just in case it’s your first time here, let me tell you a little about what makes segments special.
WHAT’S SO GREAT ABOUT FEATURE INTERVIEWS?
Feature Interviews are an INVALUABLE resource for kidlit writers and illustrators at every stage of their publishing journey. Not only are they a great way to stay current on market trends and learn more about the industry’s ins and outs, but they also give readers an up close & personal look at the world of publication from the perspectives of a diverse collection of creators.
Every month, I sit down with members of the writing community (authors, illustrators, editors, and agents), and we discuss all things kidlit publishing.
Here are a few examples of topics:
- Writing workshops and resources
- Diversity in literature and why it matters
- Where to find support and community
- How to improve writing craft and set goals
- How to deal with setbacks/disappointments and WAITING
- Helpful tips and suggestions for aspiring authors and illustrators
- Querying agents, contract negotiations, book deals, and time frames
- And of course- NEW BOOKS!
So, now that you know what to expect… let’s dive into our interview!
Elaine M. Alexander Bio
As an author and a librarian, books play a big role in my life! Anglerfish: The Seadevil of the Deep is my first nonfiction picture book. It has received both an SCBWI Barbara Karlin Grant and a Katherine Paterson Prize and was a Gold Medalist for the Bank Street College’s Cook Prize.
I’m pleased to share that I’ll have a second fishy tale coming out in 2025 featuring the giant cuttlefish, to be followed by one on fireflies in 2026! The shy giant Pacific octopus will make an appearance in a future book, too!
A fan of dark mysteries and the natural world, I am fascinated by all things extraordinary and unique. I write stories for all ages. I have one published teen novel, Death at Deacon Pond, and two historical novels that I am hoping to find a publisher home.
Currently the Assistant Director/Children’s Librarian at Deep River Public Library, I love sharing the joy of reading to the community I serve. I’ve been known to dress up in character for storytime and I have an impressive collection of costumes and props, from superhero to Mrs. Claus. If you are interested in a specialized storytime, contact me for more details.
THE BEGINNING OF IT ALL
Elaine, I’m so excited to have you on the blog today! I can’t tell you how much I enjoyed Anglerfish: The Seadevil of the Deep. Being a big nerd for science and animals- and of course, a lover of the ocean, it’s no surprise that I was hooked the moment I saw this one. And, I might add, it was released at the perfect time for our Summer Reading Theme in the library for 2022: Oceans of Possibilities.
But BEFORE we delve too deeply into the underwater world of your stories… let’s go back a little to what began your journey. How did you arrive here in the lovely, exciting world of children’s publishing?
I had encouragement from others! First, I took an advanced class with the Institute for Children’s Literature and wrote a novel. Second, when I was completing my undergraduate degree, I took a writing class with Dr. Lisa Fraustino, who is also an accomplished children’s writer. It was in her class that the first draft of Anglerfish appeared.
Have you always been a reader?
Yes. In fact, I was the only kid in my first-grade class who asked the teacher if I could take on more homework to learn to read faster. How’s that for motivation? I knew that reading was the key to unlocking a secret world that I wanted to be a part of.
Have you always enjoyed writing stories?
I credit my fourth-grade teacher, Mrs. Dempsey, for sparking my interest. She had the entire class writing stories and different forms of poetry all year long and even “published” the best of the lot. I still have my mimeograph copy. (Yes, mimeograph. I’m that old)!
I’m sure being a librarian has played a part in your love of reading and writing- and vice versa, I’m sure your love of reading and writing played a role in you ending up working in a library. Can you tell us, from your perspective, what it’s like working in a library and being a children’s book author?
It’s certainly fun when patrons come in to get my book and realize that I’m the author! When Anglerfish was nominated for the Cook Prize, the Deep River Elementary School media specialist, Karen Macione, was so excited that she immediately made sure that the students participated in voting. It was wonderful to get that kind of support and enthusiasm! I’ve also found that I’m a resource for other writers who reach out to me for help.
What are some of the benefits of being both a children’s librarian and a children’s book author? In what ways do these two career paths intersect? Do they help one another?
One of the best benefits of my dual careers is that I get very familiar with trends in the marketplace. As a librarian, I curate the collection for all stages of youth. I can see what books are popular with our user community and identify what books are needed based on the way our collection is used. It is also invaluable to be able to get research materials for new projects through the library!
Have you always known that you wanted to work in a library? Have you always known that you wanted to be a children’s book author?
No, but I should have! I was an AV aide for the library in elementary school. I used to ride my bike to the public library and the bookstore and spend hours there. I thought I was destined to be a teacher. The universe chose differently.
I’ve known for a long time that I wanted to write. I started to lean toward children’s writing in my twenties. I think we all have an appreciation for the immediacy of a child’s experiences and the way that books help explain and share that worldview. It’s truly a special thing that gets harder to hold onto as an adult, but ironically something we all long to keep reaching for.
Which came first, and how?
Writing came first. Librarianship was something I kind of stumbled into. I was working as a local reporter, and I would visit the libraries in our readership area to cover local events. I met Susan Rooney, a children’s librarian, and we started talking, comparing our career notes. She happily purchased my teen novel for the library. When a job opening came up at that library, I jumped on it, even though it was an entry level job. But fate is a funny thing. Although I have worked at different libraries during my tenure in Library Land (as I like to call it), I am currently working for that same librarian, Susan Rooney, at the Deep River Library. It’s no coincidence that she’s also included in my dedication for Anglerfish. She encouraged me and my writing long ago, and I never forgot that.
I love learning little tidbits like this! How very cool to be working with your early-on fan and cheerleader.
What was the final spark that led you into publishing, and how did it begin?
The Rutgers University Council on Children’s Literature conference was a big catalyst to my latest publication. If you’ve never been to RUCCL, it’s a unique conference. You need to apply with a writing sample in order to attend. You are matched with a mentor based on your writing sample, and you are allowed to submit to other editors and agents. Initially, I was disappointed because my mentor never responded after the conference. But, I ended up sending Anglerfish to an editor on the list who did me a great kindness – she passed my book onto another editor at Candlewick who loved it. When all the pieces come into place, and an editor loves your book – that’s an amazing thing.
BEHIND THE SCENES: FIRST DRAFTS & QUERIES: FACING REJECTIONS & CHALLENGES
Can you tell us a little about your querying process? When did you first decide you were going to take the plunge?
I always believe in doing my homework first, so after I had a manuscript completed, I researched publishers before drafting a query. I also rewrite my queries depending on who I’m querying. I like to personalize it if I can.
So, you’ve made the decision. Now what? Where did you go to find agents?
I started out in publishing without an agent and sold a teen book to a small publisher. Later, when I was interested in being agented to expand the market I could submit to, I used resources like SCBWI or Agent Query to curate a list.
What kind of response did you receive when you first started querying?
Lots of rejections, but some of them were very encouraging, and a few wanted to see more work.
Do you remember how it felt to send your first query letter? Do you remember how it felt receiving your first query rejection?
Initially, it all feels scary to put yourself out there, and rejection seems so crushing and unfair. Your skin gets thicker, and I think all writers know that chocolate is your friend when you get a rejection.
Were any of the manuscripts you queried early on ones that you’ve since been able to get published? If so, which one(s)?
Anglerfish was one that I had queried early on and rewrote many times until it finally found a wonderful home.
Were there any query mistakes that you made early on that you realize now and wish you had known before?
Obsessing over sent queries. Don’t do it. Or try not to.
How many queries do you think you sent out before you found your agent match?
I currently do not have an agent. When I did have an agent, I think I sent about 40 queries before I had an offer.
How did you end up with your current agent/agency?
I am currently without an agent. What I learned from having one in the past is that it is very important to find someone who is a good match for you. I’ve just now reached a point where I’m starting to consider if I’d like an agent again, and I’ve been very selective in who I query.
Thank you for sharing this, Elaine. I think this is a fantastic piece of information for writers and illustrators to take note of. Making sure that you’re paired with the right agent is so incredibly important- and worth the wait.
“What I learned from having one (an agent) in the past is that it is very important to find someone who is a good match for you.”
WRITING COMMUNITY, INVALUABLE RESOURCES & MOTIVATION
When you first started out, were you writing alone?
Yes. I don’t think it has changed that much!
Did you have anyone to use as a sounding board or to get feedback/critique on your work?
Yes. I used to have a great online critique group. I think any of those writers would still be there to read if I asked. Currently, for my STEM picture books, I ask a scientist/expert to read my manuscript for accuracy.
Where did you go to find your writing community?
SCBWI Blueboards – a wonderful source for new writers. Locally, I’ve met some people through bookstore events, and I try to stay in touch via social media.
Did you receive any helpful suggestions along the way? If so, who gave them, and what were they?
The writing class with Dr. Lisa Fraustino pointed out many wonderful resources, from SCBWI to The Purple Crayon. The advice I received was that finding out about the world of children’s literature will require doing a lot of research. These sites are filled with helpful tips. Study what others are willing to share, and keep improving your writing.
What were some of the biggest challenges you faced early on in the kidlit journey, and how were you able to overcome them?
Rejection. You get rejected a lot. The only way I know to face that is to grumble and complain to yourself and to your writer friends, but ultimately…. MOVE ON.
This is easier said than done. But seriously: Move on.
Did you ever experience any moments of self-doubt where you questioned if you should continue down the publishing road? If so, what helped you to get back on the horse, so to speak, and keep going?
Absolutely.
What helped me:
My online critique group: Robin, Amy, Jodi, and Shelley–fabulous writers and human beings.
My virtual writer friend and amazing author, Jo Treggiari.
My family and friends.
My innate stubbornness. Stubbornness is also known as persistence. You need to be persistent to get up and keep going.
If you had to share the top three most invaluable resources that have helped you as a writer, what would they be?
I mentioned SCBWI and The Purple Crayon. I also think the Facebook group KIDLITT411 is a good resource.
Was the choice to keep pursuing your dream of publishing worth it? Explain.
Yes. I had a long-time gap between selling a teen novel and selling Anglerfish. I came so close, so many times, to selling Anglerfish before I finally sold it. I was crushed each time that happened, but I kept a lot of my angst to myself. But I learned through the process. I used to focus so much on a submission, but I don’t do that anymore. I’ve reached a life stage where I am grateful for what I have. Nothing is guaranteed. Keep working toward the goal and try not to waste too much angst on things you can’t change – like those rejections.
Perfectly said!
“Keep working toward the goal and try not to waste too much angst on the things you can’t change—”
If you could share a single piece of advice with newly aspiring authors or illustrators, what would it be?
Write the first draft for you. Revise the manuscript with others in mind. And don’t forget to find joy and personal accomplishment in the process.
AUTHOR VISITS: LIBRARY VISITS, SCHOOL VISITS, BOOKSTORE VISITS
Okay, Elaine, we want to hear all about the author visits. Can you share a little bit about your author visits? School/library/bookstore- you name it! What do each of these visits look like for you? How long do they last? How do people book them? What have your experiences been like?
Since I have experience as a children’s librarian, I visited some local libraries and did a 30-minute story time with my book that included a reading, some music, a flannel board of the ocean layers, and a craft. Those visits were fun and certainly in my wheelhouse.
I’ve also done a few bookstore visits. I’ve had some that reached out to me others that I needed to follow the store protocol to set up. Once you’ve established contact, I find that the independent bookstores are so very welcoming. I’ve been asked to do a few events and festivals. Sometimes, it’s more of a meet-and-greet. Other times, you might be asked to do a reading. I always say yes when I can. Indie bookstores are filled with people who are so excited to promote books. They are people you want to collaborate with!
“Indie bookstores are filled with people who are so excited to promote books. They are people you want to collaborate with!”
Coming from the seat of a former children’s librarian myself and now working as my library’s social media manager and outreach and events coordinator, I’m familiar with how library author visits are set up. But, coming from the side of the desk of a new author who doesn’t have this experience and who’s looking to start booking events, can you share some of the ways you’ve done so in the past and suggestions you might have on how to go about this?
I’m a bit of a newbie on author visits, too! My best success at arranging local library visits has been to forge a personal connection. After that, I’d say it’s good to have a set program in mind. Librarians always want to know what you’re going to do besides read the book. So, having a program planned is important so that the library knows how to market you!
“…forge a personal connection…have a set program in mind…”
Let’s talk about the green side of things… and I don’t mean the seaweed. I mean the dollars! I think it’s fairly common not to think as much about the “business” side of being an author, because we’re so swept up in the romance of the dream of having our books published. Which is WONDERFUL. And MAGICAL. And GREAT.
But… the reality is… it is a business.
So, instead of shying away from the topic altogether- let’s talk about it! How do you go about author fees for your visits? What kind of packages do you offer, and how would you advise authors or illustrators go about setting up these boundaries for their visits?
Libraries are on tight budgets, so I factored that in when booking storytimes at libraries and kept the fee reasonable for my time.
I have only visited one school, which had a specialized alternative program. They were doing a unit on sea creatures and implementing an art lesson, so they wanted me to read the book and have time for questions.
I would advise authors to factor in what they might be providing to a school in terms of time and lesson planning and come up with a reasonable wage.
From the viewpoint of a librarian (which libraries are all about providing to the community at no expense), what are your thoughts on paid author visits? Why are they important, and what purpose do they serve?
As a small library, I can rarely offer more than a modest fee for an author. Exceptions tend to be if they have a fully fleshed-out program. For example, we had an author and former educator (Nancy Tandon) who did a fantastic writing program for our library last summer. The program was more than just a reading from her latest middle-grade novel, so it greatly benefited the attendees who were inspired to write. I think author visits can help patrons be introduced to books that they might be unfamiliar with and possibly inspire people who are interested in becoming creators.
I completely agree with you!
BOOKS
And now we’ve arrived at my favorite part- the books! Can you share a little about each of your books and the inspiration behind them?
Anglerfish started as a homework assignment. We were challenged to write a nonfiction piece that might be suitable for a magazine or picture book, and my son was crazy about Finding Nemo, so I chose the anglerfish. Since then, I have been inspired to write about creatures that I want to know more about. If I’m curious, surely someone else will be, too!
What do you hope to share with your readers in each of your books?
Honestly, I hope that they are inspired to look at the creatures I write about and see the beauty of the natural world. Every living being on our planet is amazing in its own way.
Do you have any favorite illustrations in your stories? If so, which ones are they and why?
Anglerfish is the only book currently out in the world, so it has the honor of being my favorite! Fiona Fogg is a talented artist, and it’s difficult to pick just one spread. I love the cover and the bright depictions of the young anglerfish. But I would say the last page, with anglerfish alone, really depicts her life. I had a Goodreads reviewer say that she felt a little teary after reading the book, and she couldn’t say why. I’d say it was that page! It’s brilliant.
Any last words of wisdom for those reading your interview today?
Stay curious about the world around you.
AND NOW… IT’S TIME FOR SOME MORE FUN PICTURES
It was fun to get recognition from Senator Murphy.
Thanks so much for joining us today, Elaine.
But we’re not quite finished. There’s still one last item on the agenda. And that is… the GIVEAWAY!
GIVEAWAY PRIZE
Elaine Alexander is offering the following giveaway prize(s).
Yes- you read that correctly. There are TWO prizes! Well… technically, three. For ONE lucky winner!
Drum roll please…
And the prize is…
A school visit (in person- within a 20-mile radius of her home in CT or via Zoom) and a signed copy of Anglerfish and the accompanying audio CD. So, make sure to enter the giveaway during the month of January for your chance to win! (Tag your teacher friends below!)
HOW TO ENTER THE GIVEAWAY
During the month of January 2024:
- Subscribe to Chelsea’s World of Books blog
- Like this Feature Interview
- Leave a comment below letting me know you’ve done 1-2.
And that’s it!
FAQ: What if I was already subscribed to the blog? Does that mean I won’t qualify for the Prize Giveaway? Not at all! If you subscribed PRIOR to this month, all you’ll need to do is LIKE this Feature Interview and leave your comment below this post.
Did you enjoy this interview? Thank the author & host by purchasing or reviewing one of their books below! Using these sponsored links also helps support this blog.
Elaine’s book
Nonfiction Picture Book: Anglerfish: The Seadevil of the Deep
YA Mystery: Death at Deacon Pond (It’s out of print, but I still have copies if anyone is interested!)
Keep your eyes peeled for Elaine’s coming books: Giant Cuttlefish will be out in 2025, Femme Fatale of Fireflies in 2026, followed by Giant Pacific Octopus with a publication date still to be determined.
Chelsea’s book
Neurodiverse Picture Book: ADHD and Me
Connect with Elaine M. Alexander
Visit her website: elainemalexander.com
Visit her Facebook: @elainemsalexander
Visit her Instagram: @elainemalexander
